In Wordsworth’s manifesto of the English Romantic movement, there is a rejection of the high flown language that passed for poetry prior to 1800. The emphasis is on plainness of speech, and finding the extraordinary in the ordinary, of finding a richness of spirit and meaning in the very poorest of places. And when we view an object or a scene it is not simply the contemporary reality we see, more the multiple layers of its existence in time, as granted by imagination and history.
Thus an old watch becomes more than a timepiece, not so much the sum of the time it tells as the times it has known. There’s also something truly beautiful about mechanical watch mechanisms. They sum up all that is best in mankind, in the thousand minds and the hands of the past that came together to create such delicate, wondrous devices.
So when I find one that’s ailing and abandoned, I take a pleasure in seeing if I can get it going again, in helping it on its way. There is no purpose in this, other than a kind of defiance, and few people are appreciative of it anyway. After all, why not simply buy a new watch? Well, that may be the best policy if all you’re concerned about is telling the time, but there is something more in restoring life to a machine created by past hands and minds. We pay homage to it and to something in ourselves. For a certain type of person – me – there is something of the soul-life in it, something Romantic.
This Accurist I’m working on is a quality piece, and comes apart nicely, easily. I’m not used to seeing gold hallmarks on a watch. They confirm the date of manufacture, while various arcane service marks tell me it’s seen some work, back in the days when watchmakers were numerous and not as expensive.
So, what’s up with it? Well, the balance won’t swing, but a few puffs from the blower brush seem to wake it up and it runs, hesitantly at first, settling down a little slow and there are significant variations in all the positions – face up, face down, crown left, crown right. Either the balance is worn or it just needs cleaning. We’ll stay positive and assume cleaning will do the trick.
I’m not going to disturb the whole mechanism, so it’s just a light strip and clean the balance. I do the pivot holes of the escapement train with a toothpick dipped in white spirit. Watchmakers will grind their teeth at the thought, but they had their chance and turned their noses at it. So,… my turn, my methods.
Then it’s oiling, and the best bit for me, a steady hand and a dropper finer than a pin. It’s just the pocket-jewel atop the balance that’s the usual challenge, trying to get the dropper through those balance coils without touching them. I do smear oil on the coils a few times, so clean it off by immersion in white spirit – the Duncan Swirl method – try again, get there finally. Then I tease it all back together and it runs – much better – much less variation in the positions. It’s still a little slow, so I leave it a day to let the new oil settle in, pick it up again tomorrow. Pleasure postponed is always worth waiting for.
Tomorrow, nudge the regulator arm, let it rest, count the beats. An error of fifteen seconds a day is the best we can hope for here, but I’m happy with a minute on a piece this old. It runs well. The beat is good, nice and flat on the trace. Keeps time. We clean the case up a bit, give it its old sparkle back. That foxing on the dial looks just right, I think, and the guy’s happy, restored to his past, to his place in time. And that he’s happy makes me happy.
Sure, it’s a good piece, and worth it. Plus, we needed each other. It’s certainly picked me up and dusted me down after a bit of a kicking and I’ve saved it from oblivion, lying useless and forgotten in a keepsake drawer. Small victories are important when you’re coming out of a dark place. Accurist, eh? They put their name on some good watches in their time.