I’m a little nervous this evening – always am the night before a trip. I’ve checked the oil and the water, checked the tyres, taken her out for a spin and all appears to be well. The hotels are booked, the travel insurance paid, and even if we do have mechanical trouble, the AA will be earning their subs for once and getting us home.
Come to think of it the clutch felt a little odd during that spin, but I’m wearing new trainers and they lack the broken-in, wafer-thin sensitivity of my old ones. It was hard to judge to bite point and I’ve always had a thing about the clutch – the one thing you can’t check or mitigate against. And of course a failed clutch can ruin your holiday. But I’m sure it’ll be fine.
So, I’m off to the Dales in the morning, a week’s tour of the best of rural England, ending up on the East Coast by weekend. We have a new-ish Vauxhall Corsa on the drive that could do trip with ease and, with 20,000 on the clock I’d have fewer qualms about it, but where would be the fun in that? The Dales in a twelve year old roadster just coming up to 80,000 miles has to be worth the risk. It’ll be a trip revisiting the familiar – I know the Dales quite well: Malhamdale, Wharfdale, Wensleydale and hopefully with the top down as much as possible. Then a long run across country to Scarborough and a few nights off motoring.
I’m travelling light – not much choice in a little car. I have the kernel of a new story on the pad, and I’ll no doubt be tickling away at that in the evenings before bed. It’s late July now, the season maturing, and many a moon come and gone without anything new in the making. Thus far I’ve been reviewing older stuff and posting it on Wattpad, which has been satisfying in a way but a bit like treading water. I also finished off Sunita, a back burner project and put her on Wattpad as well. Reception for Sunita was good, mostly thanks to fellow blogger and writer’s champion, Tom Lichtenberg. Reception for Langholm Avenue and Fall of night was more muted. But all of this has been somehow retrospective, and what I love most in writing is the new adventure. So, we’re pre trip in a number of ways this evening, and though I’m nervous, I’m looking forward to the road in the morning.
I’m still in the process of relearning how to drive. Twenty years of cruising about in automatics has left me unable to judge the best gear to be in when entering bends and also what a car feels like, literally through the seat of my pants. I’m enjoying the ride though and my teacher, this old but rather lovely MX5 is very patient with me, treating me to a rediscovery of the thrill of movement while forgiving me as I fluff and bluff my way up and down the gear box. I’m told her patience will be more sorely tested in the wet, so I’m avoiding that for now.
This evening I’m touring the lanes between Rufford, Parbold and Wrightington, an area threaded through with a network of little byways that have been the backdrop to various love affairs over the years, both real and imaginary. The weather is fine, clear blue skies deepening to tobacco at the western horizon, an horizon that comes right down to the plane and is interrupted only by low hedgerows. This is a big sky kind of place. The car is proving to be something of a time machine tonight because suddenly I’m nineteen again and I’m listening to Rumours on the player, and one song in particular is proving especially emotive:
Listen to the wind blow Watch the sun rise,…
Rufford Old Hall
We’re just coming up to Rufford Old Hall on the A59 – home to the Heskeths for 500 years. They say Shakespeare debuted here in the days before patronage caught up with him. They still do his plays in the open air, on summer evenings – Midsummer Night’s Dream at Midsummer is quite special. The hall is a good day out on Sundays, somewhere to take one’s new love. You’re paying National Trust prices of course, but if there’s just the two of you it’s not so bad. In the later years it’ll be family tickets and sharp intakes of breath. But watch your speed here Michael, this is a thirty zone, remember? Down to fourth, revs settle around 2K, slight grumble from an engine that’s not quite warm yet but yearning for more throttle – mega-jolt from a pothole that rattles down the chassis.
Run in the shadows,…
Since the BBC took the bass “outro” of Fleetwood Mac’s “The Chain” and flogged it to death as the “intro” to their Formula One racing coverage, I’ve tended to skip this song out of sheer weariness, so the rest of the piece, and the lyrics in particular have atrophied to zilch. But listening to them this evening they’re winkling out startling memories as the sun sinks to ochre over the plane, and this little car shows me how to feel the road once more through both feet. In a sense it’s putting me back in touch with reality, and the song is reminding me how I once used to feel. Quick snatch down to third now, and a sharp left onto the B5246, dropping in a little corkscrew motion like we’re on smooth rails.
Damn your love, Damn your lies,…
The song was written in 1976 at a time when the band was undergoing various upsets, marriage breakdowns and relationship break-ups. I caught up with them in 1979, around the time of the “Tusk” album, a period of romantic ups and downs for me too. The song reminds me that, in some respects, I have always been a teenager, feeling too deep, reaching too far and expecting too much, from women in particular. No disrespect girls, but it took me while to work out you were just human beings and not actually goddesses – well, except for Stevie Nicks of course who was and still is pure goddess.
And if you don’t love me now You will never love me again I can still hear you saying You would never break the chain,…
At nineteen I was a third year engineering apprentice, studying for an HND at Wigan Technical college. In those days the day-job was just starting up, while inbetween my commutes, like most kids I was having my fingers burned and my heart fried in the furnace of fledgeling love. By contrast this evening I’m eyeing the endgame so far as the day-job is concerned, and having been happily married now for 25 years, it’s also a long time since I got my heart fried. Sometimes I forget this, but tonight it becomes a shade more real.
I can feel it.
And it’s interesting.
Listen to the wind blow, Down comes the night, Run in the shadows,…
Stevie Nicks in 1977 – Photo Wikipedia
This is not to say I don’t sometimes miss the intensity of feeling that first love brings, but it also leaves you a little numb, so you hold yourself in reserve as you age, shutting down those parts of yourself that are prone to most hurt. This is the trick of the adult – that emotional intensity would probably be too much for me now. But those early searing shocks are a natural proving ground, standing you in good stead later on, rendering you all the more able to cope with different kinds of loss – the death of friends and loved ones – and the sheer crazy mess of life.
I’d ride out this way with girls in the long ago, just for a drive and a talk and a place to be alone. I remember the scent of one girl very well and, before I became almost totally anosmic in later years, that same scent, like these lyrics, could release a long chain of memory. She’ll be fifty three now, but I’ve not seen her since ’79, so she’ll always be nineteen to me. There’s a tree, down a narrow lane off the 5246. We’d park under it and embrace while the sun set fire over the cornfields. Few travel that road, and even now you can usually guarantee the sense of being the last people in the world, at least for fifteen minutes or so. This was hardly dogging, those stolen moments. They were innocent times, times when it was sufficient for a man to thrill to the texture of a girl’s hair against his face, and the feel of her breath in his ear. Now anything goes, and nothing is too much or too depraved, or too precious to besmirch with haste.
In all my girls in those days I think I was searching for the muse I projected onto Stevie Nicks – me and a million other guys of course. Nothing worked out as planned. It was a tough learning process.
Damn your love Damn your lies,…
The 5246, known also intermittently as Meadow Lane and Rufford Road is a lovely long run, twisty turney, lots of downshifts and then fast out of the bends, a lovely snarl from the engine out of second gear and a punchy acceleration that lights me up. It runs for a couple of miles, then brings you out onto the A5209 at Parbold. I spent the first five years of my married life here, up to ’93. Lovely village, Parbold, but stank to high heaven back then, courtesy of the Hoscar Sewerage works. I can’t smell it tonight, but that’s not saying anything.
The Windmill pub, Parbold
Long pull from here, up Parbold Hill, a brute of an incline, especially on a cold morning with a cold car that could barely manage 60 brake horse, but the Mazda’s nicely warmed now and even with her nose pointing at the sky the slightest nudge on the throttle yields a thrilling eagerness that’s thwarted only by the strategically placed GATSO cam.
Break the silence, Damn the dark, Damn the light,…
The pub at the top of Parbold Hill used to be called the Wiggin Tree, a popular watering hole, and a frequent haunt when courting. During our Parbold years, my wife and I would alternate between it and the Windmill on Friday nights. I blagged it for a scene or two in the Road from Langholm Avenue. It’s a Miller and Carter steakhouse now, a national franchise. Times have changed. Drinkers in pubs are simply in the way. The money is in food. I’ve not been in since it changed hands.
That reference to Langholm Avenue has me thinking of unrequited loves now. We’ve all had our share of those, but it’s a curse bourne in greater part by the reticent.
And if you don’t love me now You will never love me again I can still hear you saying You would never break the chain,…
Parbold Hall
Which brings us nicely down to the ominously named Dangerous Corner at Wrightington, noting as we pass that Parbold Hall gardens are open, and I’m thinking I must make the effort one day, as those gardens are well spoken of. The house, originally dating to the 13th century but extensively remodelled in the last four hundred years, recently changed hands for 9.5 million. Nice twist here as we take the corner, very tactile steering, feeling every stone as we pick up Robin Hood Lane, then sharp left and out across High Moor, into the setting sun. There’s a faint clipping from the nearside rear disk, but it’s drowned out by an exuberant snarl as we punch along the straight.
Chain, keep us together Running in the shadows,…
Sharp right, past the Rigbye Arms, my current watering hole of choice, then a few nice twists and turns before the road falls away on Bannister Lane, the plane opening suddenly again and giving a brief impression of flight. I’m keeping the speed to forty here, though the temptation is to floor it. I’m half conscious the pads are wearing thin and need a change, but I’m also wanting to resist the intimidation of this huge BMW I picked up at the Highmoor restaurant. He’s weaving about, sitting on my bumper, eager to prove his willy is bigger than mine – proof enough, if proof were needed, that we are descended from primates. There’s nowhere really for him to pass safely here but,… oh, there he goes – shower of chippings and a faint grey haze. Fast, ambitious, and obscenely monied. That car was easily worth fifty grand – more than I paid for that house in Parbold twenty five years ago, and which I’ve only just finished paying off. My car’s worth a mere two and a half thousand, but a whole lot more fun. He’s careless too as it doesn’t look like he’s bothering with the thirty zone at the bottom of the hill where you run into Bispham, just flashing through, and flashing on in his flashy self important way.
The Rigbye Arms, High Moor
Down to third now and a sudden sweet reverberation from the exhaust, then slow past the Farmer’s Arms – easy to miss the right turn here onto Maltkin Lane and the final leg of tonight’s run. Here it is. Stay in third or drop to second? Hmm, too late – fluffed that one Michael. Never mind. That tug as we make the turn more than makes up for it. This is motoring in all its glory.
This is not nostalgia, this drive down the memory back-lanes of West Lancashire, in search of Stevie Nicks. This is more a searching of the past for pieces of soul we might have left stranded there. It’s good to gather them up now and then and feel oneself becoming whole again. You know it’s working when you feel yourself suddenly energised by a thing you’ve all but forgotten. The trick is to bore deep down and be patient until you feel the energy of reconnection coursing through your veins. What does that feel like? Well, it feels something like this:
Well, never has my flabber been more ghasted. My thanks to Lori and to Emma for writing to me and pointing out that my “free” novels are apparently for sale on Amazon.com as e-books for the Kindle. I had been thinking about making some of my books into Kindle editions, but discounted the idea as ludicrously complicated and probably pointless, so I was astonished to discover it’s already happened. Unfortunately they appear to have been written by someone else.
What?
The road from Langholm Avenue is currently being sold by Kevin Peters under the title “Love lost and found again”. My novel Push Hands is being sold by Jennifer Watson as “Fearful of the consequences”.
I’m actually quite stunned by this.
If you check the “look inside” feature on Amazon for these works, you’ll see the text is mangled and truncated, but definitely my own words. If you pay to download these books you’re going to be disappointed, you’re going to be angry, and my only comfort is you won’t associate them with my name. The product descriptions on Amazon are also a straight forward cut and paste from my descriptions on Feedbooks, where both of these books, like all my works, are available for free – and where, hopefully, the formatting is neater and the text more complete. Jeeze, I agonise over these books,… I kick myself for every misplaced comma and apostrophe, then some scam merchant comes along and hacks and cuts indiscriminately, and charges you six dollars for it.
If you’ve read Push Hands or Langholm Avenue, I thank you,… you are valued as a most rare and precious reader, and much respected by yours truly, whatever you thought of my work. If you’re also an Amazon customer, could I ask you to go over to Amazon.com and leave a comment in the reviews of “Love lost and found again” and “Fearful of the consequences”, pointing out this strange discrepancy?
I don’t mind giving my work away. I love to write and in many ways it’s been a great relief to me to finally brush aside the obsession with published and therefore paid authorship, which was clearly beyond my reach. I do greatly appreciate the comments from all my online readers. It’s given my work a terrific boost over the years, but it hurts to have someone steal and try to sell my stuff under their own name, thinking I wouldn’t notice. I suppose it’s a risk we all take as independent authors, putting our work up there, unprotected, for all the world to see, and maybe I shouldn’t be surprised that someone’s tried to engineer a scam with it.
I urge “Jennifer Watson” and “Kevin Peters”, probably nom-de-plumes of the same n’er-do-well, to remove these books from Amazon.com immediately. If they’ve plagarised my stuff it’s reasonable to assume they’ve done it to other indy authors as well, so I also urge Amazon to take a closer look at their account. I’ll also be writing to Amazon and reporting the outcome here. I’ve been a good customer of theirs over the years, with never a cause for complaint, and I’m sure they’ll be as concerned as I am that this kind of thing is going on.
I’m not sure if I should feel insulted or flattered at this stage. I feel violated, possibly, which isn’t nice at all. I think I’ll take a bath, then go to bed. Maybe I’m dreaming all of this?
My thanks again to Lori and to Emma.
Regards
Michael Graeme
**Updated 18 Feb 2012 ** These plagiarised works are no longer on Amazon.com. They took them down before I was able to contact them. Other works have now appeared though, under my own name and bearing their original titles. These are proving more difficult to shoot down.
All of my novels are free. Click on the book cover to download. This works best if you’re reading on your phone or tablet device, then the book will open up directly in your chosen e-book reader.