If each of us alone we sleep.

Who shall comfort me tonight?
Sweet beauty with the sultry eyes,
Shall it be you?
Will you be my prize?
And let me in rapture rest
A  lifetime,
‘Gainst the pillow of your breast?

No, wait.
I see that needful look.
Same as me, I know,
Each of us having mistook
The other for a truth,
When truth,
We neither have been shown.

Come now with me ahead
In time,
And know your share,
Of all those peevish taunts,
When we are each laid bare,
And found barren of the other’s wants.

Better then we part,
At this first flush,
Than become one, with ten thousand generations gone,
Making bold with face and poise,
And that awful fretful noise,
Of sweated love.

No.
Let the simpler truth be known:
The secret of our needs,
That contentment is better grown,
From self-contented seeds.

Let us settle then our heart this way,
Before we meet in tryst again.
‘Till then my love, we’ll rest more deep,
If each of us alone we sleep.

Imagining past lives

I have found the disintegrating remains of my grandfather’s birth certificate. It tells me he was born in 1875, in County Mayo. This I already knew, but what I did not know is that his father, John, a farmer, was illiterate. He signs with a cross and his name is inked in by the registrar. My grandfather’s mother, Catherine, was from County Sligo. This also I did not know. She signs for herself, is literate, as are all her children.

I searched the Irish census of 1901 and found their names, but the facts gleaned are few; I now have the Gaelic translation of the place they lived: Trian na cailligh; I know both were bilingual – Irish and English; that they lived in a stone-built dwelling consisting of three rooms and a roof that was either thatch or turf; that there were two adult children living with them: the eldest son, John, who would take over the tenancy on the death of his father in 1918, and a daughter, Bridget.  Beyond that, I know nothing of their lives. No photographs survive, if indeed they ever existed. Their story is lost. Time has erased them.

Of course their story is of no interest to anyone but me, and all I can do is imagine them, weave them into myth. But in doing so, in colouring  the blanks this way, I’m aware I’m also colouring in what I perceive to be the blanks in myself. Indeed I believe there’s a danger genealogy feeds a dissatisfaction with the story of our own lives, that through our imagining of the past lives of our ancestors, we are searching for something we might use to frame our own lives differently.

So,… I trace one branch of my ancestry to a three roomed rustic farmhouse in Trian na cailligh, County Mayo. I imagine a thatch roof, imagine my great grandparents, imagine hard lives as landholders in nineteenth century Ireland. I like this image because there’s a romance to it, also an inverse snobbery in flaunting one’s humble origins. But then I imagine their sadness at the leaving of my grandfather for England in the 1890′s and with that sadness comes a sense of their humanness – the first and perhaps the only substantially meaningful connection I can make with them. Then I imagine all the links of fate and love that led from them to me, and I wonder if there’s anything more of them in me than just the traces of our DNA.

I think there is.

I’ve noticed how my children have taken up an interest in things I’ve dallied with in the past myself – yet they do this without encouragement, and sometimes even without the knowledge of my own former passion. Also I note things that fascinated my father are being reborn this way.  So yes, I think there is a passing on of  ideas, of artistry, of curiosity – all the intangible things that define us as human beings,  and which are the more important artifacts of our ancestry, travelling through time to be reborn in our descendants.

As for the more tangible details that await the genealogist,… they tell a different story, and it’s never true because it can never scratch any deeper than the surface. What is my story? My children’s birth certificates do not have their father’s occupation down as writer, so I can see some future genealogist, for whom perhaps I shall be great grandfather, getting me all wrong, because I am a writer first and foremost in my life.

Yet I did not go to London, did not elbow my way into the literary set, did not make my living by the publishing of novels. I found an ordinary job instead and have lived and loved and worked all my life within walking distance of the place where I was born. And the writing? In my middle years, I was to create a cloak of anonymity for it, then cast my words into the clouds for anyone who happened to be passing by – like deliberately leaving my notes on a park bench. My true story, indeed all our stories, are more complex and mysterious than can ever be recorded by the registrar’s pen.

Of course none of this matters. Time will erase all our stories, and we have to be accepting of this if we are ever to frame our own lives accurately. Yet to John and Catherine, imperfectly imagined, living their  lives out in the fields of County Mayo,  I say this: I will never know your real story, just as none who follow me will ever know mine, but I give thanks for your lives all the same.

The Story of Old English

This was my great grandfather’s watch, on my mother’s side. But is that my mother’s maternal or paternal grandfather? I don’t know for sure and I’ve no one to ask now, but I’m favouring the maternal side at the moment, though I’ve nothing more to go on other than gut feelings and the images that arise when I’m handling it. In other words I’m weaving stories with very little to go on. But that’s what writer’s do; they take the unknown and make it knowable, whether it be the truth or not, because even holding to a myth is better than saying we’ve no idea at all.

I discovered it among the keepsake belongings of a dear aunt who passed away recently – along with copies of wills, and family birth and death certificates going back to the 1850′s. The watch was thunder black and looked quite sorry for itself. The minute hand was missing, the seconds bent, and it wasn’t running.

A quick clean-up revealed a silver cased English Lever, hallmarked 1899. I consulted an old fashioned jeweller who was able to get it going for me. The missing finger was replaced with one that doesn’t really match, but apart from that the watch runs well now – most of the time.

I’ve written about old watches  before, being a bit of a collector – always on the lookout for the half busted, bent and obsolete waifs and strays of a bygone era. I’ve waxed lyrical about their significance, speculated on their archetypal, psychological meanings – and described how at times of inner transition I find myself obsessing over my collection. Then this one turns up – the great grand daddy of them all – the size and weight of a small cannonball, pregnant with history, all of it muddled, mythical, and possibly irrelevant, yet rising from my unconscious like a well aimed torpedo and suddenly sinking me further down into my own past than I’ve ever been before.

And while I consider the story of this old pocket-watch, I feel the currents that normally drive my own fictions are becalmed, as if lost in the balance that follows a deep sigh. Indeed I find myself wondering if there’s another story in me now, or if I’m spent. It would have been unthinkable at one time, this sense of creative emptiness, but now I really don’t care. I’ve tried several fresh avenues since finishing my last novel. I’ve rummaged among the stuff on the back burner, but I find it all trite and foolish, and I’ve set it  aside. Seven novels are enough, I think. So let the muse sleep, and me with her, in some Arcadian bower for a thousand years. And when we wake, let it be without the need to light the darkness with our stories any more.

A mechanical watch is like a human life. You create tension, apply it to a train of events, but without balance it would run down too quickly, deplete itself in a mad whirling blur. So the watchmaker creates balance with the hair spring – such a delicate little thing, like a  heart. Set it beating and away it goes, regulating the life force, playing it out more slowly, more usefully in time. But the balance is also the most vulnerable part  – easily lost, easily thrown out by wear or trauma.

No, I’ve not lost my balance here. That’s not why I’m becalmed. Rather I think this is one of those rare periods in my life when I can say I have attained balance, all be it temporarily  – that I know it by having known the lack of it. And balance seeks no other purpose for itself than the is-ness of the moment. Ambition, thoughts, fears – they all fall away, and the need for stories too. I don’t know anything. Let this watch be what it is, without the need to weave a myth around it, without the need to put a name to it.

And yet,…

Whatever its story, this watch is telling me something else as I write. Its tick is loud, like one of those old Smiths alarm clocks, and it’s pulling me out of the place my thoughts seem most inclined to settle this evening. Of all my old watches, this one speaks with the firmest voice, and it’s telling me I’ve been writing a lot about the fact I’ve not been writing, that I’ve been weaving an elaborate story about how I’ve run out of stories.

Sure, antique English levers have an inescapable and somewhat unsophisticated bluntness about them. They were old fashioned and idiosyncratic even when they were new – a bit like me then, born old and eccentric, and a little unreliable. Yes,  there were finer movements than this in 1899 – Swiss and American – fancy things, bejewelled and more innovative, yet here it is: this old English timekeeper, still ticking. And it’s telling me we’re not done yet, that so long as there exists a void in our understanding, there will always be one more story to fill it.

I can say what I like. It’s just a question of time.

Heaven in a Black Pudding.

It’s summer, 2000. I’m walking in the English Lake District. It’s been a good day, and I’m feeling a delicious body-weary tingle as I come down the last mile to the car. And then,…. I’m no longer fully there. I’m experiencing something I will later come to understand was a mystical experience. It seems you can fall into them by accident, like I did, or you can train yourself in one of the contemplative traditions, and bring them on whenever you feel the need.

I’ve tried to put this into words before but I always fail, so I’m not going to try very hard here. For now there’s a sense of expanding into whatever I’m looking at  – the hills, the trees, the road. Wherever my vision falls, I’m  both “in” it and “around” it, no longer separate. Strange? No. It feels familiar, like I’ve woken up from the dream of life and realised who I really am. I also feel unconditionally loved, wrapped in a presence, familiar as my own blood, and which both exudes and engenders an infinite compassion for all things.

Remarkable, yes, and I feel fortunate in in having had the experience, but actually, they’re not terribly rare. Countless others have reported them, and it doesn’t automatically mean we’re all going to end up as future novices in a monk’s cell either. I have no difficulty accepting tales of mystical states are exactly what they appear to be, nor that the universe we experience is only a fraction of the universe that actually exists beyond our normal powers of perception; but if one is not to become a monk or a shaman, or a guru, then what? How does one apply that counter-intuitive knowledge in the day to dayness of our ordinary lives?

Well, move forward with me now to the present. It’s a Saturday afternoon, in town. I’m a week into treatment for Anosmia (no sense of smell). I’ve not had a sense of smell for many years now, but the treatment is working and suddenly I’m overwhelmed by the scent of a world I’d largely forgotten. Right now I’m sitting in a cafe, a cafetière of ground Sumatran beans on the table. I’ve poured a cup and my eyes are closed as the aroma rises from the bowl, filling my mind with a symphony of soundless sounds.

Then lunch arrives: Black Pudding and Bacon Panini, with a salad garnish. There’s the heavy, slightly oily scent of the fried Black Pudding and the bacon, then the subtleness of the salad with its vinaigrette dressing – something sweet, and sharp. And I can smell a tomato, fresh cut, like a revelation, singing clear on the side of my plate. You cannot taste when you cannot smell, and right now I am lost in the appreciation of these unfamiliar and infinitely delightful olfactory forms. Beautiful, yes, beyond words really, but I’m also afraid – afraid of losing this dimension to life, of going back into the darkness of a world that does not smell, or taste of anything. Life delights us, but each delight casts also the shadow of its own destruction, and we fear its loss – for then how shall we ever be as happy again without it as we are at this moment?

Well, like the adepts, we can let these forms go, shun enjoyment of the sensual world, retreat into mindful contemplation of the formless, or we can remain in the sensual life but in so doing we must also be accepting of its ephemeral nature, appreciating beauty as it arises, while knowing it for what it is – a reflection of the formless realm, and not exactly the real thing. Still, to be reminded of its presence  is important, not least for the love and compassion it can also engender in the breasts of those who are sensitive to it.

Heaven in a Black Pudding? Well, maybe not,… but it was close, and for a time afterwards I was in love with the whole world, and everyone in it.

Looking back

I’m conscious that a lot of stuff we write as bloggers soon gets buried, and unless our tags are as hot as the current A list female celeb’s bosoms, our thoughts become like the tired old newsprint headlines of yesterday and which we next see on the counter of the chip-shop being used as fish- wrap. So, I’ve been digging back, meditating on my stuff, and if you’ll forgive me, I’d just like to put a place marker here, a few paragraphs dredged from the archives, and of particular significance to the run of my thoughts this evening. I dust them down, wonder why they caught my eye, and reblog them with a view more to self provocation than revelation:

I believe the turn of the nineteenth century saw us on the threshold of a new understanding of the nature of man, but two world wars blew all that away and an era of utilitarian globalization and consumerism seemed to get sucked into the vacuum that was left behind. Technically we’ve advanced beyond all recognition in a hundred years, but spiritually, psychologically, we’ve gone nowhere at all, and when we look at the stuff the late Victorians and Edwardians uncovered, we’re tempted to smile indulgently and say – well it was all a long time ago, so it can’t possibly be reliable can it?

Basically, I think the world we can see has a flip-side, and that’s the unconscious plane which, as the likes of Blake and Wordsworth and Coleridge taught us, is a real place that you can visit if you have a mind to, or you can fall into it by accident, through a gap in time like I did in the Newlands Valley.

We’re all connected to it. We have no choice. We are alive, we are conscious, thinking beings, but this thing we call the brain is not the seat of consciousness, more of a one way valve through which a little bit of us is squirted into awareness when we’re born, and which also prevents us from flowing back into the endless ground of being from where we came. But sooner or later, that valve falls apart, we flow back, and then we wake up to who and what we truly are.

I’ll be pondering further on this in the coming week.

Thank you for your indulgence.

Graeme out.

Wilson and me – in the deserts of Baluchistan

Spring,1855. Andrew Wilson, a young, unemployed journalist, has ventured across the western frontier of British India and begun a meandering exploration of neighbouring Baluchistan. He’s down on his luck, looking for distraction in adventure. There, in the desert, he comes across ruins dating back to the time of Alexander – vast mausoleums, marking the passing of innumerable lives. He’s moved to sit and reflect on this, scribbles some lines in his notebook, speaks wistfully of the vastness of the ages and the obscurity of the individual life, a life of infinite worth to itself but passed entirely unknown and apparently worthless to anyone else now living. Those lines appeared in a magazine in 1857 where, in turn, they gave me pause when I discovered them in dusty archives a hundred and fifty years later.

Think about this for a moment – the act of that young man, sitting down in the dust and the desert hush, being moved to reflect. Who did he imagine he was writing for? He was not well known – certainly no darling of the literati. Indeed, his own failures and obscurity at the time, must have weighed heavily upon him.

Wilson had been studying divinity, thinking to become a  minister like his father, but he’d had a head-on collision with the German Romantic movement, an experience that had rendered him suddenly too much of a mystic for the staid pulpit of the Kirk, and landed him instead in the precarious position of a jobbing hack.

And then there’s me. Where do I fit in the strange equation of time and chance? There’s not much we have in common, Wilson and I, other than the fact we’re both an unlikely pair of mystics. All I can do is reflect upon his thoughts. If I’d been with him that day I would have replied it was the uniqueness of individual experience that makes each life infinitely valuable, not only to itself but to the greater consciousness out of which we’re all briefly incarnated. Yes, those Alexandrian era lives are gone, as Wilson is now, and as I shall be one day, but for a time we each look upon this world and reflect back, if only through our hearts, what we’ve felt about the whole experience of time and form.

We exist far apart in history, Wilson and I, but nowadays disparate souls need not wait upon the ages, nor the printing press to court these serendipitous encounters. We can blog our reflections, and if in doing so one other person  reflects upon what we write we have already entered upon that vast and subtle network of  human thought, pulsating, vibrating, self-reflecting, and ultimately, I’m sure, swelling towards a transcendental awakening in the collective being.

Take heart then, dear  blogger, and believe your persistence, even in the face of your individual obscurity will play its own part in helping sweep aside the sterile structures we see decaying daily all around us, that it will play its part too in building  upon the better reflections of all who have lived, nurturing what is best in human nature, and learning to let go of what is not.

We owe it to those lost Alexandrian era lives, passed entirely unknown in the wilds of Baluchistan. We owe it to every life alive now, reflective of its own experience, and of course we owe it to ourselves.

What say you, Wilson?

The yin and yang of modern living

I’ve been reading a paper by Roger Jahnke, a much respected author of many works on energy  medicine, and Qigong -  a rare sane voice in a field otherwise beset by fools and charlatans. The paper is quite technical and discusses research into how the body functions at the cellular level, how it sometimes fails, and how it repairs itself. It basically says Qigong is good for you, and then presents the evidence.

There was a lot of hype a while back about Genetics and the mapping of the Human Genome. We were told you could read the profile of a person’s DNA then tell them what illnesses they were going to get, even when they were going to die. It was a scary idea and only the life insurance companies really took to it with enthusiasm. For the rest of us, it was a depressing concept; here’s the roadmap of your life, and there’s nothing you can do about it.

But now we know better. Your DNA can present you with statistical data on those ailments you’re most susceptible to, but whether you fall foul of them depends mainly on environmental factors. In fact we have about the same number of genes as a rodent, but there’s clearly a great deal of difference between a person and a rodent, a lot more going on in the maintenance of our well-being than the bare facts suggested by a DNA profile.

What do we mean by environmental factors? Basically stress.

When early man roamed the wilderness with his bow and arrow, his stresses were obvious – an angry bear, a hungry lion, the threat of being killed by another man. Faced with an immediate and obvious danger of death, the body responds by pumping you up, it sets the heart racing and readies you either to fight for your life, or to run like the wind.

We still have this “fight or flight” response, but in modern living the things that scare us are less obvious. A powerpoint presentation in front of the top brass? The ever spiralling cost of utility bills? Rumours of redundancy at work? A two hour commute in heavy traffic? An endless list. But how do you fight or run from such things? You can’t. Modern man is presented with a new kind of predator, one against which the old responses are useless – indeed worse than useless, because if you don’t physically fight or run, your body’s response becomes toxic and makes you ill.

The fight or flight mechanism is Yang. It’s active, dynamic, hot, and potentially dangerous. It can burn you out. It pumps you up and it says: “Do something!”. But without balance, Yang is indiscriminate and self destructive. Fight or flight is important, but should be used wisely, and for that we need the Yin side of our nature. Yin equates to the body’s “relaxation response” – the mirror image of “fight or flight”, like the nestled tadpoles in the yin-yang symbol. It’s natural and we all possess it, but modern living  causes us to neglect it, to belittle it,… even to laugh at it.

Techniques like meditation, yoga and Qigong work by awakening the relaxation response – defusing and dissolving toxins, encouraging repair rather than corroding us with the bitter acid of a million nagging worries. The methods are quite easy to learn and they allow the mind to enter the whole body, to sense it, to enjoy its vibrant aliveness, and to soothe the parts that are tense and troubled. Over time, the stillness these methods induce becomes a part of who you are and you no longer see the old stressors in quite the same way. You react to them with more discernment. Instead of terrifying, your old enemies begin to look jaded and foolish.

Internal methods like Qigong are taken to their extreme in martial arts. When skilled opponents face one another, they do so, not in a state of tension, pumped up with the fight or flight chemicals, but in stillness. When action comes, it’s swift and purposeful, rising forcefully out of stillness. And that’s the healthy way to live: acting when required but out of a more general stillness, rather than being forced to run like the rodents those early geneticists tried to tell us we were, forever moving, jumping at shadows, for ever reacting to life’s imaginary enemies.

So stop. Think. Breathe.

Relax.