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italian lake

Leverhulme’s Italian Lake

If you wander up the side of Rivington moor, towards the Pike, you’ll come across what looks like the remains of a lost citadel. Is this the ruin of some ancient Lancastrian civilisation? No. It’s the remains of a summer palace, created by Thomas Mawson in the early part of the last century for the pleasure of the industrialist, William Hesketh Lever (Lord Leverhulme). Known as the Terraced Gardens, photographs from the period suggest a stunning arrangement of architectural and botanical wonders, crowned by Leverhulme’s residence, “The Bungalow” which played host to glittering parties for the region’s well-to-do. Leverhulme died in 1925 and – sobering thought this – almost at once, the place fell into ruin.

There have been various attempts since to stabilise the remains and preserve them as some sort of amenity, the most recent being a Heritage Lottery funded project which is making perhaps the biggest effort I can remember, and which I believe has been largely successful, rolling back nature a little and revealing much more of the structures we had thought lost for ever. Not entirely ruinous, there are various summerhouses, the Italian and the Japanese lake (with waterfalls), the stupendous seven arched bridge, and the iconic Pigeon tower, to say nothing of winding terraced pavements, are all intact and accessible for free, to be explored at will.

terraced garden steps

As we wander among these romantic ruins today, it’s hard not to slip into contemplative mode, thus you discover me sitting a while by the newly renovated “Italian Lake” thinking, among other things, about that scourge of modern times (forgive me): BREXIT! The other things, we’ll get to in a moment, but for now whether you’re a Remainer or a Brexiteer, the one thing we can agree on is the disruptive influence it has had on the nation’s psyche these past few years. Internet, TV, radio – the first thing you hear is BREXIT. And everyone is angry about it and with each other, about it.

For myself I’m viewing it all somewhat darkly, though with a grim resignation now, watching as politicians manoeuvre themselves, and seemingly in such a way as to guarantee the coming hammer-blow inflicts the most damage on those who can defend against it the least. If a foreign power had set out to undermine, and collapse the United Kingdom, politically, socially and economically, they could have done no better job than we seem to be doing ourselves. But is it reasonable I should feel this way? I mean is it rational? Not that I am mistaken, but more that I should care at all?

World events are what they are, and while they do seem parlous at the moment, and on many fronts, there is nothing I can do about any of them, and this has always been so for the individual down the generations, and for all time. The world is like Leverhulme’s garden, for ever in need of repair. Take your eye off it for a minute and the stones are coming out, the tiles are slipping, the water is getting in and spoiling the carpet. In short there is no Arcadia, only at best a continual effort to maintain the good, and the progressive, in the direction of least harm.

twin arches

But then there are times when I wonder if it isn’t the other way around, that I am creating the mess myself in my head, and faithfully manifesting what I feel through the decay of the world. So is the solution to the macrocosm’s disintegration, not also to be found in working towards the restoration of the microcosm of my own self? It’s a silly way of thinking perhaps, but such are the run of my thoughts this afternoon, and if you’ll forgive me, I’d like to follow them wherever they take me.

I’ve been reading competing theories of human development – one of them essentially spiritual and inactive, letting be what will be, and the other active, secular and psychological, addressing the flaws of the self which, in me, seem no less abundant than they were decades ago, the same neuroses flaring up at the slightest provocation, the same doubts, the same ignorance.

It’s Ken Wilbur who talks about vectors, though he may not call them that. When a solution to our ills seems to rush off with a certain energy and in a particular direction, and then another solution, seeming just as convincing, rushes off in another direction, it’s likely neither solution is correct but it’s reasonable to assume the greatest gain might be found somewhere in-between the two, so we sum the vectors and see where they lead us. But what if the vectors are diametrically opposed and of equal energy? Then they cancel out and leave us right back where we started, only with one hell of an internal tension – or there would be if, this afternoon, I wasn’t simply watching raindrops fall on the Italian Lake.

He would swim in this lake – Leverhulme I mean. I see him now, coming down the steps from the bungalow, maybe even a cool, wet day like this. A butler follows him at a respectful distance with towel and umbrella. He lowers himself into the water, (Leverhulme, not the butler) and pushes off. The water is peaty and scummy this afternoon, and full of tadpoles, so I’m thinking he must have had a serf in waders skim it regularly. And now, a century later, here I am, thinking about him, wondering what it is he means to me, and most likely it’s nothing other than a convenient lever against the fulcrum of thought, trying to move something otherwise immovable into the realms of a murky understanding.

A week ago, I was up by Angle Tarn in the far eastern fells, remote from the world, my thoughts moving much more freely than now. Now I’m back in the thick of it, and wondering about the pointlessness of so much of the suffering we see, day to day. It’s the default position, I suppose, when we stop believing in God, empirical reason alone just circles the plughole of its own bath-water, leaving us with nothing by way of a sense of meaning, only this gnawing feeling we’ve missed a trick somewhere.

terraced garden trail

True, it has to be said the evidence isn’t overwhelmingly in favour of a benign, interventionist deity either. But I’ve noticed life does go better when we err on the side of caution, and allow room for some form of mystical thinking, if only because it enables us to transcend the noise of our Twitter feed, pull our snouts from the trough for a moment and glimpse the bigger picture.

And the bigger picture is that for long periods of our history we have lived with the expectation that every day will be just like the last, generally peaceful and prosperous, and that such a happy state might last for ever and be passed on to our children. But every now and then events arise that deny us the comfort of familiar times. And while it’s at such times there is the greatest potential for personal and national tragedy, there is also the greatest opportunity for self knowledge and understanding.

It’s hard to say what it is that’s coming exactly, and what kind of harm it will inflict, but whatever it is we’d each be wise to look more closely at the mending of ourselves, for it’s only through such self-healing we discover we are better able to understand and take care of one another. From what I see at present though, and in increasingly vivid colours since the cloud of BREXIT burst over our heads and washed all manner of demons from the sewers, looking after one another seems the least of our priorities. Instead we withdraw to the boundaries, or rather to the fissures, of our respective clan identities, project evil onto the rest and then, for want of a simple bit of maintenance, the whole damned lot comes crashing down.

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jbp+12+rules

Pitched perhaps a little tongue in cheek as a self help book, 12 Rules for Life weighs in as something altogether more substantial, so much so I note there are now books that summarise it. Although clearly and compellingly written, I found I could only digest it in small bites, but these are big ideas, and worth mulling over. They’ll also lead you into other avenues of thought, some of them very old and which seem to be coming from so deep inside of us we’ve forgotten they’re there. Psychologically speaking then, these are archetypal patterns, in the Jungian sense, which, when we encounter them afresh like this, they join certain dots in the psyche and light us up.

Peterson, a clinical psychologist and professor of psychology at the university of Toronto, rose to fame when he refused to obey a law that compelled the use of gender neutral pronouns when addressing members of the transsexual community. Viewed by some as an intolerant stance, the resulting furore was also evidence supporting Peterson’s thesis that many of our most intractable societal problems are the result of low resolution thinking, and ideologically half-baked responses to highly complex questions.

It takes only a little research to uncover the fact it was the compulsion of speech by law to which he objected, rather than the actual use of particular pronouns, that by submitting to such we risk sacrificing our freedom of discourse on a bonfire of indiscriminate political correctness. What this also tells us about Peterson is that if, on any given subject, political correctness is pointing in the opposite direction to the psychological reality, he will not hesitate to say so. This can be labelled courageous or provocative, depending on your point of view and has certainly won him both friends and enemies in equal measure.

He also draws fire for his view that in any society there can be no equality of outcomes for individuals, that there will always be a hierarchy. This is as pre-programmed into human behaviour, as it is into lobsters. Therefore, he argues, ideologies that promise egalitarian utopias are inherently doomed, that the important thing for the individual is to accept the reality of hierarchies, understand how they work, understand one’s place in them, and work towards ensuring those hierarchies do not become corrupt and tyrannical for those at the bottom.

Peterson is also known for his Youtube lectures, in particular the series on understanding Biblical stories from a mythical perspective. Much of that material, along with similar analyses of the works of Jung, Freud, Dostoevsky, Nietzsche and Solzhenitsyn, also anecdotes from his own life, and from his long clinical experience are all bought together here in a powerful synthesis. But, as happened with Nietzsche, psychological theories can be misrepresented to suit a notably right-wing agenda and to a degree, the same thing is happening with Peterson.

His outspoken criticism of left-leaning ideologues, gives succour to ideologues of the right, which, in turn, results in simplistic media support to the idea Peterson is himself right-leaning, when in fact he warns us against all ideologies, left or right. It is holding to ideologies, he says, in the absence of something else, that has resulted in the deaths of countless millions over the course of the twentieth century. It is what that “something else” is – the true essence of being, how we realise it, and how we can bring it to bear in our lives – Peterson tries to get at here.

Popular with young men in particular, who Peterson argues have been left behind, undervalued and to some degree even demonised in recent decades by a more strident feminist Zeitgeist, the book provides guidance on how to mature successfully, how to face the world in all its complexity, tragedy, absurdity and horror, as a competent, powerful and self motivated individual, without needing to seek support in otherwise seductive and simplistic ideologies. Ideologies might promise clarity and equity, but always fail to deliver on their particular Arcadias. The reason? People are not machines, they will often act contrarily and irrationally to authority, to rule and dictat. That’s when the trouble starts and the ideologues in charge turn to oppression, authoritarianism, and eventually to killing in order to maintain control.

Twelve Rules is intended to help us rediscover a sense of personal empowerment and to find the courage to face a chaotic world without the risk of harming ourselves or others in the process. The result is a psychological, philosophical and quasi-religious treatise that aims to put us back on our feet, essentially by reacquainting us with the underlying mythological, archetypal bedrock of our culture. I certainly feel I understand my own shortcomings a little better from reading it. Whether I have the courage to do anything about that is another matter, which I suppose is the challenge Peterson sets us, either to overcome the malaise of the secular west, first by overcoming it in ourselves, or to go on as we are and allow it to sink without trace, and ourselves with it.

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van goughReactions to suicide say much about society’s attitudes to mental health. In Victorian times, suicides were often explained away in order to avoid a social stain on the family. There was also the unhelpful religious belief that those who died by their own hand went straight to hell. So we got things like: he accidentally fell into the pond and drowned, or he accidentally shot himself while cleaning his gun.

There’s still an air of evasiveness when discussing mental illness, but there is at least a recognition now that it is a real illness rather than a weakness of character. When someone known to us takes their life, the reaction is one of shock that anyone so well liked/loved/respected could ever feel that way and we be unaware of it. But there’s guilt too that we did not see it coming, that we did not do more to help. We feel complicit, guilty in our silence at holding to the secret of others’ despair. But what can one do? Not everyone suffering from mental illness wants to talk about it. And when you realise how little others understand your feelings, you can hardly be blamed for not wanting to share them.

There are no easy answers.

It’s an unfortunate fact that high-profile celebrity suicides raise awareness more than any well meaning mental health campaign. They launch tragedy squarely onto the front pages, but even here amid the collective shock, “normal” people can still be dismissive, telling us celebrities are notorious libertines, usually off their heads on drugs and it should be no surprise they kill themselves now and then. But this is to ignore the despair and the sheer existential emptiness that underlies mental illness, an illness bullet-pointed with unshakable, negative self beliefs:

* My life is a mess;
* I am ill adjusted to the place I find myself in, yet cannot escape it;
* I am unequal to my responsibilities;
* People expect more from me than I am capable of delivering;
*I am letting everyone down;
*It’s all out of control;
*I cannot move another step;
*I am useless;
*I am a bad person;
*My life has no meaning;

Do any of the above ring true for you?

Of course people in the forefront of public life are no more likely to suffer mental illness than the ordinary and the poor. Indeed being poor, being unable to make ends meet is a very dangerous place to be in the mental health stakes, more so as you are less likely to have the money to access competent people who can help you. But we all worry, and even when we have nothing to worry about, like having no money and no job, we invent other worries – seemingly trivial things – and inflate them to apocalyptic proportions. If we are susceptible, these worries will plant the seeds that blossom into hideous mental blooms of distorted self image.

We need to talk about it. Even just sharing the secret with someone can help. I spoke of mental health services last time – admittedly in less than glowing terms. Lack of funding means the gap between aspiration and reality is now unbridgeable, at least for 90% of the population, but the important thing here is that we make the effort. We admit our fears by sharing them with as many healthcare professionals who will listen. Even if the person we’re sharing them with has one eye on the clock, and can never get our name right, the process of sharing can be helpful. But there are other things we can do too, things that are even more effective in returning control of our selves back to our selves.

With a little imagination we can think of the human being, metaphysically, as comprising three vessels – the physical, the mental and the spiritual. We need to keep all three topped up. If one of those vessels is leaking, it can be replenished by the others. If all the others are leaking too, then we’re in trouble, but the good news is paying attention to any one of them can help the entire system to restore its balance.

The easiest to fix is the physical.

Among my memories of the darkest of my hours there shine radiant beacons of days simply walking in the Lake District Mountains. I have never felt ill on a mountain. It was when I came back down to earth the problems recurred. Physical exercise of any kind is good for us, good for circulation of the blood and the lymphatic system – getting the good stuff in and the bad stuff out, and you don’t need to do it on a mountain; a walk in the park is good too, or take up dancing, jogging, tennis, Tai Chi,… whatever interests you and suits your abilities. The after-effects of even gentle physical exercise dribble through into the mental vessel, surprising the most depressed of moods with little revelations of relaxation and calm.

It sounds too good to be true, that merely exercising the body can make a real difference the problem is, getting up off your arse when the black dog comes calling takes a monumental effort. We resist it, even though we know it’s good for us. This is another of the mysteries of mental illness; it is as if the pain is itself an intelligent entity dwelling within us and fears for its existence; it sees where we’re going with this and holds us back; it would much rather we vegetate in front of the telly, drink alcohol every night, and drop fatty treats into our mouths. I know, I’ve done it. But we must resist the resistance.

And keep moving.

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man writing - gustave caillebot - 1885They say a writer should always write for the market, in other words write whatever’s selling. Who are “they”? Well, a lot of them are people who write self help books for writers on how to get published. “Study the market”, they say, then sit down and write stories to suit it. And if you’re a naive young writer, trying to narrow the odds of getting published, this appears to make sense. But in reality what’s popular at the moment may not be popular by the time you’ve worked out what it is, and written something similar. If you’re not careful you’ll spend your life chasing your tail, pursuing the mythical golden genre, which is, sadly, a genre you’ll never catch up with.

So, what about now? What’s currently trending? Well, I might have said tales of teen vampires and spankbuster stories. But I suspect I’m wrong because I was never any good at studying the market and, judging by the glut of said spankbuster novels I saw  in the charity shop this weekend, I suspect that genre may already be on the wane. Certainly by the time I wrote one they’d be as passée as sideburns and flared trousers. But, actually, I don’t want to write one, because in writing specifically what I feel someone else wants to read I would not be fulfilling the contract with myself as a writer, and I’d probably dry up after the first chapter. What writing is for me, is finding the button which, once clicked, the writing writes itself while I sit back and am entertained, intrigued, informed and healed by the words that appear under my fingers. This is not writing for the market, or with a view  to publishing. It’s writing for myself, and it’s the most satisfying kind of writing there is.

It is not the writer, but the unconscious imagination that delivers this miracle, and what it delivers may not always be popular, commercially lucrative, nor even intelligible to another human being. I write what I write, but if no one else is interested in it, that’s not sufficient reason for me to stop writing. We write best when we write what pours most naturally out of us, otherwise it’s like telling someone what we think they want to hear; it maintains the status quo, but it never moves things on. So, throw away that self help book; do not write for the market; write what you want to write; be a warrior-writer, an explorer of the unknown. This way the more fortunate of you will be the ones who hit upon the next big thing, discovering the new killer-genre that a generation of self-help hopefuls will try to copy.

And the publishers will suddenly love you.

Of course the majority of you who set off down this path, will never find a publisher, your genres will always be too obscure, and eventually your tales will wind up in the commercial wasteland of the online world where they will wander in perpetuity like lost souls. But again, that’s not sufficient reason to stop writing, especially since now you will find readers, unlike in the pre online days when you would not.

The imagination is an infinite resource, but not one to be mined as if for gold, more for that which wants to see the light of day. This is where the stories are born and where they grow. The writer sets them down, for himself first, then for others. But the imagination does not work in neat genre folders. It is what it is, and what comes out of it is as unique as the teller of the story.

In the psychology of Jung, there is a natural creative tension between the conscious mind and the unconscious. We do not know what lies in the unconscious, but throughout our lives its contents, which are hinted at in dreams and snatches of imagination, press for acceptance, to be assimilated into conscious awareness. Reluctance to deal with the unconscious results in mental illness and a seriously unbalanced life. On the other hand, directly courting its contents through the written word can give us the appearance of being mentally ill, when actually what we’re achieving is a better balance.

Some writers then, and I count myself among them, write primarily for themselves, as a means of self understanding and self healing. This might sound self indulgent, but there is a common bond between human beings, since we rise from the same collective psychical substrate, so what I have felt and suffered, there’s a good chance you have felt and suffered too. The writer therefore lights the path, so others might gain insight and comfort from the fact they are not the first to pass this way.

But now we’re getting deeper into the psychology of the written word, and it becomes apparent there are two kinds of story. There is the story that takes us out of ourselves, puts us in the skin of another person and presents an entertaining, though undemanding alternative experience of life. And then there’s the story that puts us in a skin which, though at first unfamiliar, we realise is essentially our own, and it casts us in a situation which, though it at first seems strange, even outrageous, we realise mirrors our own lives. These are the stories that make us look more closely at ourselves and how we live.

Most of they money’s in the first kind of story, and a writer might spend his whole life chasing it, spurred on by the desire to be known as a writer, to wear the tweed jacket and bow tie of the mythical bardic breed. There are many good writers who make the realm of genre fiction their own, and make a living at it, but many more who aspire to it and fail, to lie instead embittered and broken on the trail.

The second kind of story is a stony road – I suppose you might call it the literary path – the novel as an artform. I’m not saying there’s no money in literary novels, but it’s probably best to consider it from the outset void of remuneration unless you’re already in cahoots with a publisher and his marketing machine. Future generations may laud your genius, but for now its best to view yourself as just another self conscious, self indulgent loser. And that’s fine because those pursuing this path are less interested in the epithet of “writer”, less interested in a lucrative publishing deal, and more  in discovering what it means to be a human being.

Their stories may be strange and unsettling, or even unreadable, unless a literary critic tells us first they’re worth the eye popping agony of ploughing through them. But that they provided sufficient energy for their own creation, through the channel of a writer’s imagination, is justification enough for their existence and they will surely find readers in their own good time. In the mean time they may languish for decades on free to download websites, long after their author has passed away, but it doesn’t matter; the deed is done. It’s simply what writers do, and we should be grateful now for the catch all medium of the Internet for their preservation.

If you want to write, don’t write for the market – just write!

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I have a lot of Tai Chi books and Qigong books and Yoga books. You start to read them, grow bored with them, or maybe something in the style of writing makes you think they’re fake, or maybe the promised benefits don’t materialise for you quickly enough and you start to feel stupid doing these weird exercises. So you set the book aside, then buy another book because you think this might just be the one, but it never is. The self-help industry isn’t about helping you to help yourself, it’s like anything else that’s up for sale – it’s about making money for someone else out of you.

I think books can generate unrealistic expectations, and the more extraordinary the claims they make, the greater circumspection they should be treated with. Of all the books I have, I guess only one in ten has been useful, and the ones that end on the promise of paranormal prowess, perhaps not surprisingly, have been the least use of all.

I’ve practised Eight Brocades Qigong now nearly every day for two years and it hasn’t turned me in to a physical superman. Nor has it endowed me with psychic abilities, nor the ability to cure aches and pains by the touch of my magic finger – but then I wasn’t expecting it to and was happy to settle for feeling calmer and a little more energetic. Touch wood, I’ve not had a day of sickness since I started practicing, so maybe it does work after all? Whatever it is. And whatever it is, you don’t get it from a book, you get it by practice, by running through the moves, every day. Not for days, weeks or months, but for years. I’m know my practice isn’t perfect, but even imperfect practice as to be better than no practice at all.

Practicing a qigong set involves a physical and a mental component. The physical movements cause the blood and lymph to circulate, as well as stretching the tendons and gently toning the muscles. The movements also stimulate the body’s so-called meridian system,  and you do eventually begin to feel this in your arms and your fingers – like the tightening of a chord, or as a mild electric shock. Sensation in the body, and in the legs have yet to materialise, but I’m told I will feel them eventually.

The mental component is harder, but if you can introduce it into your practice, the physical sensations become stronger, yet paradoxically harder to define.

As we move, we coordinate the breath, usually breathing out as we push out, breathing in as we draw in. Breathing out, we imagine resistance as we push, or we imagine ourselves becoming bottom heavy, all the weight sinking to our legs and rooting us into the ground. As we draw in, we imagine ourselves becoming lighter. As we move our hand through the air, we put our mind into our hand and we feel the air tingle, we feel our hands slightly numbed by the touch of the air – except it isn’t air but something else, in-between the molecules, something funny and tingly and warm, and when you really put your mind into it, it feels more like moving your hand through warm water.

Really, I’ve found books of little use. It’s better to get someone just to show you the basic moves, get you going, and then you do them over and over. You must be calm and relaxed when you’re doing them, or at least do the moves long enough so they calm and relax you. Just going through the motions flop-handedly while the weight of the world is still on your shoulders, isn’t of much use, so the sooner you can relax the better, and for this I did find one gem of advice in a book, by Mantak Chia. It’s called the secret of the inner smile.

Mantak Chia is the founder of the Universal Healing Tao movement, and author of many books on the deeper aspects of Qigong – all of which I find too difficult to get a handle on, venturing as they do into areas of Taoist shamanism. But the idea of the inner smile is quite simple to grasp and to apply.

Before you start your practice, you stand in the Wu Chi position – legs slightly more than shoulder width apart, knees bent, shoulders relaxed, arms loose and hanging by your sides. Then you focus for a moment on the spot between your eyebrows. You imagine a smile forming there, a calm, loving smile, as if bestowed upon you by your most perfect lover. Imagine it strongly enough and you’ll feel your own lips instinctively wanting to return it. When this happens, you know it’s working. Then you bring the smile into your head, and then you let it sink into the depths of your body.

I know of no other method that can so quickly and so effectively put you in the right frame of mind for doing Qigong.

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