Allow me to introduce you. This is Adrienne Divine. She’s thirty five, British, and a former university lecturer now working as an estate agent in Carnforth, Lancs. Two years ago she had a serious car accident which left her in a coma. When she came round some weeks later, she discovered her husband – whom she’d not been getting along with for a while – had decamped to his native America, taking their two children with him.
In the movies, she would have flown over there straight away, engaged a ruggedly handsome lawyer and, after a dramatic legal battle, plus a threadbare sub-plot involving lots of guns, drug dealers and high speed car chases, she would have taken her husband to the cleaners, had her sweet revenge on him, rescued her children and brought them safely back to Blighty. She would also probably have fallen in lust with the lawyer enabling the inclusion of a fairly tame boobs and butt love-scene – her stretchmarks and his bald-spot being expertly fuzzed out by CGI of course.
But this isn’t the movies, and Adrienne’s broke. She’s currently moving from one low paid job to another, barely able to cover the rent, let alone jet off to the States for an uspecified period of time and pay a lawyer thousands of dollars by the hour in order to untangle a messy affair, none of which is her fault. So she does what most ordinary people would do – they absorb the devastating hurt, and just get on, day to day, as best they can while hoping for a miracle.
Then Adrienne meets Phil, who’s not exactly the miracle she was hoping for, but it’s just possible he could be the next best thing. He’s a prospective buyer for a house her agency is trying hard to flog, but it’s a flat market and there’s something about the house that makes it even harder to sell. It’s remote, stuck out on a tidal island where it gets cut off by the sea for twelve hours out of twenty four. No one in their right mind, other than a hermit or a recluse, would ever consider buying it.
Phil is an oil and gas-industry geologist, struggling to adjust to a mainly desk-bound job in Manchester. A decade ago, he was involved in an accident flying out to a rig in the Atlantic which left six of his colleagues dead. Still suffering from PTSD, discontented by his bureucratic post, and perhaps even a little menopausal by now, he’s looking to buy somewhere really cheap, then quit the job and live frugally off his savings until the company pension kicks in. He doesn’t care what he does, so long as it’s different and he doesn’t have to explain himself to anyone while he’s doing it.
Phil and Adrienne meet when he turns up at the office and she’s delegated, against her will, to drive him out to the house. He falls in love with her at once – well, who wouldn’t? But he also finds her cold, prickly and remote. She thinks he’s a boring, faceless corporate drone who talks too much. Plus he’s ten years older than she and her life’s complicated enough as it is without getting involved with another man.
They aren’t the most likely of lovers then.
The house doesn’t really suit him. It’s too close to the sea for a start which has a habit of irritating his neuroses, and he’s decided too much solitude wouldn’t be good for him anyway, that living out on a tidal island would be like casting himself adrift. But he goes along with Adreinne to view the place because he doesn’t want to come across as a prat and a time-waster. There something listless about him – he’s ambivalent about the house, confused, and looking like a man becalmed, waiting for a stiff wind to fill his sails.
As unlikely as it seems, these two will become lovers at some point – indeed their unfolding story seems contrived by fate in such a way as to make it almost inevitable; while they’re out on the island, the tide comes in earlier than predicted, on account of a storm surge, trapping them there overnight. They’ve no choice then but to find a way of getting along and after a shaky start, by morning both have got more than they bargained for. Less inevitable however, is the degree to which Phil and Adrienne discover in each other the catalyst for triggering a shift in mental perspective, enabling them to suddenly transcend their personal demons, and kindle fresh meaning for their lives.
Adrienne once wrote poetry, lectured in English Lit, also Psychology and Philosophy. As a girl she also dabbled in bedroom witchcraft, a practice through which she finds increasing comfort now as means of self empowerment in a world that appears to have otherwise stripped her of everything else. And Phil’s not the corporate drone he appears in his plain grey suit and plain grey rep-mobile of a car. He sees things, hears things, imagines things that inform his intuition in a way that goes beyond the rational.
He also draws pictures like the one he did of Adrienne, and posts them on Flickr,…
Having grown up in a society that frowns on the “irrational”, the emotional, and the intuitive, they’re both embarrassed to admit this side of themselves in public, yet both begin to see their salvation depends not only on admitting their true inner natures, but embracing them – that only when envisoned through the lens of a romantic, mystical and even a magical perspective, can the world begin to mean anything again.
I’m writing this down in precis form because I want to get at the essence of what their story is about, and sometimes you need to get outside of it to do that, just like you can’t always see where you’re going for the lay of the land. And it’s beginning to make sense, what Phil and Adrienne have been telling me.
I’ve been trying to solve the puzzle of their story for about a year now, since they first came to see me with their unlikely opening scenario and persuaded me it would be worthwhile running with it. Sure, there’ll be several more drafts to go before I’ve wrung every last drop of meaning out of it, but the majority of the work is done. I can sit back and enjoy the ride now, without the worry of not knowing where we’re going any more.
Just because I talk to ghosts, it doesn’t make me insane, and I’m no longer ashamed to admit it. They dictate my stories for me, and I learn a lot from them. And Adrienne, a very particular ghost on this occasion, is telling me there’s no such thing as a small life, that we’re all heroes because to paraphrase the song, our skins are so soft and even supposedly ordinary lives can sometimes be very, very hard.
Thanks for listening.