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Archive for the ‘Metaphysical’ Category

in martindale

 “Mazzy”, the small blue car in Martindale, Westmoreland

I wave to fellow Mazda MX5 drivers. They don’t always wave back but it cheers me up when they do. It’s mostly the guys who’ll reciprocate. Girls will only rarely acknowledge you. Mk 4’s are the worst for not responding, unless driven by an older, old-school silver fox, and then you’ll always get a wave.

It’s just part of the scene, and a pleasant one. I think old Landies and Bugs have a similar thing going on. It proves we’re still human, that we’re enthusiastic about irrational things, that we’re quirky. It tells me there’s still hope.

But I thought the Mazda was into her last year this year. Her back wings and sills were rusting out, and I’d had a quote for repair beyond what she was realistically worth. Then I shopped around a bit and got a price for the sills that would at least get her through the MOT. The guy made a pretty good job of it too – matched the paint and everything. He was pleased I was pleased. And I was pleased that he was pleased that I was pleased. As for the wings, they’re okay from a distance, and I can make a go of patching them myself once the bubbles break, slow the process down with Waxoyl, get them professionally done at some point later on. I’ve also had a dodgy ABS sensor, so all told it’s been an expensive year this year but we’re set up now for a little longer, and as winter comes on, I’m already looking forward to the spring when we can get the top down again and go explore some more narrow roads in the Dales.

At sixteen years old, I’ve got to expect something pretty much all the time now. Speaking of which there’s an occasional howl coming from the front passenger side wheel at low speed on full lock, and I don’t know what that’s about – the cheap option is a sticking brake cylinder, the expensive one is a wheel bearing. I’ll mention that at the service come December’s end, but ’till then we’ll see how it goes. Engine and transmission are still like new (touch wood). I’ve had the car five years now and she’s such a pleasure to own, I want to keep her going for ever. She’s done coming up on ninety thousand now so she’s good for a while yet. A colleague has the same marque, but his had done a quarter of a million and had just started smoking. It was worth about a hundred as scrap and he still didn’t want to let her go.

My other car, what had been my main driver, a four year old Ford Focus went in the autumn, and good riddance. The Powershift started playing silly buggers, and not for the first time, so I sold it back into the trade for a massive loss, but that was better than it bankrupting, or killing me. It’s such a pleasure to be without it I’m still basking in the afterglow one less seriously squeaky hinge, and for sure I’ll not be driving a Ford, or an automatic, again for a long time. A rusty, creaky old MX5 is my only battle-bus now, and people wave at me when I drive by.

No one ever waved at me in my Focus.

The finest run we had this year was the little Malham to Arncliffe road, with a return to Stainforth via Littondale. That was a hot day. I’d spent it walking around Malham, but the drive was as much of a pleasure, and you can’t say that about many cars. I had the top down and you could feel the air and smell the meadows as we passed. You can thread her up and down most any road with confidence, even with a wide beamed eejit coming at you the other way, and she’s a bottomless pit of torque for the hills. Sometimes I forget I’m pushing sixty, the fun I’ve had with that car. Or is it more a gesture of defiance, that you’re just a hair’s breadth from being twenty five again and it’s all a question of spirit? That’s it, I think. She revives my spirit.

The grey slab commuter mule was the thing imposed on me by forces beyond my control, and not much I could do about it and come out the other end feeling at all like a responsible adult. But come weekend, I’d toss the walking boots in the Mazda and we’d take off somewhere beautiful, just the two of us. Like a love affair.

The finest drive we’ve had to date, I think, was round Ullswater to Pooley, then Howtown and up the zig zags into Martindale, a stormy looking day but we managed the top down until our return to Glenridding when it caught us up and we had to batten the hatches down. I took coffee at the Hotel there and I remember coming out and seeing her beaded with rain and looking like a dream. We’d still a hundred miles to go but I’d no worries she wasn’t up for it. That Focus, I’d’ve been waiting for it shivering through the changes at every junction, and wondering if it was going to drop out of drive, or even take it up at all. Thanks for all your help with that one Mr Ford – I’m still waiting for your call by the way.

Japan looks like a beautiful country – don’t suppose I’ll ever go, and it seems odd to be driving a car that was put together there and got itself shipped half way round the world to end its days with me, skipping around the Lakes and Dales. I wonder if she’s ever homesick, if she’s just putting a brave face on things, or if she’s really happy?

It was a short run today, out for breakfast at a local cafe, then off to the shop for supplies. She’s resting in the garage now chatting to the mice. I passed two Mk 1’s and a Mk 2.5. All waved.

None of us were drowning.

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mazda night journey HDR

November and these cloud-thick nights,
Darken now my wending of the way,
Releasing sleepy thoughts,
From the oppression,
Of that harsher light of waking day.

Such a long road, so often travelled,
But now without the stars to guide,
Their names forgotten,
Friendly patterns lost
As with the memory
Of once much clearer skies.

There are just these vague pecked lines,
Ticking out the time,
And the blind old eyes of cats,
Sunk, each in their little pit of grime,
Depressed in layer upon layer
Of careless tar,
And just the odd one
Feebly blinking now
At the passing of my car,

Lost souls, all.
Adrift, alone,
And not candle in the dark,
To guide us home.

 

 

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cropped-southport-beach.jpg

In this last settled hour before the dawn,
I dig my heels to slow the flow of time,
And with each measured breath,
Embrace departing ghosts of dreams,
Until at length, and with sad smiles,
They waste into the thinning night.
And the sun rises,
Ignites first light of trembling day,
And burns to clear blue,
Somnambulant mists of sleep,
From whence souls crash their dancing flight,
Become flesh again,
Fallen in this deep befuddled mess,
Of pillow, sheet, and creaking bed.
Then here am I once more,
Slow ache of a man, rising,
Washed back upon this fractured shore,
Of life.

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real magic

Psychical research, or Psi, is a subject I think most of us are interested in, though perhaps without going so far as to admit any firm beliefs in it – at least not to our friends. Indeed, a cautious approach is advisable, this being a field beset with poseurs and frauds. But there are serious researchers too, and Dean Radin is one of them.

By Psi we mean things like ESP, Psychokinesis, Divination, Clairvoyance and Mediumship. His previous books, Supernormal, Entangled Minds and the Conscious Universe detail his careful research
going back over the decades of his long career. What’s always separated him from other writers on this subject though is a reluctance to fly his kites too high. He sticks with the research, with the methods, and most of all with the evidence. And the evidence he has published is consistently persuasive.

One of the fascinations in this field is the ingenious methods devised by researchers to tease out what could be genuine anomalous phenomenon, and to isolate them from other effects, be they error, wishful thinking, or simply fraud. At times I’ve struggled to bend my head not only around the extraordinary concepts Psi research explores but also the fiendishly elegant reasoning behind the experiments. As a result Dean Radin’s books are ones I tend to have to revisit from time to time just to see if I’ve got it right, that he’s actually saying and showing what I think he is.

In his latest book though, ‘Real Magic’, it’s as if he’s looked back over a long career, crossing the t’s and dotting the i’s of these careful, double blinded experiments, and he’s said: you know what? To hell with it, here it is straight up: Psi is real, now let’s talk about what that means.

Psi effects in the general population are imperceptibly small. There may be just the odd occasion when they flare up and produce an effect that is stunning, at least to the person involved – say dreaming of something that comes true, or knowing with absolute certainty something bad has happened to a loved one. But as with all skills, some people are better at it than others, with some indeed being naturally talented to a degree that inspires either awe or deep suspicion. And so it is with Psi. In certain individuals these effects can be very strong but the trick is knowing who those individuals are, and how you tell them apart from the fraudsters.

For most of us its probably safer to assume someone’s pulling your leg when they say they can read your mind. But that people can indeed sometimes read minds, is proven and has been for a long time. They can sometimes see into the future, they sometimes know who’s ringing before they pick up the telephone. The fact that for most of us these effects are very small can be disappointing, but this misses the point, that what even a fraction of a percentage deviation from chance when guessing those cards tells us, is that the universe isn’t what a couple of hundred years of materialism has browbeaten us into believing it is. It’s actually more like what the Perennial Philosophy tell us, what Hermes Trismegistus tells us, and several millennia of other esoteric writings, be they religious, alchemical, mystical, heretical or downright diabolical, that at some fundamental level what underpins the physical reality of the universe is consciousness.

Real Magic is one of Dean Radin’s more accessible books. If you want to immerse yourself in the evidence you’ll need to look back over his other works. But what Real Magic tells us is that psi research over the past hundred years is where the scientific method has looked at “Magic”, not trick magic, but ‘real magic’, and has concluded that actually those old world magicians, alchemists, shamans, mystics, and holy-men weren’t completely crazy after all. Through their esoteric traditions, they were pursuing effects and working with a theory of the universe, millennia ago, that science is going to have to come to terms with if it wants to advance beyond its current materialistic impasse.

But this is not to say we abandon reason, quite the opposite. The protocols observed in Psi research are among the most stringent because they have to be. It’s only by applying such gold standards in a notoriously murky field we can expect to make reliable progress. But one of the reasons this work is not more widely known is an abiding prejudice within the established scientific community, also it must be said among even moderately educated people in general who ape the sneers of their scientific elders and betters – and for the first half of my life I would count myself among their number. This is understandable. It is by far the safest option, when reading about Psi, to react with a smug expression and dismiss anything that questions the mechanistic, materialistic world view as “woo woo”. In doing so we seek safety in the prevailing paradigm, but close our eyes to the real magic of the universe itself.

Such prejudice is of course strongest where vested interests are concerned. Those  who persecuted Galileo refused even to look through his telescope. Similarly much Psi research is undeservedly rubbished by ignorant, sneering debunkers, including many otherwise serious scientific minds, who refuse to even look at the evidence. I looked at the evidence, and was persuaded to open my eyes a little.

Real Magic is a compelling read from a highly respected, unflappable, and very sober-minded researcher of psi – there are even some instructions on how to practice a little bit of magic yourself. But as with all magic, be careful what you wish for or you might just get it.

I leave you with the man himself:

 

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dovecrag

Dovedale

We were later than we should have been, the small blue car and I, slipping over the Kirkstone, already midmorning and by now meeting the tourist coaches lumbering up from Patterdale. We met one at the Inn, at that bit where the tarmac narrows by the Struggle down to Ambleside, a giant German tour-whale, incumbents all filming my humble passing. Thus I imagine myself now immortalised, part of the scenery, a silver fox in an old MX5. There are worse ways to be remembered, I suppose,…

Exotic it must seem, the Kirkstone Pass, to a continental European, as exotic as the Lauterbrunnen sounds to me, a northern Brit, still a die-hard European, though chastened now by this eternal BREXIT thing. All is relative,… or so they say. How many times over the Kirkstone now? Must be into the hundreds. Familiarity in this case though clearly does not breed contempt, for there is still the sense, as Patterdale opens ahead of the tumbling little road, of a spiritual homecoming.

I am here to climb Dove Crag.

So,… Cow Bridge at 11:45, and we pull into the last parking spot. It’s more than we deserve at this hour, so it’s fated, reserved for us by Providence perhaps and therefore a good omen. It’s a blistering hot day, mid-June, wide open sky of Cerulean blue, but a distinct lack of air, and a surplus of humidity. I’m thinking it’ll be better at altitude, but that’s a couple of hours away, the mad dogs and Englishmen hours, and I’m not convinced I’m going to make it that far, me feeling old and drained and unpracticed with my mountain mojo these days. If you don’t use it, you lose it. I lost mine a long time ago and, trust me, Dove Crag is not the best place to try to find it again.

But still,….

dovecrag2

Dove Crag

It’s grown famous of late, Dove Crag, on account of the Priest’s Hole, a slot of a cave, high on the face of the crag, indeed this must now be the most famous secret spot in Britain after being on the telly and gaining mention in travel articles for the urban selfie hungry. I have no desire to further advertise it here, except to say it’s also a dangerous place to get to, and I had no desire to join the surge of casualties, including fatalities, in recent years, making pilgrimage. We think of England as a cotton wool cosseted place, health and safety numpty’s tut-tutting everywhere and always someone to sue with our ambulance chasing no win no fee solicitors, if we so much as stub our toe. But the mountains aren’t like that, even English ones.

Anyway, a promising start was made with a glorious opening stroll along the shores of Brothers’ Water, where, I swear, a pair of sweetly rounded ladies were skinny dipping and giggling joyously like nymphs – I admit I may already have been hallucinating in anticipation of hardships higher up the fell. But even without the water-nymphs the approach to Dovedale is seductive in its loveliness, gentle on the legs too, at least as far as the first of the falls. The falls are a good place to gather breath and wits, because beyond them the going is much harder, and it has a darker vibe about it as the fells close in and the ferns give way to rock.

I seemed to have no power in the legs at all. At the first of the falls, reduced now to a trickle by drought, I paused a good long while, eyes already sweat-stung, hat dripping, shirt-soaked and my head befuddled by a cloud of horse-flies. One of them got me on the back of the hand which provided little by way of encouragement. The pack felt impossibly heavy with weatherproof gear, unlikely to be needed, but foolish to leave behind.

I had barely the spring to get back on my feet, and my legs felt like they were not my own, my feet pointing backwards and about as sure footed as a drunkard. I was encouraged though by vague memories of other walks, where the legs slowly warm and you find your pace, and the breath to keep you going. I stopped a lot on the way, drank a lot of water, talked to myself.

In Wainwright’s day the last bit onto the shoulder of Dove Cag was all loose rock and scree – must have been a nightmare of a pull, and Wainwright, this prolific pipe-smoker, never seeming short of breath. Now its a precipitous, spiralling staircase of set stone and all beautifully crafted to blend into the natural tumble of rock. I was just about able to haul myself up it, and then it was on to the summit, where all was dry as bones and not a soul for miles.

dovecrag3

Dove crag summit

Normally the legs would recover now, and I’d be able to pick up the pace, regain some spring, but Dove Crag had given me a good hiding in the heat, and it was plain it didn’t matter how long I rested by that cairn, I’d be finishing the day on what was left, and it wasn’t much. I’d passed this way a few times before, on circuits of the Fairfield Horseshoe, but those days were long gone, like the youth who’d casually burned the miles in gale force winds and horizontal rain. No,… I was never so robust or bold in the fells, and any of that this afternoon and I was going to die up here. But the day was utterly stunning in its clarity, like a near death vision of an idealised afterlife – and all the fells gathered round of course, their names returning to me as I decoded their profiles from dusty archives. I’m  sure I’m not the only ageing fell walker to have dreamed of a post popped-clogg world like this and the legs to do it justice.

I headed eastwards along the Fairfield route, a fine section of breathtaking views, probably the best weather I’ve ever had up there, and the mountains catching the sun, slanting sleepy shadows into the deep dales and the ravines and raising something of the old mojo magic of the Lakes for me. But I had miles to go and feet for very few of them, and just another good swallow of water left in the bottle. Perhaps I amplify the hardship, but I was painfully aware one slip-up with navigation bringing me down into the wrong valley, and I’d nothing in reserve to correct it. But on such a clear day it would be hard to miss the path for Patterdale.

brotherswater

Patterdale

I skirted the summit crown of Little Hart Crag, too far gone to waste what bit of breath I’d got on petty peak bagging. Instead I gained the gently undulating ridge towards High Hartsop Dodd, set my head to the task. This was supposed to be a four-hour round, according to the guides. It was going to take me five. But who’s counting? Here, as you crest the last rise, the tip of the fell points like a prehistoric arrow-head down the length of Patterdale, Brothers’ Water blue as the sky amid the multifaceted green of the dale, and the heart swells with delight that there can be such places as beautiful as this, and surely I have known and loved it for more than just the one life-time, for it to have such a profound affect upon the senses.

Yes, it was worth the walk, and the sweat, to say nothing of the emptying of myself to see that view – that last gift of the way before the way plummeted with a brutal steepness to the valley bottom, a twisting slalom of a route, hard on the knees and jelly-legs. Thus I descended like a fragile centenarian, alpine sticks deployed Zimmer fashion, progress slow and cautious. I could see where the car was parked, miles away; I felt it might as well have been on the moon.

The water nymphs had gone, sadly, when, with feet on fire, I made my way back along the shore of Brothers Water, pausing to allow myself a moment of respite where they had bathed themselves. Divested of boots and socks and paddling out gingerly over the pebbles, that blessed water gave me back the mile still remaining to the car, and I returned at last to my reward: that post-walk mindful calm sunk deep into the bones.

It was a memorable day, as all walking days are in the Lakes, and a triumph too, of sorts, but also a reminder of the advance of years and how the fells demand a high degree of fitness, a toughness in the gut, a resilience in the legs, to say nothing of leathered feet. I can accept the ultimate defeat of advancing years, am sanguine about it in many ways, but as I sat on the terrace of the Brother’s Water Inn, sipping on a cold Lime and Soda, first light of evening coming on, I swear Dove Crag was smiling, telling that time was not yet near, telling me also well done, lad, and Dylan Thomas, whispering in my ear, you know,… that line about not going gently into the good night!

She can be a stern mistress, this fell country of ours, but I know of nothing, no other corner of England more inspirational, more building of self-confidence, nor more rewarding to the spirit. Yes, a tough old walk for one grown so lazy of late, also a wake-up call, and a promise that I’ll not leave it so long next time.

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durleston wood cover smallIn the dreams of men, encounters with an unknown woman are significant in that she represents a meeting with the image of the man’s soul, and sets out the state of development of his psyche, also the state of his relations with, and his knowledge of women. A sickly soul-image in dreams is an obvious sign something is wrong, similarly if she is wearing chains, or in some other way restrained or imprisoned.

We see it depicted in art as St George, come to release the maiden from where she has been chained to a tree and is harassed by the phallic dragon. George kills the dragon, more metaphorically the Ego, which releases the maiden, the soul, into a more constructive relationship. Without undergoing this fundamental mythical journey every man is going to struggle with aspects of himself later on, and not just in his relations with women.

The chained and sickly soul-image is a symbol. It does not mean she is lacking energy, quite the opposite in fact. But the energy is misdirected by a man’s lack of understanding of himself. It is a powerful force erupting from the unconscious and being projected out into the world, affecting the way he sees things, the way he sees women.

He notices a female, is attracted, besotted, obsessed, unaware what he’s seeing is a manifestation of something inside of him. This is partly how attraction between sexes works. But say we hit things off with the object of our desire, make love, get married, come to know her as a mortal woman, you might think we had then slain the dragon, that is until the soul projects herself onto someone else. Time and time again. If we have by now settled on our life mate, such serial infatuations can be troublesome, even dangerous. But rather than acting on them and potentially ruining our lives, the soul is inviting us to withdraw the projections, to dissolve them, and in doing so restore the power inwardly, allowing her the means of manifesting herself more in consciousness, thus aiding us in seeing the world more clearly and with a little more wisdom.

All of this sounds a bit odd. But there are precedents in stories, in myth, and in practice.

In Durleston Wood, the protagonist, Richard, has returned to his home village after a failed marriage, and takes up a teaching post at his old school where he finds himself in love with his headmistress. For a time he recognises this infatuation for what it is and does not act. Instead he basks in the sweet melancholy of its futility while taking long, lonely walks through the titular Durleston Wood. But in the wood is an old house, part ruined and overgrown, and living in it, kept prisoner there, possibly, is a woman he’s seen wearing the cuffs and chains of BDSM role-play. She’s apparently the sex slave of another man, and she invites our hero to rescue her, to take ownership of her,…

Houses are significant in Jungian psychology. They are the place of abode, both physically, and psychologically. In Jung’s own dreams, the rooms of the house represent aspects of the self. If your abode is dilapidated, as it is in Durleston Wood, it suggests a psyche in distress through neglect. Work on restoring such an abode is likewise suggestive of work upon the psyche, a process of healing. Thus Richard moves into the house in Durleston Wood, performs his restorations and releases the chained woman. What happens next is anyone’s guess.

Work on the psychological aspects of the self do not in themselves guarantee the correctness of one’s direction thereafter. Indeed it can be a bit of a roller coaster. For certainty in navigation, you need wisdom as well, but it certainly gets things moving.

In Durleston Wood, free to your e-reader, sometimes sold in mangled form by pirates on Amazon – oo-arrr!

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mooncard

Tarot cards have an interesting history, most of it the invention of nineteenth century occultists, thus lending them the darker tones of diabolism, at least in popular culture – all of which makes them even more interesting of course. Still, today, the merest sight of the Tarot is enough to cause palpitations in the breast of any God fearing Christian, so deeply scarred is the ancestral memory, and that’s also interesting because the origin of the cards is quite innocent. Fake news, fake narrative has a lot to answer for.

Pictorially intriguing and often very beautiful, the earliest reliable records place the Tarot in Italy in the fifteenth century where it was simply a popular card game. Predating the printing press, each deck of cards was hand made, hand-painted, so each deck was an original, making them rare and powerful symbols of the status of their owners.

Unlike a modern deck of 52, the Tarot has 78 cards, split into the major (22 cards) and minor (56 cards) arcana – arcana meaning secrets. The minor arcana are split into four “suits” of 14 cards each which comprise the number (or pip) cards from ace to ten, and four royal cards of King, Queen, Knight and Page. The major arcana are also known as the “trumps”. This structure is roughly familiar and suggests somewhere along the line card games simply evolved away from using a full deck, requiring instead only the minor arcana, so the rest were ditched.

The early cards had no associations with occult practices. This was an invention of mostly Victorian mystics and ceremonial magicians who adopted them for their own purposes, and it’s easy to understand why when you look at the images of the major arcana. These can be interpreted in an allegorical or an archetypal sense, that to draw certain cards might have a deeper meaning for the individual, or be suggestive of a future fate. But occult writings on the subject go further, attempting a complete revisioning of history, tracing the origins of the Tarot to the mythical, alchemical and hermetic traditions of ancient Egypt. It’s an evocative thesis, and one that’s often picked up by uncritical scholarly writings, but there doesn’t seem to be any actual historical evidence to back it up, which means most of what you think you know is probably wrong.

Most of the earliest Tarot decks, restricted their pictorial artistry to the major arcana with the exception of the Sola Busca Deck, dated around 1500. This was prpbably use as the basis for a later popular deck, the so called Rider-Waite-Smith version, which came out around 1910. Brainchild of the occult writer A E Waite, it was created by the illustrator and mystic Pamela Coleman Smith, and is very much in the esoteric, mystical tradition. Indeed if you’re into alchemy, cartomancy, dark or light path magical traditions, you’ll most likely be familiar with this deck.

The anxiety caused by the Tarot arises from its use as a fortune telling device, also its association with occult magic, with occasional diabolism, and with controversial figures like Aleister Crowley, also an over-literal interpretation of the meaning of the Death card. I’m open minded about the paranormal in general but personally sceptical regarding anyone’s ability to foretell future events with any great accuracy, and suspect our futures are more probabilistic than fixed anyway. It would therefore be unnecessarily dangerous to assume a too literal interpretation of one’s future in the cards, especially if that future did not seem fortuitous, and we did not feel able to avoid it.

Where I have found cartomancy and other forms of divination useful is in understanding the complexities of the present moment. But I’m of the opinion this knowledge comes out of the personal unconscious. We already possess the information we need for understanding a particular situation, but it’s jumbled up and we just can’t get at it. But by judicious use of archetypal imagery, and thinking metaphorically, we invite projection from the unconscious and a corresponding “aha!” moment, a moment of insight.

In this way the Tarot might yield some practical wisdom on an issue we’re facing, a bit of lateral thinking, an angle we’ve not considered, but it’s not the cards themselves that wield the power, nor some omnipotent diabolic entity that’s called down upon their shuffling. You can believe that if you want, and many do, but it’s not necessary in order to read wisdom in the cards themselves. There is mystery enough in the phenomenon of unconscious projection without inventing devils and angels as facilitators.

Sadly, popular media hasn’t helped. All too often in film and fiction the death card is drawn and strikes fear into the heart of the receiver – or even strikes them dead on the spot. Interpreted metaphorically however, the death card can mean change and renewal, sweeping away the old to make way for the new, abandoning old ideas when they are no longer useful, all of which is quite different to being actually struck dead. There’s also the “Live and Let Die” James Bond outing in which the Tarot touting Jane Seymour draws “The Lovers” for a swivel eyed Roger Moore. The only likely outcome of that of course being their future coupling, and one that’s far from metaphorical.

I’d probably spend some time writing more on a common sense approach to the Rider-Waite-Smith Tarot, but that’s a big job, and it’s already been done here. I’m not sure what use or what answer the cards have for me, if any, nor if the question is one I’ve already posed, or has yet to crop up, but I’m glad at least to have blown the dust away and brought the cards out, if only from the shadows of my own mind.

They get a bit of a raw deal in popular culture, one that’s not entirely deserved.

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