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Archive for April, 2022

You were standing by the building society in town, where you’ve worked for forty-five years. You wore cashiers’ blue polyester. It was lunchtime, Saturday, closing time, I guess. I’d seen you in there from time to time, those quaint decades of savings books, and mortgages. You served me once or twice, fed my book into the machine, caught up the interest, but did not recognise me. I was afraid of embarrassing us both by reminding you, I mean, with a queue behind. And anyway, it seemed pointless.

“We were at school together, shared literature and Mr H.”

It always sounded a bit weak, when I ran it through in my head, and I didn’t want you to get the wrong idea.

But, though it seems the fates decided long ago you shall never know me, you always meant something. I felt you were a good soul, and more besides. You were a datum, I suppose, one of the beacons in time and space, by which I found my way, from the ways I had already been. I don’t mean this in the romantic sense. I would have liked you to have liked me, that’s all, but I was always too shy, when we were kids, to make friends.

Unlike many of our year, who are now unrecognisable to me, your face hasn’t changed at all. So, every time I see you, I am transported back to when we were both sixteen. You were a bright girl, and you understood all those novels and poems and plays we had to read in Mr H’s literature class, while I struggled. I enjoyed Hardy, and Frost, and Heaney, even though I didn’t understand them the way I was expected to. In time, though, their seedlings would take root and carry me through to other things, things which have been a blessing of becoming. While as for Dickens, I have never forgiven him for being the darkness that blighted the summer of my fifteenth year. Now we’re both pushing sixty-two, you and I, and, forgive me, but I note you’ve filled out a little. Me? I’ve grown bald and deaf, and bottle-bottom myopic. You’d be even more hard-pressed to remember me, now.

I was with my son. We had found a new Italian place in town, and enjoyed lunch, wondered if this could be the start of a renaissance for the town, which has been very much down at heel since the crash, and seemingly getting worse. But there’d still been that ragged old toothless guy, on the car park, begging, so I guess not. Indeed, I felt guilty at blowing so much on a lunch, on a whim, while the beggars are counting coppers. But anyway, we were oblivious of the state of things, for a time, my son and I, bolstered by a lunch that seemed to tip things back towards the way they used to be. We were chatting about the world, about events,… and the sun was shining, and the pink spring blossom was on the trees,…

And then there you were, that magical touchstone. At once, I felt the years, as I always do, when I see you, felt the gulf of them. It was not the gap between us, because we never knew each other, nor aspired to. It was more simply the span of time, an ocean of events tossed and swept under the bridge since our schooldays. I remember bits of them like it was yesterday, and it’s still hard to believe I retired last year. You are evidently still working.

From a safe distance, I paused and looked back, as the Saturday crowds swept by, and I wondered. You were moving away. I saw you leaning into your hip, then, and propelling yourself into the arthritic gait of advancing years, and I felt something give. How could it be you had grown old of a sudden, without my knowing, while I still feel so young? But that’s what souls do, I suppose. They deny the mantle of age, whatever the body says to the contrary. I trust you feel the same, inside, as I do.

Meanwhile, our world has grown old, hasn’t it, while the world, for my son, is still new. Indeed, about the only thing not to have changed for me is that I still hate Dickens. I’d give the guy another chance, except sometimes it’s worth more simply accepting things the way they are, because that’s just the way they have to be.

Anyway,… go well.

Thanks for listening.

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Solomon’s Temple, Withnell Moor

You catch up with us today at Solomon’s Temple, on Withnell Moor, and it’s lunchtime. First, though, we unlace our boots and let our feet relax. We’ve only walked a couple of miles from Brinscall, but things aren’t looking promising. Suddenly, all this talk of the strangeness of dreams is of little interest when we’re on the moor, and our boots hurt.

The boots are newish, a bit old-school in their construction. I’d thought to get up on the moors with them, see if we could break them in a bit, but they’re proving to be stubborn. They’re British army surplus, made by Iturri. You can get them for a song off Ebay, like new. They’re a solid boot, but they bite.

It’s one of those “follow our nose” sorts of days. There’s no plan, just out enjoying the moor. But since we find ourselves at Solomon’s, it looks like the subconscious has Great Hill in mind. The boots are man enough for that, man enough for a lot of things, I guess. But I’m not sure my feet are up to much more today, at least not in these boots.

Mushroom soup for lunch. For company, we have the larks, a curlew, and fieldfares. There are no people. I left them all thrashing about in Brinscall woods, looking for the Hatch Brook Falls. The falls are not easy to get to, but the guy who asked me for directions tells me it even has its own Tripadvisor rating, now. That worries me. I directed him as best I could, but he’d come a long way, and wasn’t familiar with the names of places. I advised him to be careful. He nodded with enthusiasm, then set off in the opposite direction to what I’d said.

Hatch Brook Falls, Brinscall

The little blue car’s down on Brinscall’s Lodge Bank Terrace. The sills I’d had welded some years ago are coming through again, and I have to make a decision. Expensive one this. MX5s, like mine, can go for five or six thousand, at a dealership, spruced up, so it may be worth the investment. Or they might fetch as little as fifteen hundred, private and spotty, in which case it isn’t. Mine’s probably somewhere in the middle. She has a full service history, and she’s coddled, but the repair is on the edge of sensible for a twenty-year-old car. It depends on how much the car means, I suppose. I find it means a lot. But that’s not rational, and I’m usually rational when it comes to cars.

Ratten Clough, Brinscall

So anyway, we’ve walked up through the woods, location for the creepy bits of that Netflix thing “Stay Close”. Then it was onto the moor via the ruins of Ratten Clough, and we followed our nose to Solomon’s Temple. New Temple is next, then Old Man’s Hill, and a little trodden way that approaches Great Hill, from the north. It’s a warm day, a jostling of jolly cumulus, and some stratospheric streaks toning down the blue. The ground is mostly firm. Yesterday’s full moon seems to have ushered in a change to fair, after a very cold Easter weekend.

The light is dynamic, and full of interest. I complained in an earlier blog, all we’re doing with photography is trying to freeze the moment. But that’s not right. We’re bearing witness to a moment in time, as well as trying to capture an essence of the beauty of the world. It’s like we capture glow-worms in a jar, then hold them up in wonder and say: look at that!

But in the middle of the day, like this, a photograph never comes out as you see it. Even with a decent camera, the scene is flat, the contrasts, the colours lacking vibrancy. Or maybe it’s just my eyes, and I like to see the world through Van Gough’s spectacles. So I spend a while with software filters, teasing out the world the way I see it. My kids say whatever pills I’m taking, they want some.

Okay, lunch done, boots fiddled with, fastened, unfastened, adjusted, refastened, and on we go. Note to self: Hotspots around the ankles and under the right heel. Early signs of blistering to the backs of both left and right heels. I wouldn’t like to be a soldier tabbing far in these. No wonder they were surpluse to requirements. We clip the western approach to the hill, then turn-tail for Drinkwaters, and White Coppice. We’re three miles out now, and it’s far enough. It’s a pity to miss the top, but I reckon our feet only have a couple of miles left, and three to go.

Drinkwaters, Anglezarke

Of course, it’s a risk, fixing up the bodywork of the little blue car, at such great expense – maybe half as much as the car’s worth. It’s asking for a serious mechanical fault to develop soon after. That’s the way with old cars. But you can get a lot of repairs for the price of a fresh car, if keeping the old one going is what you want.

Some schools are still off for Easter this week, so White Coppice looks busy as we descend the moor. We avoid the noise by staying high and turning north along the edge of the Brinscall fault. Pace is slow, both feet on fire.

There’s a roe deer down in the valley, a mature female – not exactly rare now, but still a joy to come across in the wild. It sees me before I see it, and it bolts high, climbs to the moor’s edge and watches from the safety of altitude. We eye each other, I chance a shot on full zoom. It knows the line of my route, even knows, perhaps, my boots are hurting, so then it bounds along the ridge, and crosses back down the path behind me. “I’ll get no trouble from him,” it’s thinking. “Poor guy can barely walk.”

Roe Deer, Goit Valley, Anglezarke

We sit a while beneath the ash at the ruins of Goose Green farm, let the feet relax again. It was also known as the Green Goose, in the days when farms were also permitted to sell ale. I wouldn’t mind a pint of something cold and murky, actually. I’d fill these boots with it and cool my feet down.

It’s easy going now, a decent, level path, along the Goit, all the way back to Mill Bank Terrace. The little blue car is a welcome sight. And it’s heaven to get the trainers on. A run out’s not the same without the little blue car. She’s not perfect, and rather Spartan by today’s touch-screen standards. But I enjoy her imperfections, and her simplicity. And driving her still makes me smile. Okay, we’ll call at the body shop this week and see what the man thinks. When I croak, it would be nice to think of her being discovered in my garage, a mint condition MX5, covered in the dust of memory, and a quarter of a million miles on the clock. Then some boy racer goes and wrecks her in five minutes.

Those boot though? Well, after today, I think we’re done. I’d never trust them to get me down from a big hill. I’m hoping they’re just a pair of duds, because I’d hate to think of the entire British Army marching in boots like those, poor souls. I don’t know, though; it would be a pity. Maybe a bit more breaking in will do the trick. Lunch at Solomon’s’ was good though. We’ll have to do that again sometime.

Thanks for listening.

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Dreaming. 1860. J. Israels

You’re out driving, and there’s a cop car at the side of the road. He’s pulled someone over and is serving them a ticket. You cruise past, glance through your passenger window, and the scene triggers a flash-back to last night’s dream – the same type of cop car, glimpsed through the passenger side window. So you think: that’s a neat coincidence. Right?

It wasn’t exactly the same situation. In the dream, you were parked, and the cop car pulled alongside, and the cop said: “You don’t mind if I park here, do you, sir?” But you were definitely looking at this same kind of cop car, through the passenger side window. And if things had happened the other way around, say you’d seen the cop car, and then the next night it had popped up in your dreams, you’d know where the dream had borrowed it from. But as things stand, it was just a coincidence. Anything else, and the dream had seen your future. And that’s not possible. Is it?

So then, some nights later, you dream you’re out in a part of the countryside you’ve not been to for years. It’s not an extraordinary dream – just your usual muddle of inside out and back to front stuff, the one thing bleeding into the other, and no particularly coherent narrative. Then you wake, and you reach for the phone, and you read the blogs you follow, and a guy has posted a piece on that same part of the countryside, which triggers the memory of the dream, and you think: that’s odd. Another coincidence? Sure. Or maybe you caught a glimpse of that blog before you slept, and you just forgot. Because anything else is impossible. Right?

So then you dream you’re talking to a notorious world leader in your back garden – like you do – but you’re struggling to understand what he’s saying, and you’re worried he’ll think you’re a bit numb, but you can’t help it because he’s contorting the upper left side of his lip in the most peculiar way, which distorts his speech. The next evening you decide to check out a film on Netflix, in which it turns out the lead man is portrayed with a hair lip, which has the same way of moving as in the dream. It breaks the dream, so to speak, brings back the memory of it. Another coincidence? Startling one too, this. Or maybe you caught a trailer for the film before you slept, and you just forgot.

These are all dreams I’ve collected over the last few weeks. And the question arises: how many dreams like that does it take, before the only reasonable conclusion you can come to is that your dreams are indeed previsioning little bits of your future? The thing to note is the banal nature of the images, and the fact we’re seeing in the dream what we will see, ourselves, at a point in our own future. We’re not talking about any dramatic premonition of calamity. Nor are we claiming any paranormal faculty. It seems to be the normal way the mind – any mind, your mind, my mind – Hoovers up observed events and regurgitates them in distorted form, in dreams. It’s just that the dreams seem to have access to events you haven’t observed yet. Only by habitual observation of the visual details of your dreams do you realise it. And who’s crazy enough to do that?

Isolated instances can perhaps be dismissed as coincidence, but the longer we pay attention to our dreams, and the more hits we score, the less likely coincidence becomes. Of course, if you’re of a materialist, reductionist mindset, no matter how many dreams you have, you’ll still call it a coincidence, or you’ll swerve your dreams altogether, believing them to be nonsense anyway, so the problem will not arise for you.

Others have written at length on this phenomenon, namely J W Dunne, J B Priestly and more recently Gary Lachman. Tentative explanations involve additional levels of consciousness, each with its own time reference. I can’t say for sure if this is right, but it does make a kind of sense. Let’s say, as a working hypothesis, it’s plausible, but it also strikes me that, even when science means well by the unknown, it comes across as being somewhat primitive in its toolkit.

So if we are indeed opening a crack in time by paying attention to our dreams, we have to accept there are no definitive explanations about what’s going on. There are only more questions. What draws us forward are the tantalising hints at unexplored human potential. We’ve been a long time evolving, but there’s nothing to say we’re yet done adapting to our environment, even as we shape it. In this light, precognitive dreaming might be a thing we’re evolving towards, an evolutionary mutation still looking for an advantage in the world we’re creating. Or maybe such precognition was an advantage in our hunter-gatherer past, say, warning of the bear we were to encounter in the woods next day, and which risked killing us. But now it’s a faculty that’s atrophied for want of use, like one’s appendix, or coccyx. Still, there are plenty of dangers facing us in the contemporary world, yet my dreams seem more concerned with quirky art-house details than risks to life and limb – so maybe that’s not its function at all. I don’t know. It’s a mystery.

Philosophers paint such a gloomy picture of the human condition, the existentialists having concluded we’re just an accident of nature, and better off adjusting to that fact, than hanging on for something transcendent, or for hints of meaning in an otherwise meaningless universe. Given the history of the nineteenth and twentieth centuries, one can hardly blame them for reaching such a bleak conclusion. Nor is the twenty-first shaping up to be any better. But I think nature has left enough clues in the shadows to hint at a path, which has the potential to lead us from the dark forest the philosophers have abandoned us in. I am confident we are more than we seem, and that there is more to the world, to its space and time.

Then again, before we set foot down this path, we must be sure what beckons is not simply a will-o’-the-wisp, leading us to drown in a bog of groundless speculation. Maybe there is a rational explanation for that cop car, the country roads, and the hare lip, one that doesn’t sound even more far-fetched than the suggestion we sometimes see our future. Selective bias and coincidence are the usual explainaways. Belief in the paranormal is another, as it’s highly correlated with a propensity towards selective bias and outright self-delusion. Still, none of these ring true to me, in this insance, but then I suppose they wouldn’t. From your own perspective, of course, the obvious explainaway is that Dunne, Priestly, Lachman, and me, we’re all making it up, that we story tellers are simply looking for attention, or to fill column space on an otherwise dull day.

That’s fine, until you have such a dream yourself, and then you cannot help but wonder.

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What now shall we do,
With the red, white and the blue?
Our jolly jack, half-mast, and shredded,
Timbers liberally embedded
With grapeshot, of raking volley,
Scrap metal of corruption,
Sleaze and folly.

So many left to die, felled by cutlass
Of entitled spin and lie.
Holed below the water,
Pride of fleet adrift,
Towed out to slaughter,
No steam, no course, no captain.
No steerage in the storm,
And not a single friendly port
To call our own.

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Drybones Dam and the fishpass, Birkacre

This post concerns a dead dog, witchcraft, and the fact there’s nowt so queer as folk. But first, the anemones!

I wrote last time of my attempt to take pictures of the wood anemones around Birkacre and Drybones wood. But I had left my memory card at home, so my camera was useless. Instead, I enjoyed the walk for the opportunity to experience “presence”, and the muse presented me with a poetic challenge: how to turn nihilistic crud into the alchemical gold of enlightenment. I’m still pondering that one.

I didn’t intend returning today, and certainly not so soon after my previous visit. I had intended a walk in the West Pennines, but a massive traffic jam rerouted me, so here we are, as if by magic, back at the Birkacre visitor centre, where there are even more people and more dogs than last time.

On the plus side, it’s looking like a better day for photography, a better light, with more persistent sunshine. As for the crowds, they tend not to venture much further than Drybones dam, on the Yarrow. Ten minutes beyond that, into the woods, and they are forgotten. The woods are pungent today with wafts of spring earth and allium. The anemones are in profusion. I get my fill of photographs, and resolve to return in a few weeks, hopefully timing it for when the anemones are accompanied by the bluebells and the starry heads of wild garlic.

The deep wood for me is that which fills the valley of the horseshoe of the River Yarrow. An ancient highway – actually a narrow muddy track – leads us to through it. I have known this area since boyhood, and used to hunt it with an air-rifle in the days when it was less frequented, and before I knew better. So, yes everywhere is more well trodden than it used to be, but the woodland is still a special, quiet place, a place of contemplation, of calm. Woodlands possess certain liminal properties that put us on the edge of “otherness”.

I have begun to notice a trend for floral tokens, left in discrete places, places near water or in the embrace of trees. They are, I presume, transient memorials to the departed. I have also noticed bolder evidence of folk religion – aka witchcraft – these being items handcrafted from natural materials and hung from the branches of trees. Our organised religions are struggling for membership. Indeed, I predict all but the most fundamentalist Christian congregations will be gone in a generation. But there is still something in many of us that seeks connection with that sense of the “other”, and it finds expression any way it can. Thus, today, we note in passing the budding alder is home to a small woven pentangle.

The way leads us on to the ancient Duxbury Hall estate, once a massive manicured parkland, now reverted largely to nature. At this point we can swing back to Birkacre, or we can continue our way following the Yarrow upstream, and make a loop through the woodland of Duxbury park. We choose the latter.

It’s as we follow our nose here, I am reminded of Beavis, and an unfinished story I began to write years ago, but paused at the punchline, not wanting to intrude upon the original legend with my own version of it. But today, I don’t care, and I’m going to go for it. But first, let’s see if he’s still around. Beavis was, and in some sense still is, a dog, a big, fast hunting hound with a very loud bark.

The original memorial to Beavis in Duxbury Woods

The grave of Beavis has been a feature of these woodlands since 1870, when Susan Standish, of Duxbury Hall, had a memorial stone laid in gratitude for the dog rousing the house on the night of a fire, the year before,1869. Thanks to Beavis, everyone got out, while the house itself suffered badly and had to be partially rebuilt. That’s as far as the story goes, but there’s something wrong with it, and I’ll explain in a moment, see what you think.

It’s a while since I was last at the site, and half expected by now the statue of the dog to have been carried off, or vandalised, as is the way with these things. The original statue suffered that fate, in the early twentieth century, leaving only the memorial plaque to weather the years, and pass on its enigmatic sentiment.

Proceeding upstream, the memorial is on the right-hand bank of the Yarrow. It’s sometimes missed, as there are a profusion of ways through the wood, many of them leading to a quagmire. But if you stick close to the river, you’ll find him all right. And I’m pleased to discover he’s in fine fettle, at least for a dog that’s been dead since 1842.

Did we say 1842?

Well, the memorial stone reads:

“All ye who wander through these peaceful glades,
Listening to the Yarrow’s rippling waves,
Pause and bestow a tributary tear.
The bones of faithful Beavis slumber here.”

1842

This remembrance erected by Susan Mrs Standish, 1870

So, the memorial tells us the dog died in 1842. Then we have the documented record of the fire at Duxbury Hall in 1869, and the story of the dog raising the house, and Mrs Standish’s subsequent laying of the memorial in gratitude, in 1870. Logical conclusion: the beast that roused the house in 1869 was not Beavis, at least not in any corporeal form, because Beavis had already been in the ground for sixteen years. Question: Are we dealing with a ghost dog? Did the Standishes lay the dog properly to rest with a suitable memorial in 1870, because, on the night of the fire, they realised, it had been running the woods undead since 1842. If so, lucky for them it had!

So far as I’m aware, this version of events has not passed into local lore, and, if true, is a story that went to the grave with the last of the Standishes. I prefer my version to the original, even though I’ve possibly embellished it beyond what is decent, and romantic though the original is. But there we are. You heard it here first!

From the memorial, the going becomes more difficult further upstream, the Yarrow having washed its banks out in various places, and taken the path with it. But with a bit of scrambling and thrashing about in the undergrowth, we reach the bridge which grants access to the opposite bank. Here, there’s a better path to bring us downstream, and which completes our diversionary loop through the history – natural and otherwise – of Duxbury wood.

This particular route is popular with visitors, and presents no difficulties. In various places, the refreshing scent of mature pine mingles with the sweet and sickly presence of something more weedy. I remind myself not to be around here after sundown, and not because I’m scared of ghosts – well, not of Beavis anyway. I’ve known him since I was a kid, and I think we’re on friendly terms.

And speaking of dogs, finally, we return to the crowds and their dogs around the visitor centre. On the car park, there is a dirty slouch of a man who is allowing his dog to dash about on the loose. It’s interfering with the dogs of other people, and with the people themselves. Most politely ignore the annoyance. Some make timid remonstrations, to be greeted at once with a stream of disproportionate invective. I do not like the F word in mixed company, and especially not when young children are around, but then I’m knocking on in years, and the world is changing.

People are strange creatures. It’s a wonder we get along as well as we do. Nor is it any wonder why sometimes we don’t.

If you go down in the woods today,…

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I am at the council recycling depot, wanting to recycle some books, but the book recycling thing is full. On enquiring, the high-vis man thinks me stupid. “Chuck them in the waste card and paper, then,” he says, like the answer is obvious, and I suppose it is. But he doesn’t understand; these books are important, and must be recycled, as books. I have no idea if that is indeed the function of the book recycling thing, but have persuaded myself it is for, though I do not want to see them on my shelves any more, I cannot have them actually, knowingly, destroyed. The knowledge in these books, though precious and hard won by the toil and intellect of centuries, is no longer relevant to me, though I have clung to them for forty years, thinking that it was. Destruction is, perhaps, the more powerful symbol, a truer sacrifice, and though I resist it with all my being, the fates seem to agree – I mean, the book recycling thing being full.

Here I am, then, adding my old engineering textbooks to a mountain of card and paper, which will go for pulp. Mathematics, Metallurgy, Principles of Engineering Production, Mechanics of Solids, Electrical Machinery, Thermodynamics, Hydraulics, Control Theory,…

In some cases, I knew the authors. They lectured in the technical colleges of the industrial towns, where I studied. They were remarkable men, at the top of their field, nearing retirement, and, it being forty years ago, I suppose they are all gone now. I was to use this knowledge to change the world. I was to design bridges, ships, aeroplanes. I was to work on hydroelectric schemes, and bring power to remote parts. I was to invent something that would save lives.

Instead, I settled into a big organisation, did a bit of this, and a bit of that. I did my time, commuted forty miles a day, day in day out, built a pension, and then I retired. But I was always going to come back to these books, one day. I was going to study them anew, do them the justice they deserved. I was going to lecture a little, part-time, bring on the next generation. But the world changed, grew strange and did not need me any more. The mould gathered upon them, and their knowledge atrophied for want of use, both by me and out there. There is always this perennial political waffle of building a high-skills, high-tech economy, but the truth is different and lacks the white-heat optimism of the nineteen-sixties. Engineering, and in particular, manufacturing engineering, always boils down to the price of a pair of hand, so engineering in the west became a case of getting someone else to do it for us, and why not, since they do it so well? And cheaper.

Our technical colleges don’t call themselves by that name any more. They prefer far fancier titles. Yet I had begun to notice how the graduates from these places could not communicate their ideas, had no aptitude for visualising three-dimensional space from the two dimensions of an engineering drawing, let alone create a drawing themselves. The fag-packet sketch, much maligned, but in fact a high bandwidth means of communication among its initiates, was a thing of the past, as were its initiates. But it is not a handicap now. Be you a graduate of anything, you are on the fast tracks to management, and the supervision of all things by spreadsheet and email which, I admit, is the way of the material world, and different to the one I knew and trained for.

And on a more personal level, I recognise these have always been books for the first half of life, which is about establishing oneself in that material world, or such as it was for me at the time. It is about education, work, relationships, progeny, house, home. The second half of life is about meaning, and entering now the last quarter of it, I feel I should be making more progress with meaning, than I am. I have inklings, but they are fickle, and too easily eclipsed by everyday narrowness. And these books are no help in that respect.

With the books gone, I drive a little way to a country park. It was once a piece of open country with a pretty river, lakes, and woodland. Now it is an amenity, replete with multicoloured signage, waymarkers and dog-poo bins. It’s a midweek morning, there are people, and the usual riot of dogs. I give them all the slip, and penetrate deep into the ancient parts of the woodland. I want to take pictures of anemones, in a place where I know they grow in profusion. Anemones grow slowly, and do not take well to the new-fangled. We have much in common.

I find the spot, and the sun comes out, as if to join in my enthusiasm. But then: “No memory card”, says the camera. I have left it in my computer at home. I do this a lot, so always carry a spare in my wallet. Feeling smug in my forethought, I slip the spare into the camera. “Cannot read memory card”, it says. “Choose another.”

The card is a dud. There will be no photography today. I will have to ride the present moment, instead of trying to freeze it. The anemones are beautiful, white, and an ever so delicate purple, trembling in the breeze. A line of poetry comes, unbidden:

Awakening to loss, we mourn the day’s swift run,…

I have checked Google-box, and it does not appear I have acquired the line by cryptamnesia. It is a genuine opening from the muse, and, on the face of it, somewhat morbid. But I sense it is not meant to be so. Indeed, I feel the challenge is that I should work it into something positive, something like the latch to a gate of meaning. Either that, or it is a chastisement for being so down in the mouth myself today.

A heron rises from the riverbank. It has no sense of mortality, lives in a permanent now, until the moment it doesn’t. We’re different. We awaken to self consciousness, to an awareness of the impermanence of things, including the span of our own lives. And our lives can seem as fragile and delicate, and trembling as the anemones. Then there’s this sense of the past filling up, and so much of it forgotten, like Newton’s laws of motion, like dust behind the settee,… And then the future getting thinner, as the present moment accelerates, towards our end. The philosophies I have read do seem rather pessimistic on this score, or at least as much as I understand them – philosophy not being my grounding, and possessing a vocabulary I find rather difficult to grasp. Poetry though? Yes, I was writing poetry, even as I studied engineering, and have always believed that only through poetry, or other genuine acts of creativity, do we approach the harbingers of true meaning. And then it is by disengaging from the narrowing structure of the material world, and the intellect, and allowing something else to speak, through us.

I do not like destroying books, which is why I still have too many, some of them from childhood. But in this case, a burden is lifted, I think. As for that first line, the best I can do is meditate upon it.

Thanks for listening.

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The path to Whernside

It was summer, the last time I walked this route up Whernside, which is perhaps why I remember it so well. Which summer though? Let me see: I was driving a blue, mark four Cortina, which means it was 1982, and I was 21.

It was also my summer of love, or rather it was my discovery of the love of the transcendent phenomenon that is hill walking. Girls would come later, but the hills were more constant, always a revelation, and, like the present Lady Graeme, always happy to take me as I am.

It was a hot, dry summer, that year, and no trains ran on the Settle to Carlisle line. There was a strike by ASLEF over flexible rostering. The boss-class still moan about it in their histories of the period. They never did get the unions, or class warfare.

Today is cold. Back home, down on the Lancashire Plain, it’s been spring for weeks. The hedgerows are greening, the buds are budding, and the cherries and hawthorns are blossoming. But here, in Yorkshire, it’s still winter. An arctic blast greets us at Ribblehead, as we crack open the car door. There’s ice in the roadside gulleys, and an ominous bank of cloud is jostling the sunshine, threatening hail. The three peaks each have a cap of snow, and I’m wondering if we should have packed our ancient instep crampons – purchased from Settle’s legendary “Cave and Crag”, now sadly gone. I can’t remember the last time I wore them, and probably couldn’t work out how to fasten them anyway – they were always a pain. I should get some of those newfangled microspikes, but I keep thinking my days of winter walking are over.

Still here we are.

Ribblehead Viaduct – Settle to Carlisle line

The Ribblehead Viaduct is magnificent. A soaring masterpiece, circa 1875, when Britain called itself great, and without irony, though mostly because labour was cheap, and expendable, especially Irish hands, like my grandfather’s. But let’s not go down that road. It was all a long time ago, except time is less fixed for me these days, since I am no longer called to heel by the alarm clock every morning.

Last night I dreamed I was an apprentice again, back in the old factory, a place of several thousand souls. I was seeing and talking to people I had forgotten I knew, and whom I have not seen since nineteen seventy-nine. Sights, sounds, scents, … it was strange, but comforting to know those souls are still as they were, that we are all still as we always were, always are, somewhere in this weird thing we call time.

Anyway, it’s not the most dramatic of peaks, Whernside. It lacks the shapely grandeur of Ingleborough or Penyghent. But, being the biggest of the trio, it counts itself as King, and rightly so. And it’s not without its charms. By far the biggest charm, however, is the rising perspective is grants us of its nearest neighbour, Ingleborough, whose brutal geology is starkly displayed today, courtesy of a dusting of snow, which trickles down the gulleys in crinkles of dentritic splendour. Most of my photographs today are of Ingleborough. Whernside, I find, isn’t photogenic at all.

Ingleborough

The wind drops as we enter the lee of the land, and the chill shock of Ribblehead fades as we warm on the ascent. There are few other walkers about. That ominous bank of boiling cloud is a worry, but we’ll keep our eye on it. We’re overtaken by a lady who looks to be more senior than our own years, then a gentleman more senior than hers. Age is a funny business, part driven, I think, by something inside us. In the hills, I have known a man of eighty easily outpace a man of fifty, simply because he refuses to believe he is getting on. We can grow old at any age, give up and whither at forty if we choose. All we have to do is look back, and then we stiffen.

I am climbing the path up Whernside, so I must still be 21. This is not looking back. This is participating in the eternal, and therefore timeless, adventure. It’s a mystery, to which the hills grant us a tantalising clue. Or so I tell myself.

One foot in front of the other. Pause. Admire the view. Take some pictures. Plod on. We cross the snowline. Up close, it’s just a dusting, not exactly Tyrolean. But you can’t underestimate the British hills. Here, sudden change, and overconfidence are your enemies. Check the Met office, read the sky. Pack another layer, a head-torch, a survival bag. Know how to read a map, and use a compass, or at the very least walk with someone else who can. Yes, the OS app on our phones or our Garmin is terrific, but our technology is deskilling us, and that’s a risk in the hills, where we need our wits about us.

My last visit to Whernside was not 1982. It was around 2006. I came up from Dent that day. November I think. I made the summit with the left side of me white with frost, and my ear burning. I came down with tinnitus, which still bothers me off and on. That was a very cold day, a good day, another journey in life’s album of eternal nows.

A wall runs along the summit, and there’s a curved shelter which gets us out of the wind today. We catch up with the senior lady and exchange pleasantries. She is joined by a Yorkshireman who claims never to have been up the hill before. When asked why not, he explains with a grin that he could never get his van up it.

The way off the hill used to be like free-fall but, like many of our most treasured mountains, much has been done to tackle erosion, and there is now a carefully laid, twisty path that snakes us down in double quick-time, towards the valley bottom. Then it’s a couple of miles through pleasant pastures, back to Ribblehead, and the car. About eight and a quarter miles round, fourteen hundred feet of ascent.

I was never a hill athlete. I could not have climbed Whernside, having first climbed Penyghent and walked the moors from Horton. I could never have then gone on to tackle that imposing wall of Ingleborough. Those who attempt the three peaks have my admiration. That’s a walk that takes fitness, and character.

So, anyway, back to the car. A lonely spot, Ribblehead – a collection of cottages and a pub, but it has a railway station. Coffee and cakes next, then. A toss up between Horton and Ingleton. Okay, … Ingleton it is. Beats working.

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