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I tested negative for COVID on day ten, so nipped out to fuel the little blue car. The drive wore me out, and my arms and legs didn’t feel like my own. I’ve been a bit cautious then, getting back into the walking saddle, so much so, today’s walk hardly counts, at barely two miles, but enough to see what’s what, and hopefully get things rolling again.

It’s one of those cold, grey, late winter days. The light is flat, the colours muted. We have clumps of snowdrops, plus the miniature daffodils are out, and the garden forsythia is showing yellow. When in doubt, I always let the car decide, and it always delivers me to the Parson’s Bullough road, by the Yarrow Reservoir, at Anglezarke. You’ve a good choice of routes from here, from the epic, to the bimbling, and I think bimbling is the more sensible choice, today. We’ll see if we can claim our legs back, and trust the rest will follow when it’s ready.

So, you catch up with me driving up Adlington’s Babylon lane. I was always going to buy a house up here, handy for Rivington and the moors, and I seem to drive it every week. I could save myself some miles. Babylon Lane is mostly old mill terraces, and can look a bit dour, but as you reach the top, and the junction by the Bay Horse, everything opens out, and the beauty of the West Pennines hits you all at once. You can travel straight on from here to Rivington, or cut left down Nickleton Brow, for Anglezarke. This is one of the most beautiful roads in the district, dropping to the bridge over the Yarrow, then up the other side, to the Yew Tree inn, and the reservoirs.

I’m not great, festering in doors for long periods. Even a few days of rain can make me twitchy, so the 10 days of self-imposed isolation was a bit of a trial, one that renders the outdoors strange, as the self-important media holds one captive, injecting its bad news, like a poison infinitely worse than COVID. In his recent piece, fellow blogger, Narayan, quoted Kurt Vonnegut as saying we are dancing animals. We are made to move, to get outdoors, to experience the world and other people. This struck a chord. Isolation, and gawping day after day at a computer screen, or doomscrolling our phones is not good for us. It is not dancing.

So, here we are, now, on the Parson’s Bullough road, looking to dance. There’s a huge flatbed truck in a little lay-by, and goodness knows how he got that up here, but it looks like they’re repairing the Allance Bridge, after a boy racer knocked the parapet off. My sense of smell has yet to make a return, so I can’t smell the leaf mould, or the moorland air, but as I crack open the door, something in the air is sufficiently welcoming, and revivifying. We step out, eager to embrace it.

In one of my early COVID reveries, I was wondering about getting a body-cam – though not because I fear assault when I’m out and about. I enjoy fiddling with clips from the little blue car’s dash cam, and wondered if a mash-up of a walk would be a fun thing to do. Of course, there are plenty of vloggers out there with the full kit and caboodle, including the buzzy drone for tracking shots that would make my efforts look childish, but still, I may have a go.

So, anyway, we’re moving. One foot in front of the other. The first test is the short, sharp hike up Hodge Brow, to where the path leaves the road, by Morrises. I was thinking it would flatten me, but we seem to have fuel in the tank. Things are looking good. The colours are so soft today, we’ll need to have a think about how to pull anything out of them with the camera, but without over-blowing it. What tends to happen is we lose detail, especially the distant woodlands blurring out, and everything looking muddy. Not a great day for the camera at all really, but we’ll try setting the upper limit on the ISO to 800, then we can get faster shutter speeds, and hopefully dissolve any noise in post-processing.

This eastern flank of the reservoir is the most attractive, the route meandering through open meadows, and quite elevated with views all around, to the moors, to the Pike at Rivington, and then out to the estuary of the Ribble. The land feels real, and comforting in its familiarity. Does that sound too obvious? But stuck at home, vulnerable to the worst of bad-news media, it’s easy to lose our way, imagining things to be important which are not. Or is it more a case of being encouraged to believe certain things are important, when they are not, in order to distract from other issues, which are.

I read this week the novels of Roald Dhal are to be censored, removing language that has, shall we say, fallen out of polite usage. The same fate is to befall Flemming’s Bond novels. The media seems made to inculcate strong opinions on such matters, and perhaps it’s because I’ve been ill, but I find it difficult to care. Philip Pullman suggests we should simply let such works go out of print if they are no longer suited to contemporary sensibilities, and I have some sympathy with that view. I’m no fan of Dhal or Flemming, but many still are. I am a fan of LeCarre, and some of his early works contain a language that was certainly of its time, so how soon before he is added to the mix. Many household names are the same. I suppose the issue is that these works still sell, and publishers are loath to let a good earner go out of print. But what do I think, urges the breathless media, you have to have an opinion. No, I don’t. Not today.

I think it was Krishnamurti who said something to the effect that the craziness only starts when men start to think, and then we argue over who’s right, even to the extent of killing one another over trifles. The natural world is not beset by such madness, which is perhaps why so many of us seek it out to regain our footing in the pell-mell of the world of men.

We come down to the southernmost point of the walk through Dean Wood, now, and the avenue of the chestnuts. When I last came this way, it was under snow. It beguiles me every time, inviting a shot, but I always struggle to do it justice. Here we pick up the track that comes up from Rivington, and we follow it around the western shore of the reservoir, first in the shadow of the Turner Embankment, named after the farm that was demolished to make way for it.

There’s a lone tree here that’s always photogenic, in any season. Again, I’ve yet to do it justice, but it’s always worth looking out for. Then the reservoir comes in to view again. There used to be a face in the wall, here, reputed to be a carving of the head of an unpopular foreman overseeing the works – this would be in the latter Victorian era. We used to have fun as kids, seeking him out on our family walks. He survived into the nineteen eighties, before disappearing, I presume stolen. I’ve often thought it telling how he survived in plain view for so long, and no one thought to steal him before.

Another landmark along this way, harder to steal, is the building we used to call the Diddy Man’s house – Ken Dodd was a mainstay of children’s TV when I was growing up. I presume the building houses a valve for the waterworks. We would knock to see if the Diddy Man was in, then press our ears against the door and hear the spilling of water. My father would tell us the Diddy Man was having a bath, so could not come to the door. He is having a bath again, today.

From the northwestern embankment we get a view down to the Anglezarke reservoir, and beyond, over the Lancashire Plain, to where the little blue car and I will shortly be returning. There’s a steep ravine here and, though I’ve walked past it hundreds of times, something about the trees overhanging it catches my eye today – the colours, the shape of them – and is certainly worth the last shot of the day. I remind myself this is all man made, and must have been a dramatic change to the landscape up here, armies of men with picks and barrows, then flooding the valleys, flooding out farmsteads and pastures. It’s been a long time coming, but there’s been a healing, and this is a landscape now much loved by many.

So now we’re back, the little blue car waiting in the layby with a flask of tea, and some lunch. The legs feel like my own again, and the mind seems capable of its usual accompanying ruminations. You know, after joining the ranks of COVID veterans, I think we’ll do. We’ll make it four miles next time. Thanks for listening.

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It beggars belief, but yesterday’s domestic news was dominated by our recently ousted PM’s unsubtly trailed and somewhat premature angling for a comeback. In her forty-day tenure – the shortest serving PM in history – she crashed the markets, wiped billions off investments, stunted the growth of defined benefit pensions for millions of workers, and ruined the UK’s reputation for sound financial governance. But, she writes, it was not her fault. She was badly advised. And worse, there are those within the now bitter dregs of her party who think she’s right. My heart sinks, says the leader of the opposition. Mine too, mate.

Then, political journalist, Andrew Marr, now released from the constraints of corporate news media, has been more frank and informative in his analysis of world events of late. Rumours of an early end to the war in Ukraine are premature, he says – though I must admit I had not heard any such rumours – and we should be prepared for it to go on for another five or ten years. This will cast a dark shadow over European – indeed world – affairs throughout the 20’s. But the UK is particularly exposed, it being now the worst performing of the western nations, including Russia, with stagnant growth and levels of entrenched inequality that are quite staggering. You are better off being poor virtually anywhere else in the world, than in the UK. We must expect energy and food prices to remain high, for a long time.

All of this paints a bleak picture, one that is in contrast to the positive vibes of the morning, with clear skies and the frost still lying across the meadows. We leave the car on Dole Lane at Abbey Village, and walk down to the Hare and Hounds, then strike out along the right of way whose signage does its best to say it is not a right of way, but access only to a private residence. But a right of way it is, and has been forever, so off we go.

Just a short walk today, more of a dog waking circuit for Abbey residents, and incomers like me, around the lower reservoirs, and the Roddlesworth plantations. We have no dog, but there is no shortage of yappy canine accompaniment, and our trousers are soon muddied by an over-friendly, jumpy creature, who gets a telling off by a scold-faced woman. I am ready to wave away her apology, but do not get one. Most people we meet are open and friendly, but we tend only to mark the ones who are not.

We’re planning a bigger walk in the Forest of Bowland for later in the week, when the weather is looking iffy, but today, being such a good day, it was a pity to waste it indoors, so here we are, but not wanting to wear our legs out for the upcoming epic. We have time to linger over familiar ways, to take photographs, and to ponder world affairs. As we move from winter’s dark into the first hints of post Imbolc light, and the snowdrops begin to show, there is the feeling of a weight lifted, of an optimism returning. The media, however, have other ideas and would sooner scotch all hope before it has the chance to bud.

I have the long lens today, not the obvious choice for woodland photography, but I’m looking for details in isolation with blurry backgrounds. The obvious targets are the lone juvenile copper birches, holding onto their leaves, and rising into shafts of sunlight against a backdrop of fuzzed out darker woodland. I’ve a feeling it’s a cliché, but I’m not selling photographs, so it doesn’t matter. There’s something in them that’s worth a moment of contemplation, anyway. The branches have poise, like a dancer, expressive of,… well,… something.

The big international news of course is this devastating earthquake in Turkey and Syria. Over 5000 souls are known to be lost, so far. It’s an unimaginable and sudden tragedy that puts our European troubles into perspective. It’s also worth remembering, however, that a study by the University of Glasgow concludes we lost 335,000 souls, across the home nations, between 2012 and 2019, due to poverty alone, as caused by political austerity a fact the media seems curiously reticent about. But to dwell on these things, says our redoubtable chancellor, is to talk Britain down.

On the middle reservoir, the fly-fishermen have pulled their boats in for the winter, so the cormorants are perched instead on the mooring buoys. Patient birds, they share the character of vultures in their Victorian funeral feathers. We are also befriended by a robin which hops onto a post within arm’s reach, and eyes us cheekily. He bobs about there for ages, so enchanting we forget about the camera, and as soon as we do remember it and try to get focus, he’s gone.

Then we meet a bunch of guys we used to work with, the entire department actually, all retired, but still keeping in touch and meeting up for regular walks. It was a tonic to see them looking so hale and hearty. The chancellor scowls and tells us we are part of the problem, we, the early retired, and economically inactive, and should get back to work, along with the sick and disabled, fill in all those vacancies left by our European friends who went home post BREXIT. But the taxman still collects his dues from us, which is more than can be said for certain members of the cabinet. He will have a tough job coaxing us back into the office, should we even be wanted, which I am sure by now we are not.

We have in common our freedom from the constraints of those things we cannot alter, like the clocking machine for a start, and the daily deluge of bullshit emails. We have the freedom to focus on those things that are within our remit: to stay at home and write, do a bit of DIY, tidy the garden, come out for a walk, explore an unfamiliar part of the country, choose which lens to bring with the camera. These are small things for sure, but important all the same, if not as things in themselves, then as vehicles for exploring the deeper self. But even granted such freedom, we risk ignoring it, to go fretting instead over those things we cannot change, like what further madness the chancellor and his swivel eyed colleagues might be planning next. How about scrapping all environmental, food, employment and animal welfare standards? And making it illegal to go on strike.

I have begun a new story, about a man living alone on a remote Scottish island. He finds a humanoid robot of the type they are now developing, and hyping to a ridiculous extent, washed up on the beach. I take all the frankly improbable tech utopian projections, and bestow them in spades upon my fictional bot. It wakes up and proves itself both intelligent and an astonishingly capable companion, as well as gorgeously female in appearance. In what ways does it alter the man’s outlook on his own life?

Artificial Intelligence is a hot topic, but even as a romantic with an increasingly non-dualist perspective, I hesitate to make fun of it. It is a thing to be reckoned with and, if the impact of the Internet is anything to go by, it will render the near future unrecognisable, and in ways that are not predictable and not entirely benign either. Again, this is something we have no control over, but at least as a writer I can explore it, whilst being careful not to be too shrill in its condemnation, or as its advocate. We’re up to three chapters and the ideas are still coming, but we’ll say no more in case I jinx it.

Anyway, just two and a half miles today in frosty sunshine, then a pleasant drive back over the moors. At home, we clean and waterproof the boots for Bowland. I read on a blog recently of a method of spiritual and philosophical reflection, where we cast our minds back over the week, and ask what lessons we learned, something our former PM would do well to dwell upon. I’m not sure if I’ve heard this before – I think I might have – but it’s not something I do by habit, and it’s early in the week yet, so I hesitate to jump to conclusions.

We’ll see come Friday.

Thanks for listening

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A light fall of snow overnight clears to a frosty dawn. The forecast is too good to be skulking about indoors, so we muster our gear, then set out for Rivington, and the Hall Avenue.

Mid-week, mid-morning, and it’s busy with cars, kids and dogs. These are school age kids, and they are with working age parents. Again, I wonder to what they owe their premature attainment of escape velocity. There’s a sprinkling of snow here, and the ground feels mushy where the sun touches it, but it’ll most likely be frozen, higher up, so we pack the spikes – just in case – and off we go. Check: camera on aperture auto, shooting RAW, and set to bracket, polariser on the 18-140mm lens.

I’m a bit pie-eyed this morning, and feeling gormless. I used to be a night bird, but no longer seem able to burn the midnight oil without consequences. I’d stayed up watching a movie that had been recommended, called John Wick. Personally, I found it mindlessly violent, almost like a video game. There was one brutal set piece after the other, and then the embarrassing festishisation of ever more elaborately phallic firearms. And there was a veneer of glamour whose thrust had me wincing more than the oft-wielded knife blades. Okay, so it wasn’t my preferred genre.

I didn’t make it to the end, but fell asleep, frankly, bored. That said, John Wick’s brooding, funereal presence is still following me around this morning. I hope he’s wearing a decent pair of boots, or he’ll be grumbling later.

Unlike John’s violent and nihilistic universe, the world of Rivington is peaceful, and beautiful. We take a meandering approach to the terraced gardens – no particular route in mind, as seems usual with me these days, when on home territory. The snow cover thickens as we climb, and the low sun paints buttery highlights. There’s just enough whispy cloud to add interest to the sky without it tipping the atmosphere into something gloomy. John would prefer it gloomy, he says, while checking for the firearms secreted about his person. But this is England, and we don’t allow that sort of thing here. He’s puzzled by this. I mean, what if someone insults you?

On the great lawn, there are two summerhouses, now wonderfully restored and architecturally fascinating. I’ve just worked out one faces the morning sun, the other the evening. Mi’lord Leverhulme would have taken breakfast on fine summer mornings at one, and sipped his sundowners at the other. And me, sitting down on the steps of his morning summerhouse, basking in this buttery light, would have been seen off with dogs, and John, no doubt in Mi’lord’s employ. A century later, I have my revenge, and sit with impunity, for Time is the great leveller.

I never tire of the gardens. They’re certainly a royal way to approach the Pike, and the moors beyond. A vague plan is beginning to form. We’ll do the Pike, then chance the moor, across to Noon Hill.

The café that has recently popped up in the ruins of the old public lavatories, below the Pike, is open, and John is gasping for a coffee. It has recently installed a diesel generator, and we are treated to its noxious exhaust as we approach from downwind. I am not tempted, but John grabs a quick one, then crushes, and discards his cup in the bushes. I fish it out and put it in my bag, decide against giving him a lecture on it. He seems at times on the verge of becoming a reformed character, but a moment’s thoughtlessness, and he reverts to type.

There’s quite the procession going up the Pike, they’re also struggling, avoiding the steps, which are thick with ice. So we put the spikes on and make a traverse, spiralling round to get at the top from behind. It’s cold and blowy, people taking selfies. They’re looking at John like they know him from somewhere. Again, there are many here I would have thought of an age to be either in college or working. I wonder if they are on strike today.

The various strike actions are deepening across the country now, and the usual yapping dog presses seem to be failing in their attempts to demonise the Union officials. The government is also looking crass and incompetent, in its refusal to negotiate. The political Zeitgeist is swinging to the centre and would swing further, but the left no longer has meaningful representation. The powerful have not grasped these are not the nineteen seventies. The discontent is different, born of an inequality our parents never knew, one that has been a decade in the manufacture, at the hands of those who, by contrast, have profited handsomely by it. John confides in me, he’s been approached by several kingpins with a view to taking out ringleaders of discontent. He’s told them he’s retired and doesn’t do that sort of thing any more.

Anyway, in the summer months the route across the moor from the Pike to Noon Hill can be difficult to trace, and intermittently boggy. But today it’s plainly picked out by a dusting of snow, a thin white line squiggled over an undulating expanse of pale straw, and the ground is hard. The trick is knowing where the snow is covering bog, and how thick the underlying ice is. Will it take your weight, or will you burst through over your boots? As we get going, we look back and take a few shots of the pike in retrospect. There’s a lone man making his way up, and with a tight crop, the scene is dramatic.

Noon Hill is an unimpressive summit from this angle, just a small spur off the Winter Hill ridge. It’s more interesting when viewed from the west, where it forms a meridian with Great Hill, and I’ve often wondered if there’s any significance in the fact that, whatever the time of year, when viewed from Anglezarke, the sun will always be directly above Noon Hill, at noon. What do you think, John? John shrugs, couldn’t care less, checks instead for the knife in his sock. I’d told him to lose that, because it’s a one way ticket to chokey, if he’s caught. He looks at me like I’ve lost my mind. What kind of dumb-ass country is this where a man can’t carry a knife or a gun? Clearly, we’ve a way to go before we can restore his faith in humanity.

Noon Hill is the site of a Bronze Age saucer burial. It was first excavated in 1958 by John Winstanley who was then curator of the Hall in th’Wood Museum. It was an eventful dig, and his diary makes for interesting reading. Further information can be had at the excellent Lancashire Past website, here. There are also some fascinating period photographs of the dig here.

The ground becomes more treacherous the nearer we get to the top, and the light turns bleak as thicker clouds begin to gather from the south. The view looking back to the Pike takes on the appearance of a revelation now, as the sun fans down though whatever heavenly apertures it can find. But it is the view northwards that is the most stunning, across Anglezarke moor. Then there’s the land falling away to the plain, and finally the glittering line of the sea, to the west. And to the east, we have the stacked ranks of increasingly snowy hills, marching out towards Rossendale.

But there’s little time to settle and enjoy it, greeted as we are by a face numbing wind, so it’s a quick shot of the snowy cairn with Winter Hill in the background, then turn tail and make our way down. The time for Noon Hill is a clear summer’s day, with a pair of binoculars.

We take the short route down to the old turnpike, then the unofficial path that drops us steeply to the bend on Sheephouse lane, and finally, a very boggy return to Rivington. It’s a walk that always feels longer than it is – just over four miles, and seven hundred and fifty feet of ascent, but a pleasantly varied route, and far enough given what looks like a bit of weather moving in.

Time for a brew, now. John’s smiling a bit. You know what? I think we’ve mellowed him out. He says he’s sorry about that coffee cup, earlier on. I just hope no one picks a fight with him in the tearoom, or we’re all in trouble.

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The year began with higher hopes for poor old Albion. The oracles, on the other hand, predicted another year of farce and tragedy. They were not wrong, but we cannot be blamed for our optimism. Back in January, Covid was on the wane, and we were looking forward to returning to some semblance of normality. The media, too, were itching to move on and were talking up the Sue Gray report. If you recall, this was to be the conclusion of the much vaunted enquiry into the drunken debauchery at the heart of government, throughout the Covid lockdowns. Indeed, for a time, it was all Sue Gray this, and Sue Gray that. But the oracles predicted the report would leave us nonplussed, that it would land with an insipid flop, rather than a weighty thump, and so it did. It did not bring down the perpetrators, let alone the government, for whom it ran more like water off a duck’s back, and the joke was on all of us who had stuck to the rules.

In February, Boris went to Ukraine to channel Churchill, and was successful in doing so. From there onwards, we were, to all intents and purposes, in a proxy war with the old enemy, much to the delight of the war-horny hacks, and to the horror of the rest. Thereafter, we have looked on with increasing despair it could happen on the European continent, after our assumptions a globally interconnected economy would prevent such an illogical barbarism ever happening again. But then we are not a rational species, and barbarism is more often our default setting.

For all of his boosterism, Boris and his Churchillian bluster was gone by the summer. Then came soaring energy costs, two more prime ministers, four chancellors, plunging trade, egregious levels of poverty, a financial crash, a stultifying heat wave, a litany of terrible refugee drownings, and mass industrial action by railwaymen, the health service, and firemen. Oh, and the Queen died. Now, here we are on the cusp of 2023, and no one speaks of Sue Gray any more. She is a forgotten footnote in the history of 2022.

As I write, the temperature indoors is nudging thirteen degrees, unlike the thirty-five we briefly touched in July. I am wearing fingerless thermal gloves, and a heavy fleece jacket, with a hot water bottle tucked inside. I feel quite cosy, but it’s a long way from the normality we sought this time last year, and yet I cannot help reflecting that it has been a good year. It has been a year of broadening horizons, so welcome after the Covid restrictions. It has been a year of boots on the hill – indeed, more hills this year than ever before. It has been a year of photographs framed in memory, of the Yorkshire Dales, of Bowland, of the Western Pennines, and the Lancashire Plain. It has been a year of poetry, of blogging, of completing another novel.

Back in the spring, I captured the header photo, a lone wood anemone in a quiet hollow of the horseshoe of the Yarrow valley. In winter’s grip, we can lose sight of the cycle of the seasons, that the wood anemone will flower again, and that, from a certain perspective at least, all will be well. It’s just a matter of time. It falls to each of us then to seek that perspective as best we can, seek also to frame the beauty of the world, in all its diversity. Therein lies our defiance of the disconnected tomfoolery that seems to constitute today’s high office. It is also our rejection of the ever present deeps of nihilism the media would have us wallow in.

As with the long forgotten Sue Gray report, we cannot bank on those in charge, to change what really matters to those now freezing their nadgers off. The change, the hope, the optimism we are looking for, it’s already inside of us, and only we can deliver it. Were I to consult the oracle for 2023, it would say: more of the same, probably, but be happy anyway. Be thoughtful, be wise in your self, honourable in your doings, and all will be well.

My thanks to everyone who has visited and commented here for another year, at WordPress. Your company along the way is, as always, the greatest pleasure. And to those whose blogs I follow, do press on with the good work. The view of the world through your eyes is far more authentic, and worthwhile, than anything I read elsewhere.

And finally:

A passing silence, echoes of awareness,
resisting now the urge to grasp,
whatever random lines
might be wrought and tapped out
into this story of a self.

Fading now, casting off sensation,
feeling, thought,
we reach the quiet shore
that is this observation of being.

Letting come, and go
without judgement,
these ripples
in golden cornfields
of experience
are where we reap our joy,
and it’s from here
we bring the harvest home.

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A Lone Tree Falls, my fourteenth novel, is now up on Smashwords. My relief at finally nailing this one suggests it may be my last piece of long form fiction for a while. It may also be that my stories were, in part, merely an escape from the workaday life, and now, safely retired, I simply don’t need them any more. Time will tell.

The merit or otherwise of my stories, is for others to judge and for me to accept, but they were at the very least, each of them, written with a mood for something to say. Anyway, it’s available for download here, and from the margin of the page, price free, as usual. It works best if you’re reading on a phone or a pad. Clicking the link will take you to Smashwords, where you’ll see the download options, and the book should open up in your reader.

Like my previous story “Winter on the Hill”, it’s not a hopeful book, at least not in so far as the direction of travel suggested by contemporary world events is concerned. But, also in common with its predecessor, it builds on the idea of getting at a shift of perspective, one that’s always been available down the ages, yet which remains hidden or even secret, but it’s a secret that seems to come looking for you, once you’re open to it. Otherwise, it won’t make sense. It enables the individual at least to step back from the madness we see when we doomscroll on our phones, to dis-identify with it and re-orientate ourselves to a more meaningful purpose. To do otherwise is simply to participate in, and perpetuate, the suffering, not just of ourselves, but others too.

The first week always sees the most downloads, I presume because the book appears on the new releases page, and gets its brief moment in the sun. So, there’s an early peak and then a rapid tail off as we’re covered over by the sedimentary layers built up of the daily slew of new arrivals. If you keep the price free, you can expect some downloads. How many? Well, it varies, and for no reason that’s obvious to me:

My story Push Hands has been up since 2013 and has managed 720 downloads. Saving Grace is my best “seller”, having been up since 2019 and managed 2600. If you set an actual price, even as low as you’re permitted ($0.99) you can expect next to no downloads at all. My story “The Inn at the Edge of Light” is the only story I briefly set a price for, as an experiment. It made $4, so hardly a living. Even after setting it back to free, its performance has been rather poor, racking up only 130 downloads in three years. So, even at peak, downloads are a bit sleepy. Reviews and feedback are also rare, but all told I’m happy with Smashwords. It seems a solid platform, and manages to keep going.

At the moment, I don’t have another story lined up, nothing burning inside of me that wants out. The blog is proving far more meaningful in fitting in with the rhythm of my retired life – the walking, the reading, the observation. And that it enables a more regular contact with other like-minded human beings, via the comments, is far more satisfying than plugging away in isolation at a piece of long-form fiction. That may change in the coming weeks and months, as something takes shape in the subconscious, but I’m not pushing it. Each novel I write is a puzzle that demands a solution. It’s like your crossword, or your Soduko. Once you start, you can’t rest until it’s done, even though there’s no actual point to the exercise beyond your own satisfaction, and perhaps a little dopamine kick when it all comes together.

The best advice I can give to budding writers is, if you like to write, then write, because I think it’s good for the soul, and therefore perhaps benefits you more than anyone else. If it starts doing your head in, or making you miserable, then it’s not working, and you should do something else.

Thanks for listening.

Graeme out.

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The day begins with a scam text message purporting to be from the courier, Evri. It wants us to “Click here” to re-arrange delivery. I’ve not ordered anything. The sender intends emptying my bank account. I wonder how many poor souls have fallen for it, and thereby helped swell the coffers of an organised criminality the world seems unable to outwit. I wonder how they came by my number, since I am ever so careful with it. We block the sender for all the good it will do us, and, while we have the phone in our hands, we turn to the news.

In the UK, right leaning ministers of state are spurring hot-heads to violence with intemperate language. Internationally, the UN reports the last eight years were the hottest in recorded history, and that limiting global temperatures to what is calculated to be a relatively safe 1.5 degrees is now a forlorn hope with, thus far, no realistic plans in place, anywhere. In America, Trump looks set to begin a return to the presidency, following the mid-term elections, while various armed MAGA hatted militias are discussing outrages which threaten civil war. Back in the UK again, the pollster, Sir John Curtice, reports significant buyers’ remorse over BREXIT, with a 15% lead among the public for those in favour of now re-joining the EU, but the political debate has closed on that one, BREXIT being the one thing no one talks about. All this and we have only scrolled half way. What other grumblies await us down there? Shall we doom-scroll some more, and see? No, that’s quite enough.

We set the phone aside, rise into the cold of the house, make coffee and check on the washing machine.

Current affairs hold a significant fascination, dare I say even an addiction. We imagine, by keeping ourselves informed of the various goings-on, we gain a greater understanding of the world, that it is a virtuous thing to do, the mark of an intelligent, well-balanced and educated person. At least that is what I was encouraged to think at college, forty years ago. Now I’m not so sure. The media landscape has something of the nature of quicksand about it. Perhaps it always had, and I am simply less sure-footed than I was, for I suspect the older one gets, the more it seems the world is going to hell in a handcart. Things no longer conform to one’s personal expectations, and perhaps, too, one’s expectations begin to narrow, thus alienating us from life still further, whatever our disposition. And we find in media whatever data we need to support our personal hell in a hand-cart hypotheses.

There are plenty of things in life we should be wary of – alcohol and other drugs are the obvious ones, but also this connection to fast-food and short sell-by media. They each poison us, make us less useful as the eyes and ears, and the heart and soul of the universe. Our phones suck us down into a sorry world that is void of imagination, and creativity. They land us among the sterile refuse of data, where we become much less than our selves, as the spark of individual value drains from us. Then we merely subordinate our selves to a tribe who holds certain data to be sacrosanct, other data to be heretical, and thereby we become mere unreflective data-points ourselves, so we might be served more of the same unwholesome junk.

So now, the washing machine has finished its cycle. There are clothes to dry, and the maiden is still full from last week. Things dry slowly these colder, autumn days, and it serves to remind us there are only certain kinds of data that are unequivocal. Your clothes are still wet, or they are dry. Other data requires nuance. It requires a more right brained, wholistic approach in order to separate the wheat from the chaff. Anyway, after sorting that one out, we take up our coffee, pick up the phone once more, note that in the meantime there has been a glitch. The phone has rebooted itself, and come back with a curious error message in which, with brutal honesty and admirable self-flagellation, it tells me it is corrupt, and cannot be trusted.

Many a true word and all that.

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In Roddlesworth Woods

It’s not the first time I’ve arrived at the start of a walk to find I’ve left my boots behind. But it’s okay, we’re not climbing mountains. It’ll just be some soft, dew-damp meadows, and gravel tracks, so the cheap hiking-trainers we’re wearing will probably be okay.

We’re at Ryal Fold again, in the Western Pennines, and the plan is to explore some paths we’ve not walked before, so we can add them to that mental map of permitted ways. We’ll be wandering through extensive woodland, towards Abbey Village, returning along the reservoirs and Rocky Brook, and maybe to finish we’ll come back over the moor by Lyons Den, to check on the heather.

We’re looking for signs of autumn’s advance, now, looking to enjoy some woodland photography, but as ever, it’s about enjoying the outdoors. The scent of an autumn woodland, all mushroomy and damp, early leaves composting where they lie, all of that is a delight to be savoured. The walkers’ café at Ryal Fold is busy, lots of people sitting out with coffee, enjoying these intermittent days of warm sun, and there’s a party of ramblers setting out for Darwen Tower, all noisy with well-met chatter.

Of current affairs, our new Chancellor has gone and there are rumours the PM is to be ousted too, in the coming weeks, only having been in the job five minutes. Much of the mortal thrust of last week’s “fiscal-event” is to be reversed, but the crash it precipitated is still reverberating. Retirement nest eggs are now ten percent down, and pensions are once again under a cloud as the Bank of England winds in its support of the long term bond market. And no, I don’t understand any of this either. I would subscribe to the Macbethian world view of current events, that it is “a tale told by an idiot, full of sound and fury, signifying nothing“, but that requires a philosophical leap when life-savings are going down the plug hole, and they’re putting security tags on tubs of butter.

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death.

I don’t know Shakespeare at all, other than the fact we can always find bits of him to suit whatever the occasion:

Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more.

The man definitely had a way with words. So anyway,… before we’re “heard no more”, off we go, and plunge into the woodland. It’s still mostly green, just a thin carpeting of gold from the first fall of leaves. There’s sunlight pooling in the clearings, illuminating the canopy, spilling along the still lush sprays of beech, to be caught at last in outstretched fingers of ferny fronds, now sinking into a softening earth. There is Birdsong, but otherwise an absolute stillness, shoes and trouser cuffs already wet from their licking, as we crossed the meadows. There’s a plane of water glittering, glimpsed now and then through dense woodland as we walk. And, yes, that autumn scent.

In Roddlesworth Woods

“Have you taken any nice photos?”

It’s a large man, well padded in fleece and parka, his beanie set at a jaunty angle. He has a muddy little dog with him that looks to be having fun. I judge both to be friendly. Cameras were once a more common accompaniment. Mine now marks me as a die-hard geek. Most people are happy to make do with their phones.

“Not yet,” I tell him. “I’ll probably get some as I go up by Rocky Brook.”

“Oh aye.”

He doesn’t know Rocky Brook. I can see it in his eyes. His accent is local, but he wasn’t brought up around here. The familiar names of places no longer stick as they once did.

And no, so far I’ve been making all the same mistakes, so there are no “good” pictures in the can. I have a slow lens in a shady woodland, which means shutter speeds are dropping to 1/8th of a second, which even image stabilisation struggles with. So, it’s all motion blur, poor focus, and the usual mystery of how the eye filters out the messy confusion of a scene, which the camera subsequently reveals.

The Roddlesworth reservoirs are pretty much full, these being the first in the long chain of water-gathering that forms a semicircle around the Western Pennines. On the highest, there are rowing boats at rest, these being for use by the Horwich angling club, but which today form convenient perches for cormorants who are also fishing, and not known for returning their catch.

Fishing cormorant

And speaking of tales told by an idiot, I’m beginning to suspect the current fiction-in-progress is moribund, and I am in danger of losing touch with it. There are two types of writer. One roughs out a structure of the entire storyline, knows where he’s going before he starts, then sticks to that plan and writes to suit it. The other type, like me, doesn’t. We open with a scene, a feeling, and a handful of characters, then see how it goes. Sometimes it goes well. But sometimes you hit a hundred thousand words and things dry up, and you’ve no idea what you’re trying to say any more. Your characters get distracted by current events, so your story starts weaving about and losing momentum.

My story started off in a quiet woodland like this, with the discovery of a fallen beech tree and the age-old philosophical question: if a tree falls alone in the forest, does it make a sound? The way you answer that question puts you into one of two camps. Most people will answer yes, of course it makes a sound. How can it not? But if you think about it more deeply, you realise it doesn’t, and that’s a rabbit hole from which there is no escape.

There are several trees here in Roddlesworth that look to have come down in last winter’s storms, perhaps over-night, or otherwise, when no one was around to see them fall. And there are older trees that fell long ago, now with mushrooms growing out of them. None made a sound as they fell, which is to say we create the world of experience entirely through the senses, but that’s not how the world is in itself. How it is in itself, we don’t know. This is not woolly minded new-age thinking. You simply meditate upon the tree that falls alone, and you follow the question to wherever it leads.

My fictional protagonist is exploring the meaning of such a world-view, while trying to ignore the sound and fury of the world, and he’s trying to work out where true significance in life lies. But I think it’s led me on a bit too far, and it’s opened another door, one that requires a new story, and cannot merely be tacked on to the old. And I’m not sure I can be bothered finishing the old one, either, since it seems to have served its purpose. Or worse, I’m tempted to close it in a hurry, like: they all woke up, and it had been a dream, sort of thing. Best to let it settle, let the characters decide if they’re done or not. But it’s been all summer, and it looks like they are indeed done. I don’t know, if you write, is it best just to let a project go when it no longer resonates, even when you’re within a shout of the dénouement?

Anyway, it turns out cheap walking-trainers aren’t the best of things for walking in. After a couple of miles, you start to feel every pebble. Stand on a coin, and you can tell if it’s heads or tails. We slow the pace and linger for some shots by Rocky Brook, but here the dynamic range is more than we can capture, even bracketing the exposures. There’s a bright sparkle of sun from the little falls, and then deep shadow. The Nikon I’m using will bracket three shots automatically, but I need more, and for that I’d need to fiddle about with a tripod, and I can never be bothered carrying one. Higher up the brook we find a more shady dell and another little fall, one that that’s rarely visited, yet it’s one of the most attractive. Here the dynamic range is more within our means.

By Rocky Brook, Roddlesworth

We settle into the dell for soup. The falls too make no sound, when there is no one around to listen. Imagine that! All the beauty in the world, the sound, the scent, the vision, we do not experience it without the mind first creating it.

We pop out onto the road by the Slipper Lowe car-park. The car-park is empty, closed off, now. From here the moor rises, bright in the sun, pale as straw. We’re perhaps too early for the heather, but I had thought we’d be seeing some by now. We make a start on the climb, but the feet are burning through these thin soles, so we cut it short, contour round on another unfamiliar but beautiful path, towards New Barn, then back to the car at Ryal Fold. A splendid day, early autumn, five and a half miles round. Note to self: next time, don’t forget your boots!

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A wet week looks like having us confined mostly to barracks. Since the youngest flew the nest, last year, I have acquired a study. It has a view of the garden, and beyond, to a once grand ash tree, now beginning to die back. We resist the obvious metaphor, focus instead on the stripes of the lawn, and the remaining splashes of colour among the heleniums.

I’m thinking about something that happened a long time ago. It was a moment of transcendence, I think, one in which there was no difference between who I was, and what I was looking at. That I happened to be looking at Scope End, a shapely cone of a mountain in the Newlands Valley, made this a very grand experience indeed. And whether it was a genuine taste of oneness, as the Buddhists would have it, or just a bit of a funny do, is largely irrelevant at this stage. I’m inclined towards the former, since it has remained fresh in memory all these years, and has driven a lot of creative efforts in mystical directions, though I readily accept the possibility of the latter.

It’s hard to imagine everything we see as being made of atoms: the lawn, the heleniums, and the old ash tree. We know it to be so, thanks to the elementary science we learned at school, but we still tend not to think of things that way. To do so would lend the world a layer of complication we can manage perfectly well without, day to day. Atoms are mostly space, yet the world looks solid. Go down another level, and atoms are made of smaller particles. Then again, these smaller particles are made from even smaller particles, none of which are actually particles, but more like twists of energy, vibrating in what is called the Unified Field. The field is a thing beyond which there is nothing, because it is nothing, yet it gives rise to the world, to the universe of appearances.

It’s also here, while conducting science at this subatomic level, the consciousness of the observer has an effect on what manifests, on that which is observed, which leads to speculation that the unified field – if not in itself actually aware – is the ground from which even consciousness arises. All of this is simply to say that when I am looking at the ash tree, my relationship to it is more complicated than surface appearances, and certainly more complicated than I am ordinarily aware.

All of this, the last hundred years or so of scientific thinking finds itself converging on the Vedic tradition, which speaks also of a fundamental ground of being, an emptiness, a nothingness, a formlessness, timeless and infinite, from which all things arise. And the tradition holds that this state can be experienced directly, either by diligence in the practice of meditation, or you can even sometimes fall into it by accident.

In my case, the accident occurred at the tail end of a long and very beautiful walk in the mountains, some time around the millennium. It probably lasted only the length of time it takes for the raising of a foot, as I walked, and the placing of it down again, but, internally, the experience was much more expansive, and timeless. It posed many questions, of course, and the subsequent search for answers became a considerable part of my leisure time thinking, thereafter, a search for which one feels poorly equipped, bound as one is by the nine to five-ness of ordinary, suburban circumstances.

Scope End, June 2005

Although I have speculated on it before, a firmer link between Vedic – also to some degree Buddhist – philosophy and the Unified Field of contemporary physics came to me only recently while revisiting some old notes on Transcendentalism – Transcendent meaning a direct experience of the ground of being, or the divine, or however you want to put it. I first heard the term, long ago, when a work’s doctor was interviewing me, after I’d fainted. I was a manufacturing apprentice, and my mate had injured his finger on a machine. He swore, and I fainted. I came round in a sweat, the doc pronounced me fit, told me to get back out on the shop and then, as if he had peered into my soul, added that I’d probably benefit from some form of Transcendental Meditation. It was perhaps the single most sage piece of advice I was ever given, but I ignored it.

And just as well I did, because the “official” Transcendental Meditation (TM) would have been beyond my means. Even if I’d found a teacher, TM costs you serious money, and I’d a long way to go before I was ready, or desperate enough to take any form of meditation seriously, but especially one where they asked you for money. Now, I’ve no reason to doubt TM is as effective as they say it is – even though most of those saying it are celebrities who can well afford it – but there are plenty of other forms you can learn from books, or from inexpensive church hall classes, if you want to give it a go.

As for TM in particular, it’s a technique defined by the use of a mantra, a meaningless word that has a certain resonance in the mind as it is silently repeated. In the official TM that mantra is a secret – specific to you – given to you by your teacher and never to be shared. Naturally, this raises some sceptical eyebrows. Personally, I think you could find your own mantra, and that will do just as well.

I’ve used meditation – though not TM – as a means of controlling stress and anxiety, mostly work related, and found it effective, but it never took me back to that moment in the mountains. Then again, I don’t meditate very often these days, and I’m not sure I want, or need, to go back to that moment anyway, because it raised more questions than I can ever answer, at least in this lifetime. But I’m grateful for the glimpse behind the curtain, so to speak, if indeed that’s what it was. It’s certainly gifted me plenty of speculative avenues to explore over the years, and the mind has enjoyed toying with them in my various fictional writings.

It’s deeply strange to look at a mountain and have one’s consciousness expand until one is both oneself, and the mountain. That’s too clumsy a way of putting it. Perhaps a better way is to say the unified field contains both the manifestation of the mountain, and one’s own consciousness, and that, for a moment, one attains a glimpse of both, from some higher perspective.

Of course the ego resists even this one small concession, that while it might be possible this is the way it really is, Ego denies any certainty of belief, that beyond granting the world is indeed a beautiful place, and at times hauntingly so, it would sooner take anchor in a materiality we know full well to be a serious simplification of the way things truly are.

And now, after all of that, the sun is shining, so we’ll slip out for a walk, while the going is good, and I’ll leave you in the company of David Lynch (Lost Highway, Twin Peaks, Mulholland Drive) who I think explains it very well.

Thanks for listening

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Rivington Hall

We’re in Rivington today, just parking along the Hall Avenue for the start of a walk up the Pike. The red brick of the old hall is illumined by a spot of sunlight pouring from an otherwise cloudy sky, and is looking very grand, framed by the dark of the trees. We’ll be walking a route I’ve not done for ages, up a ravine known locally as Tiger’s Clough. So far as I know there were never any tigers in it, save perhaps the sabre-toothed variety, in prehistoric times. The name actually refers to an illicit drinking den called The Tiger, tucked away, once upon a time, in its shady environs, all trace of which has now vanished. The early maps have it more properly as Shaw’s Clough. There’s a decent waterfall there, and there’s been a bit of rain, so we’ve a chance it will be running, and worth a photograph.

First though, we head down the avenue towards the glitter of more sunbeams on the Rivington reservoir. This takes us past the Great House Barn, which has been a café for as long as I can remember. It was an unfussy rendezvous for walkers, and motorcyclists, but something has happened. It’s gone posh, with table service and waiting persons in long aprons.

Great House Barn, Rivington

Friday lunchtimes would see me knocking off work, and heading over to the barn for a bite, then a walk, but post retirement, post covid, post a lot of things, I have yet to reacquaint myself with the menu. For today, lunch is in the rucksack, and the end-of-walk brew is waiting in the flask, back in the little blue car. Not all passers-by are tight-wads like me, though, and the barn seems to be doing a brisk trade.

The “Go Ape” Ape, Rivington

By contrast, I note the adjacent Go Ape place is lacking custom this morning. Some years ago they took over the woodland, bordering the reservoir, set up aerial walkways, and zip-wires among the trees, so hard-hatted and harnessed folk could whoop and scream their way from branch to branch. It’s not a place I tend to walk any more. Indeed, I don’t come down this way much at all now. It’s just that this is where we pick up the path to Liverpool Castle, our first objective on the circuit.

The castle was commissioned by Viscount Leverhulme in 1912, intended as a kind of romantic folly, on the shores of the reservoir and was modelled on the more ancient and long vanished Liverpool Castle at – well – Liverpool. It’s now a holding pen for litter, and a canvas for graffiti. Graffiti puzzles me. I’ve heard it explained as an expression of rebellion, but I only feel despair when I see it. I wonder if there is a link between graffiti, and tattoos, and if so what is the tattooed person rebelling against? But I know I’m over-thinking things, now. The castle still takes a good picture, and the worst of the urban artistry can be cloned out.

A replica of Liverpool Castle, Rivington

Now we’re heading down the tree lined avenue towards the car-park, near the high school. A former colleague of mine was once parked here, many years ago now, enjoying a packed lunch, when a half suited gentleman emerged from the small public convenience, and walked across to his vehicle. I say half-suited because he was carrying his trousers, neatly folded, over his arm, and was bare from the middle down, his modesty spared only by his shirt tails. My colleague, a lady of mature years, was upset, and telephoned the police, to be advised the car-park was a well known public sex area, so the cops generally turned a blind eye, though it was certainly news to us. I’ve no idea if this is still the case – things move on, I guess – but neither she nor I ever parked there again. It puzzles me how one is supposed to know these things, if one is not already in the know. It requires a certain level of street smartness, that is not second nature to us, the more naive denizens of rural England.

Climbing up the path by Knowle House, now, we turn towards Horwich, and find the narrow curling ribbon of Tarmac that leads up to Higher Knoll farm. A little way up here, a kissing gate lets onto a path that leads us down into the gloom of a wooded ravine. This is Tiger’s Clough, where the headwaters of the River Douglas first combine and gather pace, after trickling down from their various tributaries on the moor.

Down and down we go, following the sound of water, until we come unexpectedly across a tented encampment. It does not have the look of one of those trendy insta-wild camp things, but something altogether bigger and more permanent. I’ve encountered the homeless, living in tents in this area before, and suspect some poor soul on their beam ends. We give it a respectful swerve. Sadly, Britain is now, by and large, a poor country with, like all poor countries, some rich people making little difference to its future prospects – indeed quite the opposite.

Main falls, Tiger’s Clough, Horwich

We make our way upstream, the way impeded here and there by storm-fallen trees whose boughs force us into yogic contortions, and eventually, we come to the falls. I’ve seen photographs of them when the Douglas is in spate, and very impressive they are too, but today, there’s just a trickle going over, and we struggle for a photograph in the gloom. There is also a mess of litter: beercans, Monster Energy cans, plastic bottles, surgical gloves, and a pregnancy tester (negative), this latter placed quite deliberately upon the makeshift altar of a protruding brookside rock. I hesitate to join the dots.

We’re getting on for lunchtime now, and the tummy is rumbling, but there’s an unwholesome atmosphere, courtesy of all this detritus. Certainly, it is not the place to break out the soup-pot. So, we climb from the ravine, disappointed, and continue our way upwards and onwards, towards the bumpy track known as George’s Lane, and the main routes to the Pike.

Prospect Farm, Rivington

The way becomes cleaner as we climb. Fortunately, the kind who would besmirch the environment, paint it with expressions of rebellion/despair, are also lazy. Just before the path meets George’s Lane, we come across the levelled ruins of Prospect Farm, marked by the still upright remains of one massive buttress. The name is apt, it being a fine viewpoint, and we settle in the sun for lunch while galleons of clouds sail inland, spinnakers billowing. I’ve had many pairs of cheap binoculars over the years, but eventually splashed out on some decent ones, not too heavy in the pocket, and a marvel to settle down with in a viewpoint like this.

Lunch done, we pick up one of the more popular tracks for the ascent via the gentle flank of Brown Hill. The top of the Pike is busy: families, teens, joggers, dogs running amok, owners snapping them back to heel. Jester! Jack! Fritz! Get down! It’s early afternoon, midweek. I don’t know what people do for work any more. It’s like the whole world, young and old, has retired with me.

Rivington Pike

Speaking of work, I can see where I used to work, from the Pike, see too, the line of the M61 I used to commute along – a bleak, potholed roaring ribbon of a road it was, with no lane markings for the most part – all rubbed off – a nightmare in the dark and the wet. There’s still a shiver, when I think of those days. We turn our back to it, seeking instead the Isle of Man, which is sometimes clear from here. Not today, though. Views of the Isle of Man are rare enough to be disputed, but I swear I’ve seen it often enough.

We make our descent through the blessedly tidy terraced gardens, where volunteers are busy weeding. The Italian lake has been drained and cleaned, all of this I presume in readiness for the festival of light, in October. This is a ticket only event, and well attended, one of the highlights of the season. I note it’s sold out now. Maybe next year.

So, finally, we return to the little blue car, ready for a brew and a rest before the drive home. Alas, we note brightly coloured bags of dog doings dotting our near environs, and someone has draped a banana skin over a fencepost by the door. The little blue car is not amused. Consequently, the tea does not taste as nice as it should. We gulp it down, and do not linger. I’d thought it might be an interesting circuit, but somehow those Tigers got the better of me. Five and a quarter miles round, and the GPS assures me nearly seventeen hundred feet of ascent, which is a respectable effort. But there are certain times, and frames of mind, when Rivington looks very tired. And today was definitely one of them.

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The falls on Stepback Brook

It’s a beautiful, mid-September morning. We reverse the little blue car from the garage, and let the top warm in the sun. It folds down easier when it’s warm, and I’m trying to spare it from further cracking. It’s a little frayed around the edges now, and not surprising at twenty years old, but still keeping the water out, so I’m in no hurry to replace it. We fold it back gently, flip the baffle plate, to keep the wind from sneaking up behind our backs, and make ready for the off. Every warm day from now is a bonus, and possibly the last we can get out with the top down, and enjoy the air.

I’ve wasted half the morning trying to load music onto my phone because I want to avoid the radio, but it’s a new phone and I can’t make head nor tail of it, so we’ll make do with the company of our thoughts as we drive instead. It’s a short run today, over the moors to the Royal, at Ryal Fold. It’s cool on the road, but pleasantly so with the heater on just a touch. Of the ongoing national mourning, there’s not much in evidence en-route, a few pubs with flags at half-mast. It’s a different story in the Capital, of course, with all-night queues for the lying in state, and extra trains for the influx of tourists.

The King meanwhile courts an occasional bad press for being grumpy. This is from both the political left and right, and both the royalist and the republican media. Memes are spreading across the Internet, some humorous, some spiteful. This seems to hint at the nature of the future relationship. Meanwhile, dissenters are being arrested. Even holding up a blank piece of paper will get you nabbed.

One broadcaster mistakes a crowd protesting the killing of a young black man by the Met, believing them instead to be well-wishers. It must be difficult trying to keep the commentary up for so long, when not everyone is following the same script.

Anyway, the car park at the Royal is busy, lots of people sitting out in the sunshine, enjoying an early lunch, but the Union Jacks are absent. There is an intoxicating scent of cooking and coffee, mingled with the moorland air. The plan is a circular walk to Darwen Tower, as I have it on reliable authority it is definitely open now after its years’ long refurbishment.

We follow the route up Stepback Brook to Lyon’s Den. There’s been rain recently, and the brook is musical, the little wayside fall running nicely, a generous and shapely mare’s tail. So we sneak down into the dell and try a shot or two, but we’re shooting into the sun, and the lens is flaring awkwardly. We’ll be lucky to salvage anything from it, but no one’s counting, and it’s always fun trying. It doesn’t matter. What matters is the day, and to be out in it, and looking at it the right way round.

Eighteen months retired now, and I’m still not sure if I can call it real, not sure if I’m making the best use of the time I’ve been waiting for so long to enjoy. I’m still aware of time ticking down, but now the deadline is not the Devil dragging me back to work on Mondays. It’s something more final, numbered perhaps in summers, and it needs to be overcome, for the sense of pressing time is the Devil itself.

Climbing the track to Lyon’s Den, we spy a note pinned to the fence. Someone is expressing thanks to the kind soul who found their photographs (we presume on a memory card, or something). We sometimes don’t appreciate how much stuff we have on these things, that their loss would be devastating to us. It is a random act of kindness, then, and a reciprocal gesture of appreciation. The finder gains nothing, materially, seeks no reward. It was a rationally meaningless act, then, yet also the act of any decent human being.

Lunch is served on the bench by the little copse above Lyon’s Den. The view from here is breathtaking. The cooler air of these September days cuts the haze, and jacks the clarity dial up to infinity. The Dales are so clear, it’s as if we could walk to them in five minute, the Cumbrian Mountains, too. Closer to hand is Bowland and Pendle, barely a stone’s throw.

An old timer comes ambling slowly by, trailing a pair of ancient Irish Wolf Hounds. They have the scent of my lunch, and are curious. He’s a pleasant soul, bids me good morning, gently tugs his giant creatures onwards, in the direction of the tower. There’s an air of ease, of gentleness to the day. The tower stands out, way across the moor, a Dan Dare rocket-ship, poised for take-off.

Darwen Tower – Yorkshire Dales beyond

So, a random act of kindness – finding a memory card in the mud, and placing it where the owner might find it, should they come looking. The simple goodness of that act has extended beyond returning those treasured photographs to a grateful owner. It has coloured the morning like a charm. It ripples out in time and space.

I have spent a long time on the trail of something “other”. Those more well travelled say it’s a journey that ends with the realisation there is no “other”. I think I know what that means, now. It grants a certain degree of shape to the cosmos that makes more sense, though it actually has no shape, beyond what we grant it, that subject and object are the same thing.

But the journey is like a long breathing in. And if you hold your breath long enough you get to the point of bliss, and it seems many travellers make do with that, sit on their cushions with their scented candles, and their singing bowls, lost in the emptiness. But you need to breathe out too, and that means bringing something back into the world, a world where there’s so much suffering it’s almost impossible to get anything done, and where nothing makes sense without these random acts of kindness.

But like the breathing in, we make a meal of it, and it turns out to be much simpler if we can only look at things the right way. I’m hoping it’s the same breathing out, breathing something back into the world, that it’s no more than a question of doing the good that you know, as it arises. But it’s a good that must come from an intelligence of the heart, which in turn comes from that journey to the realisation there is no other.

The finder of those photographs felt their loss, because it was they who lost them, they who also felt the joy of their return. I know I’m not making much sense, but it doesn’t matter. The message is in this mellow air, and in the ripples coming out from that little note, the lost, the found, and the random act of kindness.

Darwen Tower

We arrive at the tower to find it is indeed open, and looking in fine fettle after its long refurbishment. I venture inside a little way, take the spiral staircase to the lower balcony. The sun is very bright now and, entering the gloom, I find my old eyes are slow to adapt to the dark these days, so I’m fumbling for the steps with my toes. I’d get there eventually, but don’t feel confident in climbing to the top. The lower balcony will do, and in itself is a stupendous viewpoint.

There are two stories about the origins of the tower. One is that it was built to celebrate the jubilee of Queen Victoria. But there is another story, one about land ownership, and the public’s rights of access to it. Once upon a time, I would not have been able to walk, as I’ve walked today. It would have been an insane trespass, and I would have been seen off by gamekeepers in the employ of an absentee landlord. But it was courageous acts of trespass, defiance, and an ensuing legal battle that opened the ways over Darwen Moor to everyone, and that’s what the tower celebrates. The intelligence of the heart says it was a good thing, securing freedoms we continue to enjoy today. But that is not to say our freedoms cannot once again be lost.

Darwen Moor

Thanks for listening.

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