
There’s a feel of spring in the air today, as we drive over to White Coppice. It’s been a cold, wet week, and the change is welcome. The plan is to climb Great Hill, with a little deviation to visit what I can only describe as a Neo-Pagan temple. We’re in the little blue car, so we park down by the village green, rather than pressing on up the bumpy track to the cricket field. The last time I tried that, she was almost beached in the deep pots left over from the lock-down days. It adds a mile or so to the route, but all of it is pleasant.
Once home to the rural poor, White Coppice is now a place of desirable residences. It’s looking very pretty this morning, too, with its Wordsworthian daffodils fluttering and dancing in the breeze. The local celebrity here is Alfred Ephraim Eccles, not a poet, but an industrialist, social reformer, and stalwart of the temperance movement.

If White Coppice folk wanted a drink, they had to sneak out of the village. But Eccles had a good view of goings-on from his elevated home, the rather grandly named Albion Villa, and was reputedly stern in his reprimands. He was also the main employer, so not a man to antagonise.
It’s easy to be cynical about the killjoys of the temperance movement, but that would be to take it out of context. In 1872, the Chaplain of the Salford County Gaol claimed 90% of prisoners owed their incarceration to the influence of strong drink. But also, with crippling poverty hitting wives and children especially hard, it wasn’t a bad idea to prevent the publicans from emptying the pockets of men, before they’d even made it home from the mill.
The other famous son is Sir Henry Tate, sugar magnate, and founder of London’s Tate gallery. It’s also home to Big Al, from my story “Winter on the Hill”. I always look out for her when I’m passing her cottage.
The week’s heavy rains are tumbling from the moors, and remind me I’ve still not managed to get my leaky roof fixed. Roofers are an elusive breed in my locale. There are several falls up this way, impressive in the wet, and always worth a photograph.

The route eventually narrows to a couple of sporting options. One of them would take us along a narrow, exposed path, into the intimidating jaws of Black Brook. I’ve never liked the look of that one. The other involves a bit of a scramble onto the moor, to rejoin the main path coming up from White Coppice. We take the latter and head on up to the ruins of Coppice Stile.

There’s a beautiful thorn tree here, looking gaunt today. Somewhere among the ruin there’s an OS benchmark from the Victorian period, chiselled into a cheese press of all things, but I’ve yet to find it, and today is no exception. From Coppice Stile, we can see Great Hill, and the usual well-walked route up to the summit, via the ruins of Drinkwaters farm. But, just a little further along from Coppice Stile, we take a detour across open moor to investigate another ruin. I’m not going to name it, but anyone who can read a map will work it out. A substantial ruin, over the years it has been quietly refashioned into a Neo-Pagan temple.
I have seen photographs of it, an old and weighty lintel raised as a central upright, amid a tidy circular space, and decorated with intriguing magickal symbols. Its presence isn’t exactly advertised, but I’ve been thinking it’s inevitable the trolls will find it, and I want to see it before they get to it.
Sadly, I’m too late.

Someone has pushed the central upright over, and the ritual neatness I have seen in photographs, is in disarray. But there’s something odd about it. What’s most curious is the scallop shell at the base of the fallen upright. Needless to say, scallop shells are not a common sight on the moors. There is a symbolism here that’s intriguing, but beyond me. The scallop is associated with Christian pilgrimages, but it also features in the practice of witchcraft, as a protection from the evil eye, or the ritual containment of rogue spirits. Or it can be a symbol of water, from the five elements of the old alchemists. Take your pick.
We touch nothing, and withdraw quietly.
There are no paths here, only sketchy ways. We strike out across the moor, until we hit the track coming up from Brinscall’s Well Lane, then we head for Great Hill, still puzzled and not a little spooked by our encounter. The imagination cannot help but invent stories about it. At first, I have it as the Christian fundamentalists catching wind of Pagans in their midst, and violently shutting them down. But then I have a scene of Crowleyesque magick, raising Pan, and scaring the pants off the participants. They only just manage to contain the horned one, and coax him under that shell, where he remains to this day,…. until disturbed.
Other suggestions gratefully received.

Anyway, we have a more cheery aspect awaiting us at the ruins of Drinkwaters farm, where I usually settle for lunch when I’m up this way. The aspect is gorgeous, with afine views south over the moors. But we’re a bit early today, so press on up the track to Great Hill. At the summit shelter, however, there is the overpowering stench of marijuana, which puts me off my soup. I also note a fellow walker has left his sit mat – perhaps he was too stoned to remember it. I have donated quite a few of these to the moors myself over the years, and seeing it makes me smile. I fold it up and wedge where it won’t blow away. Perhaps he’ll come back for it. Then we head down the side of the hill towards Spitler’s Edge, to find somewhere less malodorous.
By the stile here, I note the wire has been snipped, and curled out of the way. I’ve seen this at several access points on the moor. It’s a troubling phenomenon. The bikers carry wire cutters up here, then they can thunder through without the inconvenience of dismounting, and lifting their bikes over stiles. But the wire is there to keep the sheep in, to stop them wandering off and getting into trouble. I’m all for freedom of access, but come on guys, cutting the wire is not cool, and reflects badly on all of us who use these moors for recreation.

Anyway, the edge is not for us today, tempting though it might be. Instead, we turn for the ruin of Great Hill farm. There are some fine trees on this side of the hill, and we spend a while photographing them. The light is suddenly very bright, but we have clouds moving in. It’s warm, too, and I’m wondering if we might be able to drive home with the top down. But there’s rain forecast for around the time we’ll be getting back to White Coppice, and those clouds are telling me the forecast is going to be spot on.

Probably the loveliest oasis of trees, hereabouts, are those surrounding the ruins of Great Hill Farm. They form the cover art for “Winter on the Hill”, a graceful collection of thorns and sycamores. So, finally, we settle for lunch. No scent of marijuana, and no magickal symbols to raise the hairs on my neck. Boy, am I glad I didn’t touch that shell!
It does indeed come on to a light rain as we make our way down. Passing by the little preschool at White Coppice, I am struck by a couple of inspirational quotes on notices. One of them I quote as best I can from memory: There is no WiFi in the forest, which is why the connection is always better.
Never mind Wordsworth, in Lancashire, everyone is a poet.

Around 5 miles, 860 ft of ascent
