Everything changes – it’s perhaps the most fundamental law of the cosmos. In human terms its workings are most easily observable in our ever changing environment and anyone of a philosophical bent can understand that things must change, that in a sense this is the only way time can make its presence known, but what is less clear to me is why change, and in particular human driven change, must always manifest itself in the transformation of potent beauty into soulless crap.
I visited my mother today. She’s recently turned eighty and continues to live in the same little semi she moved into when she married in 1959. Growing up there, I remember all the gardens in the street being well kept and my mother, struggling now with arthritis, still battles gamely with the little patch of earth she calls her own. Our neighbour’s garden too was a thing of great beauty – neatly clipped privet hedges, green velvet lawns and a line of the most magnificent cherry trees. Alas no more. The old guy passed on some years ago and, after going to seed for a bit, the house was bought by a property developer who, with an eye for the market, set about doubling its size. The privet hedges were replaced by brick walls and the grass and the cherry trees have long since been replaced by concrete. A four by four pick up truck was sitting there this weekend with all the grace of a carbuncle. There are security lights and cameras, but not a blade of grass, not a bush, not a border, not a bit of colour – summer or winter – just bland brick. It ticks all the right boxes on the estate agent’s spread-sheet and, though it’s ugly as sin, it’s probably worth a lot of money. In a similar way the gardens up and down the street are winking out one by one, to be replaced by concrete or limestone chippings for people to park their unsubtle status symbols on.
Whenever I visit my mother I take the opportunity also to visit the valley of the river Rye, where, as a child, I did all of my exploring. The Rye is not it’s real name, and you must forgive me for that, because this is a sensitive environment, on the delicate urban fringe and already under threat. You walk out of the village and descend a stony little track, past the grand old house that used to be admired by all – 1920’s style, white rendered, big French doors, letting out onto terraced gardens. There used to be a dove-cote fixed up under its eaves, a beautiful triangular thing with the doves flying in and out cooing and adding a civilised grace to the scene. When the old gentle-folks who lived there passed on some years ago it was bought by a property developer who virtually demolished the old place and had constructed in its place a dull monstrosity of ubiquitous bland brick, surrounded by tall railings, security lights, and cameras. There’s plenty of money there, obviously, but to my mind he seems to have constructed for himself a kind of prison. It is now a property that shouts of ego and success – shouts also that we passer’s by should keep the hell out, or else. As I pass by I wonder what he thinks he’s got that any right minded person would envy?
And then you’re in the valley of the Rye. This really is a special place, and rare, being one of the largest tracts of unspoiled natural woodland left in Lancashire, but, like anywhere else in this overcrowded island of ours, its being slowly nibbled away by time and progress and the inexorable urge of a certain class of mankind who seeks always to “improve” upon his environment by digging it up and building houses on it. In the 1970’s the steeply wooded vale of the Rye was a very quiet place to be, surrounded by rolling farmland. I learned to hunt in it. You could get lost in it, not see a soul all day. But now the urban sprawl encroaches, the meadows succumbing one by one to development, the flags of the house sellers fluttering like the banners of an invading army.
One could never hope to hunt there now. You have only to sit still for a moment, trying perhaps to tune in to the quiet of the woods, for the energy to be disrupted by the passage of a dog-walker. Little bags of dog-poo fester in the places where I might once have lain in wait for hours with the gun, hopeful of a rabbit or a wood pigeon. Really, of all insults to the dignity of the land, these little bags of dog-poo, mystify me. To my mind the dog owner has already undergone the most cringe-making ordeal of picking up his pet pooch’s crap and bagging it, so why not follow through and take it home? Why toss it aside, so that the fetid product of his pet’s toilet can be preserved for years? Is it some kind of statement? A marking of territory? Really, I do not understand! And besides the poo, of course there are beer-cans everywhere, scattered by the same feral brats who see no wrong in breaking off the boughs of the oaks and sycamores and the beech trees, for no other reason than they can, and who’s going to stop them anyway and what does it matter because life is shit and then you die innit? – or some other nihilistic nonsense that our ever more educated yet ever more disconnected youngsters seem to insist upon as being the only valid reality.
I’ve been watching a meadow here, overlooking the valley of the Rye, for the past ten years, knowing that it would fall one day. And this weekend I found that it had. It’s at the far end of my circuit, and was purchased some time ago, I suspect, by a sophisticated breed of developers: speculators who would snap up relatively worthless agricultural land and gamble on their ability to push though planning permission for houses. Indeed for ten long years I’ve feared houses, but instead, today, I found the meadow had been replaced by a peculiar kind of parkland – the fallow land excavated back to bare earth, the stoney track replaced with quaint little gravel walkways. Trees had been planted, benches had been spread about, and there were litter bins. Heaven preserve us – the mother of all disasters! Litter bins!
It’s hard to explain to anyone who had not walked through that meadow, before this train wreck of a transformation was wrought, what that meadow felt like all the years of my life. There was something uplifting about it – the light, the run of the path by the old thorn hedgerow. It was simple, effortless, like a case study in Zen – if there can ever be such a thing. But now its gone and it looks like – I don’t know – like all these attempts at planned prettification do, where no prettification is needed: like a garden of remembrance. The benches will bring the carrier-bag toting gawpers, who will leave their carrier bags behind, they will spray graffiti, and leave little bags of dog-poo on the paths. The litter bins will overflow and the sloppy leavings of these urbanised muppets will blow down into the Rye like a toxic waste, further dissipating what magical energy there remains.
When I was a teenager, like all teen-aged lads, I found myself desperately and hopelessly in love with a very beautiful girl. I didn’t stand a chance with her, and I knew it. At such times a simple circuit of the Rye was of great comfort to me, and I remember walking up towards this meadow from the shadow of the wood. It was a humid summer’s evening, a hint of thunder in the air. The girl in question would be in town that night, and I was wondering about putting myself within her careless sphere, so I could gaze puppy eyed at her and wait for her to make the first move, which of course she never would because she didn’t even know my name.
Coming up to the meadow, I was looking at the outline of a grand old beech tree. It had stood there for centuries, its shape tilted back against the prevailing wind. The air was still and the sky beyond was turning pink. It was a perfect moment, a moment burned deep into memory. I decided not to go into town. I didn’t need her. I was okay – the earth had restored my sense of self worth, sobered me, granted me the gift of a higher perspective. The houses were a long way off in those days, a good ten or fifteen minute’s walk. Now they’re within spitting distance and walking up to that same meadow now all you see is that line of park benches, and I feel like someone’s fouled my memory, hurled bags of dog-poo at it.
I cannot bring back that evening, nor the sense of transcendence, but so long as the land had remained in possession of its spirit, its energy, its ghosts, there was nothing to prevent it from rendering similar service again some day. I may feel differently about this in the years to come and certainly park benches are a better fate than houses, but as usual I have more the sense of something precious that’s been lost.
A muddy path winds its way through the curving meadow. The morning mist rises from the Rye and spills over in pale wreaths that spread over the green. It requires nothing more complicated than that to give rise to the most profound, heart wrenching beauty. To take advantage of what that path has to offer, you have only to put your feet upon it and walk its length. You do not need to replace the muddy path with compacted gravel walkways, and you do not need to scrape away the rough green pasture of our grandfathers, in order to plant fledgling ornamental trees that the yobs will break long before they ever see a bud, and you do not plant park benches upon it, for suddenly the very thing that made the place so special has gone – obliterated by its apparent improvement.
Am I a fool to feel this way? Or am I the only one with eyes to see?
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