
The year has blown itself out. It’s exhausted, its dreams have turned to ash, its spirits are damp with endless rain. Whenever the phone rings, it’s to let us know someone has died. Covid Omicron is circling with bat wings and horns, and the NHS Website is glowing red with demand for boosters. The temptation is to pull up the drawbridge, and write dark poetry. But then the Met office gifts us a brief chink of sunlight, so we fill the flask, grab the camera, and head up the Pike!
Rivington Pike is beloved of millions, a distinctive pimple of a hill atop the moor, and visible for miles. It was a natural choice for one of the network of early warning beacons for the threatened invasion of 1588. Since the late seventeen hundreds, it’s been crowned with this little stone tower. Originally a hunting lodge, the structure was almost demolished by Victorian vandalism, then fortified to its present impregnable status. Its walls bear centuries of graffiti, now eaten by acid rain into deep engravings. One of my lot added their name to it in 1881.
So anyway, it’s a midweek morning, and the causeway between the Rivington and Anglezarke reservoirs is rammed to a single lane. The Rivington Barn eatery is doing a brisk trade, and the Hall avenue is solid from top to bottom with parked cars. I spent a long time working towards retirement, only to find the whole world made it ahead of me, and got the last parking space. Well, not quite – I exaggerate for effect. I got the last one.
A December sun is a peculiar thing; virtually no heat, but incredibly bright. Capturing the dynamic range of a landscape on a digital sensor is a challenge at this time of year. Anything lit by the sun tends to burn out, so I’m experimenting. Then, I post-process at home.
I’m enjoying photography more than writing fiction at the moment, seeing more in what I can bring out of images than I do in words. My characters refuse to live, as if wearied by what they’re trying to say. Thus, the work in progress languishes, limps along a little, then collapses into a heap of uncertainty. It seems at times remote and stupid, like I’m losing my mind, at other times like I’m preaching, at other times like I don’t care, and I’ll say it anyway. But it will not take on a life of its own, as it once used to do.
I used to escape into fiction as a distraction from the day-job, which, like all jobs, involves wearing a face that is to some degree invented, while keeping what I felt to be my truer self incognito. But I also write as active imagination, which is a journey to unravel further aspects of the hidden self. I think I know the nature of that journey’s end now, which is to reveal one’s original face, as they say in Zen. The stories have pointed to the gate, and all that remains is to walk through it. But I’m not sure writing stories is part of that journey any more.
I’m feeling a little strange this morning. I dreamed of a fish – well, two fishes, actually – one large, one small, living in a puddle. I drop them some food, and the little fish pushes the big one right out of the puddle, then eats the food. The big one lies there, remote, sidelined, forgotten, expiring for want of oxygen. Fishes in dreams are thoughts, or at least they seem so in mine. And if they are so, then the big ideas are getting sidelined by the trivia, which is consuming all the energy. Or you could look at it the other way and say the old and the listless is being displaced by the fresh and the new. So which is it? The dream wasn’t explicit. They never are. It just asked me to think about it.
We start our walk with a meandering ascent through the terraced gardens, gradually working up to the summit of the Pike. You can get three or four miles out of it, and seven hundred feet of ascent. It’s not a long walk then, but a fairly stiff one, if you go for the Pike.

The first point of interest along the way is the so-called seven arch bridge. Like everything else here, it was built in the early nineteen hundreds, purely for fancy. It’s part of the then Viscount Leverhulme’s “palace in the clouds”, a collection of now mostly grade two listed historic structures. Picks, shovels, an army of men, and horses gave shape to it, and years in the making. It was the brainchild of prolific garden designer Thomas Mawson.
Once a year, Leverhulme would throw open his garden to the hoi polloi. They’d dress in their finest, and come wander. Times change, as do fashions. Now, it’s mountain gear, like we’re ascending Everest, instead of cloth caps and gaberdine. A fuss over trifles. But at least we can come and wander whenever we please.

I save my soup for one of the beautifully restored summer houses. Here, also sunning himself, I recognise a man I knew vaguely from the day job, and who retired some years before me. I cannot remember his name, though. Likewise, I can tell by his expression, he thinks he should know me, but cannot remember my name either. We avoid unintentional offence by the peculiar social dance of pretending not to know one another at all or, knowing each other so well, we need no introduction beyond “owdo”. Thus girded, we pass the time of day, and in hope of the connection making itself known, but it does not. So, we comment on the brightness of the sun, and the lack of warmth when out of it, on the wetness, and the windiness of previous weeks, and what a good job the heritage trust have made of restoring the gardens. We part with a nod and a “sithi'”, still trying to remember each other’s names.
So, on to the Pike, now, always a good indication of how fell-fit one is, by the amount of puff left when you hit the final flight of steps. As usual, I’m middling, but we’ll do, and of course it does you no harm to get out of puff now and then. A mountain biker, a girl with her phone, and an elderly couple, are my companions for the moment, here, all socially distanced of course. The elderly lady wears a surgical mask. She’s taking no chances with this bat-winged, horned monster that is Omicron, and judging from the reported “R” value, I don’t blame her. I wait for them to depart before I get the camera out. The girl lingers, dreamily, lost in her phone.

There’s much to see from the Pike: Manchester, the Peak District, North Wales, Liverpool, the coast as far as Blackpool, the Lakes beyond that. Sometimes you’ll see the Isle of Man, but that’s very much dependent on the atmospheric conditions, and has rather the appearance of a mirage when it appears. Speaking metaphorically, it’s a pity we can’t see further out, say two years from now. But given recent events, would we really want to?
It’s a beautiful afternoon. I take the long way back: Pigeon tower, Italian lake, cross the top of the seven arched bridge, then meander down to the car. It gets late early at this time of year, and the light is turning golden, now, the sun already flirting with dusk. The phone pings a notification from the BBC, an earth-shattering announcement to be made at tea time.
It’s fine. Just some more dead catting. I’ll wait for the bullet points in the morning.
We’ll pick up wine and cheese on the way home. Celebrate the midweek, why not? There’s nothing quite like a hill for straightening you out. Dark poetry be gone.
Thanks for listening.