
I’ve done something I’d normally advise against. I’ve bought second hand walking boots off Ebay. They’re army surplus, advertised as having seen hardly any use, and it’s true, they’re like new. My Scarpas have been leaking, off and on, and I felt I needed back-up. They look to be a good boot, decent leather, and no inner membrane. So they’re old-school, and, at £45, a bargain. What could possibly go wrong?
On the first try-out, I walked to the local shop, a quarter of a mile or so, and they were so uncomfortable, I thought I was going to have to come back in stocking feet. Anyway, a fresh insole, and here we are at the Birkacre visitor centre, at Coppull, ready to give them another go.
I grew up around here, and it always beggars belief how busy it’s become. It’s a midweek morning, a welcome bit of sunshine, and looks like the world is on holiday. Home to a bleaching and dyeing works in the long ago, all that remains now are the mill lodges, a popular spot for dog walkers, and bird-watchers – not always an easy mix. It’s handy for the carpark, but we need to get beyond the lodge, into Drybones wood, and the horseshoe of the Yarrow, before nature can get to work on us.
Sitting at home, assailed by rocketing energy bills, record petrol prices and news of wars, we can all too easily feel that life is becoming narrow, that the walls are closing in. A walk in the countryside can push the walls back out again.
There’s a dam on the river at Drybones. It was built to raise the water-level to feed the mill race and is very picturesque after heavy rains. Some nights, I would hear the thunder of it from my bedroom as I drifted off to sleep. I always slept with the window open, summer or winter, one ear to the outdoors, to the meadows, the woods and moors beyond. The rumble is still familiar, something deep in the bones, a sense of OM in its eternal reverberation, a reminder of my Coppull years, and home. So far, the boots are doing okay. They’re heavier than the Scarpas, but no hint of blisters, yet.
Beyond the dam, the path meanders past the ruins of Drybones cottage. This is a remote, off-grid place – something to do with the mines here in Victorian times, and which remained firmly in the Victorian period until about fifteen years ago, when it burned down. Since my last visit, the land has been cleared and stoutly fenced off, the path rerouted. The muddy track to the property has also been gravelled – about a half mile of it – presumably for a luxury land-rover.
It’s a lonely spot, and always something dark about it, I felt. I presume someone’s going to develop it into a des-res, but I wouldn’t want to live here. The original house features in my novel Durleston Wood as “the old Willet place”. I picked it for its symbolism at the heart of a mysterious personal darkness, a demon lurking there, to be negotiated, while holding prisoner a femme fatale, whose seduction had to be survived, before we gained redemption – all very Jungian. And while the world has moved on immeasurably since I wrote it, I’m still pondering the story. I remember how much I enjoyed writing it, how deep a connection I felt with the characters, one that seems lacking in my fiction these days.
Beyond Drybones, the path follows the river upstream, through a stretch of woodland that’s just coming into bud now, and we have the first of the anemones about to open. A little later in the season, there’ll be a lush pallet of bluebells, and the pungent, starry alium. We’re on an ancient way that links up with the old Duxbury estate, and which threads by the ancient beech, again featured in “Durleston Wood”, and, more recently, as the fallen tree in my present and forever halting work in progress, “A Lone Tree Falls”.
The latter story is turning out to be a struggle. The characters feel remote, dazed and numb, like they’ve all had the stuffing kicked out of them, since the days of Durlston Wood, and what I’m longing for is the deeper connection of those earlier times.
As I’ve written here before, they’re going to build houses on the meadows around Durleston, because people have to live somewhere, even if the solution is the destruction of the very reason why we live at all. To a town mouse, this might not seem like such an issue, not much of an argument – it’s progress after all, and the world moves on. But speaking as a country mouse, I know there were once spirits here, spirits of place. I’ve talked to them, and knew them as our kin. They are not literally true, of course. They are subliminal, imaginal, but all the same, without them, we are a rootless, soulless people.
The protagonist of my work in progress is a former intelligence analyst, now on the trail of the meaning of his life, but he keeps getting waylaid by the corruption of his former world. I’m not writing a spy story – I wouldn’t know where to start. What I’m trying to do is get at is how we’re so bound up in the complexity of appearances we fail to recognise the simplicity of our path. But as usual, I feel I’m groping towards something I don’t understand well enough to make much of a meaningful accounting of it. All I know is the beech tree was an old friend; I had known it since I was a child. It came down in storms, which seem as metaphorical as real, and since no one saw it fall, it fell without a sound, and the thought of that haunts me.

It’s mostly beech in this part of the wood, some sycamore. Coming out of Durleston, though, we see the old oak on the skyline, above the meadow. Another decade or so and it’ll be gone, obscured by the saw-tooth profile of little houses. The tree falls, the spirits flee, and the landscape is smothered, to be retained only briefly in human memory. But then we too fall, and it’s all gone, within a couple of generations, and all of it without a sound; it never was, it never fully existed, except in the eye of the mind, which suggests our imagination alone is the emotive essence of life, so we had better be careful what we do with it.
Not a long walk today. Just three miles round the horseshoe of the Yarrow. We leave Durleston, and imagination behind, return to Birkacre to the Big Lodge, to the carousel of dog walkers, and bird-watchers, and kiddies feeding ducks, and back to the car. The boots feel okay, I’d forgotten they were there, actually. You know what? I think they’ll do.
I enjoyed that walk.
Your post flagged up on the web many other stories of boots, old and new. There is obviously some fetish associated with walker’s footware. I find it difficult to throw my worn-down boots away, so many places and stories attached. There is a row of them in the garage, relegated to gardening duties. I hope you have a long relationship with the new ones.
The same goes for trees, we all have favourite trees. I’m presently, and no doubt permanently, saddened by the wanton destruction of them in the field opposite my home, all in the name of ‘housing’. Many have come down in recent storms – I need to go and check on the health of the ancient ‘Winkley Oak’.
Yes, I get sentimental about boots. Disappointed in my last pair which I only bought in 2019, but once the membrane goes, there doesn’t seem to be much you can do. You must check on the venerable Winkley oak. I hope to visit it again some time this year. That’s a stunning tree, though a bit of a creepy one. l think it looks like it could sprout legs and move around.
You have been reading too much Tolkien.
Yes, I’m sure the Winkley Oak is AKA Treebeard.
Lovely journal, Michael. Not far from the landscape of my youth, but not a place I know at all. I particularly liked the bit about emotive memory being the root of it. Makes you wonder…
Thanks, Steve. It was a wonderful place to explore as a boy, and just a short walk from my doorstep. Still good to go back, and though I do occasionally grumble about how popular it’s become, it is good to see it being enjoyed.
You didn’t say, but I wager those are Meindl Boots?
They are my choice, and indeed heavy enough to keep me from falling off any hill!
Hello there. Actually, they’re Iturri boots. But yes, a solid boot that will hopefully keep my feet on the ground and dry when I’m wading deep water. I have a mate who swears by Meindl boots, and I know what you mean, they certainly keep the wind from blowing him away.
Well Birkacre was my territory too until I eas about 14 – although I lived on the other side ofthe border on a council estate in sight of your secondary school. It was interesting to read about howit has changed since then – and continuing to do so. I must go and see for myself nexttime I’m over visiting family.
Birkacre has it’s place in labour history as the original mill was leased by Richard Arkwright and was attacked and burnt down by Luddites (https://lornasmithers.wordpress.com/2015/06/15/birkacre-rioters/). I recall reading a poem about it in the Chorley Guardian, of all places. Unfortunately I lost the cutting.
Ah Yes, Richard Arkwright of course. The last industry it probably saw was the Birkacre TV repair shop, of which my parents were good customers – all our TVs came from there in the B+W days.
Was that the Liptrott estate? I lived on Coppull Hall Lane so backed straight onto the meadows and the woods.
Yes. Liptrott estate it was until we got our own house and moved to the other side of town (Eaves Lane end) which was very handy for getting over the nab and on towards the moors.