Question: should a writer keep his dialogues with his soul secret, even from those he loves?
Hmm. Cue long rambling answer:
There are people who think imaginatively, people who inhabit an inner world as much as the outer. They are strongly introverted, prone to depression, and neuroses. They’re driven to write, to paint, to sculpt, to play musical instruments, and they lack truly intimate familiars, even among those they would count as loved ones.
Although amply possessed of artistic leanings, these people are not all recognised – even by themselves – as artists, and therefore do not qualify for the Bohemian enclave where their mysterious whims can be indulged in privacy, safe from the prying eyes of incredulous “normal” people. They are in fact fated to live among “normal” people, spend their lives pretending to be “normal” people, doing “normal” things, like holding down regular jobs, getting married and having children.
And I’m one of them.
If you also recognise yourself here, then read on.
Otherwise don’t.
The introverted personality makes up just ten percent of the population, and we all know the difficulties faced by any minority group. We are misunderstood by the extroverted majority of our fellow humans who believe we are quiet in company because we are cowards and lack the necessary confidence in our ideas. We are easily defeated in debate for sure but but to have experienced the inner world is also to have experienced something the “normal” person is unable comprehend, so we tend not to waste our breath expounding upon it, other than through our art. Our most important ideas are related to this inner world and therefore unassailable to criticism from those ignorant of it. The inner world also dictates our priorities, a phenomenon that makes the business of asserting oneself in public tiresome and foolish to us. So we don’t do it.
Of course the introverted thinker is prone to feelings of alienation. We are like castaways in a land where no one speaks our language. It also means our occasional unguarded utterances are easily misconstrued, so we develop a more circumspect approach to conversation than our more more blathermouthed brethren. We are also masters of disguise.
In the normal life my persona is that of a middle aged guy making way, making a living doing normal things, things that have nothing to do with my artistic pretensions. I drive a boring old Vauxhall Astra, wear a shirt and tie to work, collect pocket watches, old books, and I eschew foreign travel, preferring to holiday in the UK. In short, I sound like a boring old fart (forgive me) – to whit I am gifted books that bear the title: “grumpy old git’s guide to life” or variants thereof.
But no one is what they seem.
I also have this computer, you see? I spend a lot of time with it, often late into the night, when my family are asleep (like I’m doing now). Among all the master copies of the stories I have written, and the blog drafts, there’s a special file and it’s encrypted. Creepy, isn’t it?
I mention this in order to test your reaction.
I wager a “normal” person will smirk and assume my secret file hides the pornographic gleanings of the internet’s seedier side – possibly of a darkly perverted nature – because “normal” people are wont to assume the worst in others, especially of the introverted loners of this world, who are always the first casualties when unsavoury aspersions are cast, and girls go missing. If you’re thinking the same, I forgive you, but there is no pornography on my computer. The file contains only text – millions of words of text. It is the sea upon which my stories float.
It contains my personal journal, along with various other writings – free writing, active imagination, my dream journal too – dark, sometimes, yes, and strange, but hardly pornographic.These are the accounts of the inner life I lead. They are the dialogues with my soul. Incomprehensible to others, but entirely innocent. So why lock them up?
Well, in the real world a man might be happily married, but that won’t stop him from experiencing dreams in which he’s having sex with unknown women, or of being romantically pursued by other women – and enjoying it – or that he’s in love with other unknown women. To the unimaginative man, otherwise loyal to his mate, such dream material will be a source of concern – even torment. To the religious zealot it will be morally shameful and worthy of self flagellation. To the unimaginative mate presiding in judgement over them, they might assume they are dreams of wish fulfillment and grounds for divorce.
But this talk of extramarital sin is dull. What else might I have dreamed? That I am a murderer? a sodomite? or worse: a woman! Well, mostly my dreams are less controversial, just your usual surreal strangeness. But those of us who live the imaginative life are obliged to enter into deeper dialog with the denizens of this strangeness. Failure to do so results in troublesome neuroses as these psychical energies bubble up in ways both unexpected and shockingly various.
Conversations with such strange archetypes allow us to make the necessary accommodations with unconscious energies, and we are rewarded for our trouble with pertinent insights into whatever ails us, also a greater sense of wholeness when we begin to see the interconnected nature of the inner and the outer life.
Meanwhile, to the unimaginative thinker, our writings will appear as the ravings of a lunatic, or as literal confessions to unspeakably vile cravings, because the unimaginative person tends to keep to a very narrow definition of “normality”, and fails to grasp the subtle differences between the literal and the non-literal world.
A romantic might write of pining for a lost love, for a warm hand to guide them through the fog of their lives. I’ve done this, and find there is no other cure as effective for a bad case of the black dog, but would a future reader of my private notes be able to tell the difference between a psychical muse and a mortal lover? I am not concerned with posterity here, but the day to day smooth running of the ordinary life I cherish and would not sacrifice on the rocks of misunderstanding for anything.
So to answer my own question, the private notes of the imaginative thinker can be shown to no one, least of all those we love. I think of this in terms of protecting others from the full force of the imaginative world, because not everyone’s equipped to deal with it.
When a writer puts pen to paper and publishes a story, whatever the content, there is always the assurance that it is “only a story” and we might therefore be forgiven much that would otherwise appear dubious. But the imaginative person also knows the story floats upon a sea of other words – an ocean of free writing if you like – a mish mash of outpourings from the unconscious. And the free-est writing is pursued when we’re not worried about it being fished out of the waste bin by a curious lover or progeny, then picked apart with a lexicon that is ill equipped for the task of accurate translation.
I know – we introverted artist types are difficult to live with. Indeed it’s cruel we’re inflicted on the lives of normal people at all. We are uncommunicative and secretive, but we exist, and we must deal with stuff that would scare the pants off others. We do this the best way we can. And sometimes that means in secret.
If you live among normal people, yet keep a private diary, or you like free-writing, you mustn’t be afraid of pushing it into areas you would ordinarily avoid lest your blather be discovered and instantly misconstrued, because then you’re not being true to your inner life. Your life is being distorted by seeing yourself through the lens of someone else’s eyes. Let your free-writing, your personal journalling take you along the roads less travelled, to the core of your self, through the dense forest of your innermost thoughts. Be not ashamed then to discover your most surprising beliefs, nor to indulge in your most self indulgent fancies – it can be profoundly rewarding. But, encrypt it or be damned.
Because normal people are weird.
You know, as introverted as I am, I am also constitutionally incapable of keeping my writings secret. You are likely wise to show such reserve. I suspect my penchant for unguarded self-revelation has cost me much over the years.
Hi Tony.
Yes, if we’re too unguarded it can scare people. Thanks for the reply.
Regards
Michael
I confess I have streams of deep consciousness poured onto the super secret pages of journals that sit on the tippy-top shelf of my closet. Not quite the firewall of encryption you suggest, I imagine. However, I have allowed myself to explore the inner-workings of my core, which at times has surprised me and would no doubt shock others.
I value these intimate sessions with myself because it is through these writings I am able to discover and discuss “real-life” ruminations that are “safe” for others to consume, yet still connect in a raw and authentic way with readers. If that makes any sense… 😉
Hi Leanne, yes, this makes sense to me. It’s a question of discernment, what we choose to reveal. “intimate time with ourselves” is a great way of putting it. Our inner self can become petulant, like a child, if ignored for too long. I used to keep paper diaries – something pleasing still in the use of a favourite pen on paper, but as I went on I became increasingly self conscious lest my ramblings be discovered. I tried code for a while – still use that for the occasional notes – but it’s hard work reading back.
Best wishes
Michael
I’ve struggled with the same issues you describe so precisely. When I first began keeping a journal, several years ago, I loved being able to ramble and explore my inner self with complete freedom, without being accountable to anyone.
After two or three years of this, however, it seemed like the energy I put into writing was dwindling, and my accounts of my inner life were almost unreadable even to me.
When I decided to be more open with this highly personalized way of writing, my voice changed from private to public. Not quite as free, all of a sudden, but more discerning in how I used my energy.
To me, the change from hiding to going public, was an artistic exercise that I came to enjoy. When I really do pull something out of my more contemplative or intuitive self, I have the option of blocking it from public view.
Still, sometimes I wonder to myself if it’s okay for me to hit the Publish button.
Great post, Michael! I won’t tell anyone. Promise.
Thanks for the comment, Tom. It’s sometimes a challenge, deciding what to reveal and what to keep secure. I also have the added security of a psudonym, and not many people can link it to the real 9-5 me.
“Question: should a writer keep his dialogues with his soul secret, even from those he loves?”
Yes. A thousand times, YES.
It is a matter of existential importance (and I am not exaggerating)..
Words are the building blocks of our prison, collective and individual.
And again, I am not exaggerating. Nor am I speaking in metaphors.
I think it’s safe to say we’re in close agreement on this one. Thanks very much for commenting. Words are prisons. Literally. 🙂