
I tested negative for COVID on day ten, so nipped out to fuel the little blue car. The drive wore me out, and my arms and legs didn’t feel like my own. I’ve been a bit cautious then, getting back into the walking saddle, so much so, today’s walk hardly counts, at barely two miles, but enough to see what’s what, and hopefully get things rolling again.
It’s one of those cold, grey, late winter days. The light is flat, the colours muted. We have clumps of snowdrops, plus the miniature daffodils are out, and the garden forsythia is showing yellow. When in doubt, I always let the car decide, and it always delivers me to the Parson’s Bullough road, by the Yarrow Reservoir, at Anglezarke. You’ve a good choice of routes from here, from the epic, to the bimbling, and I think bimbling is the more sensible choice, today. We’ll see if we can claim our legs back, and trust the rest will follow when it’s ready.
So, you catch up with me driving up Adlington’s Babylon lane. I was always going to buy a house up here, handy for Rivington and the moors, and I seem to drive it every week. I could save myself some miles. Babylon Lane is mostly old mill terraces, and can look a bit dour, but as you reach the top, and the junction by the Bay Horse, everything opens out, and the beauty of the West Pennines hits you all at once. You can travel straight on from here to Rivington, or cut left down Nickleton Brow, for Anglezarke. This is one of the most beautiful roads in the district, dropping to the bridge over the Yarrow, then up the other side, to the Yew Tree inn, and the reservoirs.
I’m not great, festering in doors for long periods. Even a few days of rain can make me twitchy, so the 10 days of self-imposed isolation was a bit of a trial, one that renders the outdoors strange, as the self-important media holds one captive, injecting its bad news, like a poison infinitely worse than COVID. In his recent piece, fellow blogger, Narayan, quoted Kurt Vonnegut as saying we are dancing animals. We are made to move, to get outdoors, to experience the world and other people. This struck a chord. Isolation, and gawping day after day at a computer screen, or doomscrolling our phones is not good for us. It is not dancing.
So, here we are, now, on the Parson’s Bullough road, looking to dance. There’s a huge flatbed truck in a little lay-by, and goodness knows how he got that up here, but it looks like they’re repairing the Allance Bridge, after a boy racer knocked the parapet off. My sense of smell has yet to make a return, so I can’t smell the leaf mould, or the moorland air, but as I crack open the door, something in the air is sufficiently welcoming, and revivifying. We step out, eager to embrace it.
In one of my early COVID reveries, I was wondering about getting a body-cam – though not because I fear assault when I’m out and about. I enjoy fiddling with clips from the little blue car’s dash cam, and wondered if a mash-up of a walk would be a fun thing to do. Of course, there are plenty of vloggers out there with the full kit and caboodle, including the buzzy drone for tracking shots that would make my efforts look childish, but still, I may have a go.
So, anyway, we’re moving. One foot in front of the other. The first test is the short, sharp hike up Hodge Brow, to where the path leaves the road, by Morrises. I was thinking it would flatten me, but we seem to have fuel in the tank. Things are looking good. The colours are so soft today, we’ll need to have a think about how to pull anything out of them with the camera, but without over-blowing it. What tends to happen is we lose detail, especially the distant woodlands blurring out, and everything looking muddy. Not a great day for the camera at all really, but we’ll try setting the upper limit on the ISO to 800, then we can get faster shutter speeds, and hopefully dissolve any noise in post-processing.
This eastern flank of the reservoir is the most attractive, the route meandering through open meadows, and quite elevated with views all around, to the moors, to the Pike at Rivington, and then out to the estuary of the Ribble. The land feels real, and comforting in its familiarity. Does that sound too obvious? But stuck at home, vulnerable to the worst of bad-news media, it’s easy to lose our way, imagining things to be important which are not. Or is it more a case of being encouraged to believe certain things are important, when they are not, in order to distract from other issues, which are.
I read this week the novels of Roald Dhal are to be censored, removing language that has, shall we say, fallen out of polite usage. The same fate is to befall Flemming’s Bond novels. The media seems made to inculcate strong opinions on such matters, and perhaps it’s because I’ve been ill, but I find it difficult to care. Philip Pullman suggests we should simply let such works go out of print if they are no longer suited to contemporary sensibilities, and I have some sympathy with that view. I’m no fan of Dhal or Flemming, but many still are. I am a fan of LeCarre, and some of his early works contain a language that was certainly of its time, so how soon before he is added to the mix. Many household names are the same. I suppose the issue is that these works still sell, and publishers are loath to let a good earner go out of print. But what do I think, urges the breathless media, you have to have an opinion. No, I don’t. Not today.
I think it was Krishnamurti who said something to the effect that the craziness only starts when men start to think, and then we argue over who’s right, even to the extent of killing one another over trifles. The natural world is not beset by such madness, which is perhaps why so many of us seek it out to regain our footing in the pell-mell of the world of men.

We come down to the southernmost point of the walk through Dean Wood, now, and the avenue of the chestnuts. When I last came this way, it was under snow. It beguiles me every time, inviting a shot, but I always struggle to do it justice. Here we pick up the track that comes up from Rivington, and we follow it around the western shore of the reservoir, first in the shadow of the Turner Embankment, named after the farm that was demolished to make way for it.

There’s a lone tree here that’s always photogenic, in any season. Again, I’ve yet to do it justice, but it’s always worth looking out for. Then the reservoir comes in to view again. There used to be a face in the wall, here, reputed to be a carving of the head of an unpopular foreman overseeing the works – this would be in the latter Victorian era. We used to have fun as kids, seeking him out on our family walks. He survived into the nineteen eighties, before disappearing, I presume stolen. I’ve often thought it telling how he survived in plain view for so long, and no one thought to steal him before.

Another landmark along this way, harder to steal, is the building we used to call the Diddy Man’s house – Ken Dodd was a mainstay of children’s TV when I was growing up. I presume the building houses a valve for the waterworks. We would knock to see if the Diddy Man was in, then press our ears against the door and hear the spilling of water. My father would tell us the Diddy Man was having a bath, so could not come to the door. He is having a bath again, today.

From the northwestern embankment we get a view down to the Anglezarke reservoir, and beyond, over the Lancashire Plain, to where the little blue car and I will shortly be returning. There’s a steep ravine here and, though I’ve walked past it hundreds of times, something about the trees overhanging it catches my eye today – the colours, the shape of them – and is certainly worth the last shot of the day. I remind myself this is all man made, and must have been a dramatic change to the landscape up here, armies of men with picks and barrows, then flooding the valleys, flooding out farmsteads and pastures. It’s been a long time coming, but there’s been a healing, and this is a landscape now much loved by many.

So now we’re back, the little blue car waiting in the layby with a flask of tea, and some lunch. The legs feel like my own again, and the mind seems capable of its usual accompanying ruminations. You know, after joining the ranks of COVID veterans, I think we’ll do. We’ll make it four miles next time. Thanks for listening.
